tomekkobialka | HEKLA by Jón Leifs @tomekkobialka | Uploaded March 2021 | Updated October 2024, 1 week ago.
Performed by Iceland Symphony Orchestra conducted by En Shao
Date of composition: 1961
Jón Leifs was a highly individual voice who ushered in a style of Icelandic nationalism in music, much the way Sibelius did in Finland. Not that his music sounded anything like that of Sibelius: Leifs was a modernist, perhaps not as radical as Schoenberg and his disciples, but a creator of imaginative, often compelling scores that were not easily accessible. His music typically features string tremolos, chordal progressions that evolve slowly, frequent use of parallel fifths, as well as thirds and fourths, and an often harsh and primitive sound. He also frequently used folk melodies and styles, and like Bartók, made several efforts to collect folk themes. As an orchestrator he set himself apart from most of his contemporaries in his colorful manner of scoring and use of primitive-sounding percussion instruments: anvil, chains, and even rocks. His choral and vocal writing is often just as unusual, making enormous demands on the performer, with challenging leaps and uncomfortably high notes, as well as other bewildering requirements. While Leifs' music is not internationally popular, many of his compositions are available on recordings, and renewed interest in his works since the late twentieth century augurs well for his future reputation.
(Source: arkivmusic.com/composers/leifs-jon-25712#taboverview)
Video inspired by the recent eruption of Mount Fagradalsfjall.
Performed by Iceland Symphony Orchestra conducted by En Shao
Date of composition: 1961
Jón Leifs was a highly individual voice who ushered in a style of Icelandic nationalism in music, much the way Sibelius did in Finland. Not that his music sounded anything like that of Sibelius: Leifs was a modernist, perhaps not as radical as Schoenberg and his disciples, but a creator of imaginative, often compelling scores that were not easily accessible. His music typically features string tremolos, chordal progressions that evolve slowly, frequent use of parallel fifths, as well as thirds and fourths, and an often harsh and primitive sound. He also frequently used folk melodies and styles, and like Bartók, made several efforts to collect folk themes. As an orchestrator he set himself apart from most of his contemporaries in his colorful manner of scoring and use of primitive-sounding percussion instruments: anvil, chains, and even rocks. His choral and vocal writing is often just as unusual, making enormous demands on the performer, with challenging leaps and uncomfortably high notes, as well as other bewildering requirements. While Leifs' music is not internationally popular, many of his compositions are available on recordings, and renewed interest in his works since the late twentieth century augurs well for his future reputation.
(Source: arkivmusic.com/composers/leifs-jon-25712#taboverview)
Video inspired by the recent eruption of Mount Fagradalsfjall.