Uploaded September 2019 | Updated September 2026, 40 minutes ago
To hear the sound Jane Austen would have heard, step back in time as Ros, wearing Regency costume, reading from original 200 year old music, plays an original 1812 Broadwood Elegant Square piano. The skills have not changed - only the player is modern.
When Jane Austen wrote in Emma about Jane Fairfax playing Robin Adair on her mysteriously donated square piano, we think she was writing about not the simple folk song but the more complicated Variations on Robin Adair written by George Kiallmark.
Why? Because a copy of this is in her music collection which has fortunately survived. Jane clearly knew the piece, so why would she not have it in mind when writing? Further, Jane Fairfax was in the novel a very good pianist, so would be more likely to play something a little more challenging than just the simple folk tune.
We have been fortunate to obtain an original example of this from the same print run as that found in the Austen Collection.
Did this very piano belong to Jane Austen? See our post Jane Austen and the Mystery of the Square Piano at:
youtube.com/watch?v=L4DgURtSph4&t=31s
To hear the sound Jane Austen would have heard, step back in time as Ros, wearing Regency costume, reading from original 200 year old music, plays an original 1812 Broadwood Elegant Square piano. The skills have not changed - only the player is modern.
When Jane Austen wrote in Emma about Jane Fairfax playing Robin Adair on her mysteriously donated square piano, we think she was writing about not the simple folk song but the more complicated Variations on Robin Adair written by George Kiallmark.
Why? Because a copy of this is in her music collection which has fortunately survived. Jane clearly knew the piece, so why would she not have it in mind when writing? Further, Jane Fairfax was in the novel a very good pianist, so would be more likely to play something a little more challenging than just the simple folk tune.
We have been fortunate to obtain an original example of this from the same print run as that found in the Austen Collection.
Did this very piano belong to Jane Austen? See our post Jane Austen and the Mystery of the Square Piano at:
youtube.com/watch?v=L4DgURtSph4&t=31s




![The Suwarrow Waltz - Regency Rum Bluffers
We present for you a piece of music probably not heard for over 200 years. Found in the British Library, this music was written by Jane Austens music teacher, George William Chard to celebrate the military successes of Field Marshal Suvarov (known then in Britain as Suwarrow) during the Napoleonic Wars. Chard wrote and published this music just before Jane Austen left Steventon to go to live in Bath, bringing her music lessons with him to an end.
In 1799, (not 1796 as Chris excitedly says) at the highlight of an illustrious career, Suvorov was given command of the Austro-Russian army and sent to drive Frances forces out of Italy.
Suvorov and Napoleon never met in battle because Napoleon was campaigning in Egypt at the time. However, Suvorov erased practically all of the gains Napoleon had made for France during 1796 and 1797, defeating some of the republics top generals, afterwards being ordered to join other armies in Switzerland and carrying out a masterful strategic withdrawal across the Alps. His military theories and strategy are still influential - one of them even becoming a Russian Proverb - Train hard, fight easy Many Military academies are still named after him and The Order of Suvarov is still a medal awarded for bravery by serving Russian soldiers.
He was feted in Britain for his achievements, even being mentioned by a French character in a pantomime:
Ah, malheureux! ah miserable Moreau! [a French General of the time]
Sir Sidney here; in Italy Suwarrow! The Suwarrow Waltz - Regency Rum Bluffers](https://i.ytimg.com/vi/Sge4wEaa-J4/mqdefault.jpg)





