Uploaded November 2024 | Updated September 2026, 2 weeks ago
Available now on major streaming platforms:
Spotify: open.spotify.com/album/6WaIJdGpO9uVdyLoSwbliQ
Apple Music: music.apple.com/us/album/get-behind-the-mule-single/1784027148
TIDAL: tidal.com/browse/album/404235734
Amazon Music: amazon.com/music/player/albums/B0DPRBNXD2
Deezer: deezer.page.link/BaR4EPHnwwP1yzdE8
My originals EP "The Lockdown Sessions", available to listen and buy on Bandcamp: jarrodgrgic.bandcamp.com/album/the-lockdown-sessions
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Hey people, here's a cover of the Tom Waits track "Get Behind The Mule".
I always really liked this track from the Mule Variations album, but when I heard the "Spiritual" version that came out recently, which was a completely different arrangement from the final studio version, I wanted to do a cover based on that arrangement.
I wanted to get a roomy sound without having to rely on a big reverb plugin (though a reverb was still added in mixing), so I had the DX7 running in parallel to my Jazz Chorus amp for monitoring, and used a couple of pencil condenser mics in an ORTF arrangement (picking up both the DX7 and vocals in the room) which added a lot of depth to the mix. This same technique was used on the lead guitar tracks.
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Mastered at -1.5% Varispeed (A=433.4Hz)
Programs used:
DAW: Logic Pro 10.6.3
Video Editing: Vegas Pro 18
Instruments:
- Electric Guitar: Homemade JBG-6
- Piano/Synth: Yamaha DX7
Gear:
- Guitar Amp: Roland JC-120 Jazz Chorus
- Compressor: Boss CS-2 Compression Sustainer
- Overdrive: Boss BD-2W Blues Driver
Interface: PreSonus FireStudio Project
Microphones:
- sE Electronics sE8 (x2) (Room)
- Sennheiser e906 (Vocals)
- Shure SM57 (Electric guitar)
Camera: Panasonic G95
VCR: Sony SLV-X827
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Guitar Tunings and Gauges:
Homemade Guitar
- E Standard (E-A-D-G-B-E)
- Ernie Ball Hybrid Slinky (9-46)
Twitter: twitter.com/ImAFutureGH
Facebook: facebook.com/ImAFutureGuitarHero
Available now on major streaming platforms:
Spotify: open.spotify.com/album/6WaIJdGpO9uVdyLoSwbliQ
Apple Music: music.apple.com/us/album/get-behind-the-mule-single/1784027148
TIDAL: tidal.com/browse/album/404235734
Amazon Music: amazon.com/music/player/albums/B0DPRBNXD2
Deezer: deezer.page.link/BaR4EPHnwwP1yzdE8
My originals EP "The Lockdown Sessions", available to listen and buy on Bandcamp: jarrodgrgic.bandcamp.com/album/the-lockdown-sessions
-----
Hey people, here's a cover of the Tom Waits track "Get Behind The Mule".
I always really liked this track from the Mule Variations album, but when I heard the "Spiritual" version that came out recently, which was a completely different arrangement from the final studio version, I wanted to do a cover based on that arrangement.
I wanted to get a roomy sound without having to rely on a big reverb plugin (though a reverb was still added in mixing), so I had the DX7 running in parallel to my Jazz Chorus amp for monitoring, and used a couple of pencil condenser mics in an ORTF arrangement (picking up both the DX7 and vocals in the room) which added a lot of depth to the mix. This same technique was used on the lead guitar tracks.
-----
Mastered at -1.5% Varispeed (A=433.4Hz)
Programs used:
DAW: Logic Pro 10.6.3
Video Editing: Vegas Pro 18
Instruments:
- Electric Guitar: Homemade JBG-6
- Piano/Synth: Yamaha DX7
Gear:
- Guitar Amp: Roland JC-120 Jazz Chorus
- Compressor: Boss CS-2 Compression Sustainer
- Overdrive: Boss BD-2W Blues Driver
Interface: PreSonus FireStudio Project
Microphones:
- sE Electronics sE8 (x2) (Room)
- Sennheiser e906 (Vocals)
- Shure SM57 (Electric guitar)
Camera: Panasonic G95
VCR: Sony SLV-X827
----
Guitar Tunings and Gauges:
Homemade Guitar
- E Standard (E-A-D-G-B-E)
- Ernie Ball Hybrid Slinky (9-46)
Twitter: twitter.com/ImAFutureGH
Facebook: facebook.com/ImAFutureGuitarHero
