Uploaded May 2019 | Updated September 2026, 2 weeks ago
Psappha Ensemble - psappha.com - Benjamin Powell (piano) and Tim Williams (percussion)
!Please use headphone for the best audio quality!
An amalgam is any combination of different elements, typically combined in such a way as to form a consistent new whole. This piece is shaped by a series of textures in which the timbre of the piano amalgamates with a range of percussive timbres. Bound together by a recurring motif, these textures are juxtaposed to create a piece in which one’s sonic perspective is constantly shifting; the effect is something akin to viewing a landscape from a series of vantage points, an effect which is enhanced by the cyclical nature of the musical ideas. Rotating like sculptural mobiles, these ideas focus on the gestural possibilities of this instrumental combination. A chromatic harmonic language and energetic use of rhythm further encourage the listener to hear shapes, textures, and edifices. Whilst aspects of this musical landscape are dark, craggy even, the piece begins and ends with a delicate chiming texture in the piano, suggestive of some ethereal, partially-seen world.
Learn more about James: jamesmoriarty.net
Psappha’s ‘Composing for…’ programme is supported by: Arts Council England; Garfield Weston Foundation; Idlewild Trust; PRS Foundation Talent Development Partner scheme; Radcliffe Trust; and RVW Trust.
Psappha Ensemble - psappha.com - Benjamin Powell (piano) and Tim Williams (percussion)
!Please use headphone for the best audio quality!
An amalgam is any combination of different elements, typically combined in such a way as to form a consistent new whole. This piece is shaped by a series of textures in which the timbre of the piano amalgamates with a range of percussive timbres. Bound together by a recurring motif, these textures are juxtaposed to create a piece in which one’s sonic perspective is constantly shifting; the effect is something akin to viewing a landscape from a series of vantage points, an effect which is enhanced by the cyclical nature of the musical ideas. Rotating like sculptural mobiles, these ideas focus on the gestural possibilities of this instrumental combination. A chromatic harmonic language and energetic use of rhythm further encourage the listener to hear shapes, textures, and edifices. Whilst aspects of this musical landscape are dark, craggy even, the piece begins and ends with a delicate chiming texture in the piano, suggestive of some ethereal, partially-seen world.
Learn more about James: jamesmoriarty.net
Psappha’s ‘Composing for…’ programme is supported by: Arts Council England; Garfield Weston Foundation; Idlewild Trust; PRS Foundation Talent Development Partner scheme; Radcliffe Trust; and RVW Trust.
