Jarrod G [ImAFutureGuitarHero] | Jarrod Grgic - In Any Tongue (David Gilmour Cover) (Music Video) @ImAFutureGuitarHero | Uploaded April 2024 | Updated October 2024, 9 hours ago.
Available now on major streaming platforms:
Spotify: open.spotify.com/album/51NIRMIFFIVJFGBw3sWxMf
Apple Music: music.apple.com/us/album/in-any-tongue-single/1741032002
TIDAL: tidal.com/browse/album/357022299?u
Amazon Music: amazon.com/music/player/albums/B0D1KXSRK6
Deezer: deezer.page.link/mbho6wSGkUnf3nYg6
My originals EP "The Lockdown Sessions", available to listen and buy on Bandcamp: jarrodgrgic.bandcamp.com/album/the-lockdown-sessions
-----
Hey everyone, here's a cover of the David Gilmour song "In Any Tongue".
This was one that I've had in the back of my mind to cover for a while -- "Rattle That Lock" is still sonically one of the best sounding albums in the last 10 years, and hopefully I've somewhat done it justice in this cover.
I think this is one of the best recorded sounds I've gotten out of the piano in the studio, while I normally use large diaphragm condensers (AKG C414 XLS) in a spaced pair configuration, for this I used small diaphragm condensers (Neumann KM184) in XY for the detail, and the large diaphragm condensers in Blumlein configuration a few feet back to pick up the whole piano and a bit of the room sound, and for a song like this which has sections with only piano, it definitely makes a difference.
The lead guitar tone was the main aspect I wanted to get as accurate as possible (while also not being able to use the same gear as was used in the original recording). I was originally going to try and use both a Big Muff Pi-styled fuzz and a Fuzz Face-styled fuzz in parallel to two amps (both of which Gilmour used in different eras of Pink Floyd), but because of the way the Fuzz Face circuit is designed it generated much more noise in that setup than if it was run by itself into one amp, so I swapped it out with my HM-2 (which Gilmour also used in the 80s Pink Floyd era).
-----
Programs used:
DAW: Logic Pro 10.6.3
DAW (Drums / Bass): Pro Tools HD 10
Video Editing: Vegas Pro 18
Instruments:
- Acoustic Guitar: Takamine EGS530SSC
- Electric Guitar: Fender 1982 Stratocaster
- Bass Guitar: G&L L-2000
- Drums: Pearl 6-Piece Vision SST Birch
- Snare: Yamaha Stage Custom Steel 14x6.5"
- Hi-Hats: Zildjian "A" New Beat 14"
- Crash Cymbal 1: Zildjian "A" Medium Thin 18"
- Crash Cymbal 2: Zildjian "A" Sweet Ride 21"
- Ride Cymbal: Sabian "AA" Medium 20"
- Grand Piano: Yamaha C5
- Organ: Nord Electro 4 SW61
- Electric Piano, Synth Strings: Korg M1
Gear:
- Guitar Amp 1: Orbitek Prototype 2x12
- Guitar Amp 2: Roland JC-120
- Guitar Fuzz: Homemade Pi-Style Fuzz
- Guitar Distortion: Boss HM-2 Heavy Metal
- Bass Compressor: Boss CS-2 Compression Sustainer
- Bass Preamp: Tech 21 SansAmp YYZ
Interface: Roland STUDIO-CAPTURE UA1610
Interface (Drums and bass): Digidesign 96 I/O
Microphones:
- AKG C414 (x2) (Acoustic guitar, grand piano room, snare top and bottom, vocals)
- Beyerdynamic M88 TG (Kick)
- Electro-Voice RE20 (Floor tom)
- Neumann KM184 (x2) (Drum overheads, grand piano)
- sE Electronics sE8 (Cabasa, tambourine)
- Sennheiser e906 (x2) (Electric guitar)
- Sennheiser MD421 (x3) (Rack toms)
Cameras:
- Panasonic G95
- Main Lens: Olympus M.Zuiko Digital 17mm f/1.8
- Zoom Lens: Panasonic Lumix G 12-60mm f/3.5-5.6
- Canon XF105
----
Guitar Tunings and Gauges:
Takamine EG530SSC
- E Standard: E-A-D-G-B-E
- Elixir Nanoweb Phosphor Bronze Custom Light (11-52)
Fender 1982 Stratocaster
- E Standard: E-A-D-G-B-E
- Ernie Ball Hybrid Slinky (9-46)
G&L L-2000
- E Standard: E-A-D-G
- Unknown roundwounds
Twitter: twitter.com/ImAFutureGH
Facebook: facebook.com/ImAFutureGuitarHero
Available now on major streaming platforms:
Spotify: open.spotify.com/album/51NIRMIFFIVJFGBw3sWxMf
Apple Music: music.apple.com/us/album/in-any-tongue-single/1741032002
TIDAL: tidal.com/browse/album/357022299?u
Amazon Music: amazon.com/music/player/albums/B0D1KXSRK6
Deezer: deezer.page.link/mbho6wSGkUnf3nYg6
My originals EP "The Lockdown Sessions", available to listen and buy on Bandcamp: jarrodgrgic.bandcamp.com/album/the-lockdown-sessions
-----
Hey everyone, here's a cover of the David Gilmour song "In Any Tongue".
This was one that I've had in the back of my mind to cover for a while -- "Rattle That Lock" is still sonically one of the best sounding albums in the last 10 years, and hopefully I've somewhat done it justice in this cover.
I think this is one of the best recorded sounds I've gotten out of the piano in the studio, while I normally use large diaphragm condensers (AKG C414 XLS) in a spaced pair configuration, for this I used small diaphragm condensers (Neumann KM184) in XY for the detail, and the large diaphragm condensers in Blumlein configuration a few feet back to pick up the whole piano and a bit of the room sound, and for a song like this which has sections with only piano, it definitely makes a difference.
The lead guitar tone was the main aspect I wanted to get as accurate as possible (while also not being able to use the same gear as was used in the original recording). I was originally going to try and use both a Big Muff Pi-styled fuzz and a Fuzz Face-styled fuzz in parallel to two amps (both of which Gilmour used in different eras of Pink Floyd), but because of the way the Fuzz Face circuit is designed it generated much more noise in that setup than if it was run by itself into one amp, so I swapped it out with my HM-2 (which Gilmour also used in the 80s Pink Floyd era).
-----
Programs used:
DAW: Logic Pro 10.6.3
DAW (Drums / Bass): Pro Tools HD 10
Video Editing: Vegas Pro 18
Instruments:
- Acoustic Guitar: Takamine EGS530SSC
- Electric Guitar: Fender 1982 Stratocaster
- Bass Guitar: G&L L-2000
- Drums: Pearl 6-Piece Vision SST Birch
- Snare: Yamaha Stage Custom Steel 14x6.5"
- Hi-Hats: Zildjian "A" New Beat 14"
- Crash Cymbal 1: Zildjian "A" Medium Thin 18"
- Crash Cymbal 2: Zildjian "A" Sweet Ride 21"
- Ride Cymbal: Sabian "AA" Medium 20"
- Grand Piano: Yamaha C5
- Organ: Nord Electro 4 SW61
- Electric Piano, Synth Strings: Korg M1
Gear:
- Guitar Amp 1: Orbitek Prototype 2x12
- Guitar Amp 2: Roland JC-120
- Guitar Fuzz: Homemade Pi-Style Fuzz
- Guitar Distortion: Boss HM-2 Heavy Metal
- Bass Compressor: Boss CS-2 Compression Sustainer
- Bass Preamp: Tech 21 SansAmp YYZ
Interface: Roland STUDIO-CAPTURE UA1610
Interface (Drums and bass): Digidesign 96 I/O
Microphones:
- AKG C414 (x2) (Acoustic guitar, grand piano room, snare top and bottom, vocals)
- Beyerdynamic M88 TG (Kick)
- Electro-Voice RE20 (Floor tom)
- Neumann KM184 (x2) (Drum overheads, grand piano)
- sE Electronics sE8 (Cabasa, tambourine)
- Sennheiser e906 (x2) (Electric guitar)
- Sennheiser MD421 (x3) (Rack toms)
Cameras:
- Panasonic G95
- Main Lens: Olympus M.Zuiko Digital 17mm f/1.8
- Zoom Lens: Panasonic Lumix G 12-60mm f/3.5-5.6
- Canon XF105
----
Guitar Tunings and Gauges:
Takamine EG530SSC
- E Standard: E-A-D-G-B-E
- Elixir Nanoweb Phosphor Bronze Custom Light (11-52)
Fender 1982 Stratocaster
- E Standard: E-A-D-G-B-E
- Ernie Ball Hybrid Slinky (9-46)
G&L L-2000
- E Standard: E-A-D-G
- Unknown roundwounds
Twitter: twitter.com/ImAFutureGH
Facebook: facebook.com/ImAFutureGuitarHero
