Uploaded August 2022 | Updated September 2026, 3 weeks ago
Haunted Horses "The Garden" from the album The Worst Has Finally Happened available from Three One G.
Purchase here: threeoneg.com/archive/vinyl/the-worst-has-finally-happened
Haunted Horses is an industrial-punk duo hailing from Seattle, WA. Their sound is thunderous and chaotic, utilizing wall of noise techniques through an onslaught of keys, guitars and drums. Myke Pelly's off kilter drumming and Colin Dawson's architectural noise structures create jittery post-punk that is both upbeat and gloomy. Most recently, the band enlisted Seattle-based bassist Brian McClelland of Filth is Eternal and He Whose Ox is Gored, creating an added level of heavy rhythmic noise that not only contributes an exciting dynamic layer to the album sonically, but to their already-captivating live performance as well. The bleak vocals are persistently ominous in a seductive way, conjuring up the nightmarish aura of a dissonant horror-film soundtrack. With reviewers like Anthony Fantano (Needle Drop) likening their previous work to legendary bands such as Swans, Bauhaus, and Killing Joke, Haunted Horses carry on the tradition of noise that can terrorize as well as entrance, oftentimes simultaneously. This is evident in the list of hard-hitting contemporaries they’ve shared the stage and toured with, including Lingua Ignota, Portrayal of Guilt, A Place to Bury Strangers, Bambara, and Boy Harsher. Fans of Einstürzende Neubauten, Swans, Girl Band, Death Grips, The Soft Moon, Daughters, Street Sects, Ho99o9, and Uniform will find Haunted Horses a welcome addition to their lexicon.
The Worst Has Finally Happened continues in the band’s approach to music as a battering ram into the brain, now as a trio with Myke Pelly, Colin Dawson, Brian McClelland (Filth is Eternal, He Whose Ox is Gored). Sounds sway from mechanical heartbeat thumps and the delay-drenched beeping of echolocation radar devices tracking down a potential victim in “Swarms,” to something resembling an alarm signifying Chernobyl-strength a nuclear meltdown in “Thorns.” Everything feels perfectly orchestrated to leave the listener on edge. It’s hard to tell if Haunted Horses’ music is meant for the hunter or the hunted, but either way, it holds on tight, sinks its claws in and doesn’t let up.
Written & Directed by Brandon Pierce + Rachael Pierce
Performances by Swearxxxwords + Rachael Pierce
Cameras Raymod Sanchez + Jess Paul
Edited, Color Corrected, VFX by Brandon Pierce
Additional VFX Tom Nelson
Production Design, Costume, Makeup Rachael Pierce
Production Assistant Branden Gulledge
Haunted Horses "The Garden" from the album The Worst Has Finally Happened available from Three One G.
Purchase here: threeoneg.com/archive/vinyl/the-worst-has-finally-happened
Haunted Horses is an industrial-punk duo hailing from Seattle, WA. Their sound is thunderous and chaotic, utilizing wall of noise techniques through an onslaught of keys, guitars and drums. Myke Pelly's off kilter drumming and Colin Dawson's architectural noise structures create jittery post-punk that is both upbeat and gloomy. Most recently, the band enlisted Seattle-based bassist Brian McClelland of Filth is Eternal and He Whose Ox is Gored, creating an added level of heavy rhythmic noise that not only contributes an exciting dynamic layer to the album sonically, but to their already-captivating live performance as well. The bleak vocals are persistently ominous in a seductive way, conjuring up the nightmarish aura of a dissonant horror-film soundtrack. With reviewers like Anthony Fantano (Needle Drop) likening their previous work to legendary bands such as Swans, Bauhaus, and Killing Joke, Haunted Horses carry on the tradition of noise that can terrorize as well as entrance, oftentimes simultaneously. This is evident in the list of hard-hitting contemporaries they’ve shared the stage and toured with, including Lingua Ignota, Portrayal of Guilt, A Place to Bury Strangers, Bambara, and Boy Harsher. Fans of Einstürzende Neubauten, Swans, Girl Band, Death Grips, The Soft Moon, Daughters, Street Sects, Ho99o9, and Uniform will find Haunted Horses a welcome addition to their lexicon.
The Worst Has Finally Happened continues in the band’s approach to music as a battering ram into the brain, now as a trio with Myke Pelly, Colin Dawson, Brian McClelland (Filth is Eternal, He Whose Ox is Gored). Sounds sway from mechanical heartbeat thumps and the delay-drenched beeping of echolocation radar devices tracking down a potential victim in “Swarms,” to something resembling an alarm signifying Chernobyl-strength a nuclear meltdown in “Thorns.” Everything feels perfectly orchestrated to leave the listener on edge. It’s hard to tell if Haunted Horses’ music is meant for the hunter or the hunted, but either way, it holds on tight, sinks its claws in and doesn’t let up.
Written & Directed by Brandon Pierce + Rachael Pierce
Performances by Swearxxxwords + Rachael Pierce
Cameras Raymod Sanchez + Jess Paul
Edited, Color Corrected, VFX by Brandon Pierce
Additional VFX Tom Nelson
Production Design, Costume, Makeup Rachael Pierce
Production Assistant Branden Gulledge



![Venamoris So Good [Official music video]
Venamoris So Good from the album Drown in Emotion LP
Available from Three One G: https://threeoneg.com/archive/vinyl/drown-in-emotion
Video by Dennis Bersales: https://www.instagram.com/ashotfortheroad/
Venamoris was founded in 2021 by what can only be called astral influence. Married couple Paula and Dave (Slayer, Fantômas, Testament, Mr. Bungle, Misfits, Dead Cross) Lombardo formed Venamoris as a result of some persistent persuasion on the latter’s part. Dave, who is in charge of drums and production on the record, explains: “Several months after meeting Paula in 2010, she hesitantly shared with me her past decade-long career as the lead back up singer for Wayne Newton. She later played me some of the demos she recorded throughout the years and I was floored by her sonically soothing, rich tone and natural, instinctive ability to harmonize. I was determined to persuade her to return to her creative self. It’s been a deeply gratifying journey witnessing this music come to life.”
Canadian born singer/songwriter Paula Lombardo, who performs vocals and piano for this project, bursts with vulnerability and intimacy, addressing a broad scope of emotion: anger, healing, pain, hope. It’s evident that Venamoris was founded out of love, passion, communication, respect, and trust. One person thriving in music encouraged the other, who had abandoned music to find their way back. It is the result of many late nights with too much wine, and even more truth laid bare: an aural couples journaling generously shared with the world.
Drown In Emotion was recorded and produced at Ritmo Studio by Dave Lombardo. Drum Overdubs recorded at Studio 606. Mixed at Ritmo Studio by David A. Lombardo. Mastered by John Golden at Golden Mastering. Features guest appearances from Tyler Bates (Jerry Cantrell, Manson), Ra Diaz (Korn, Suicidal Tendencies), Jack Gibson (Exodus), George Pajon (Black Eyed Peas, Cairo Knife Fight), and Tim Stewart (Lady GaGa, Damnage). Venamoris So Good [Official music video]](https://i.ytimg.com/vi/AvLjX3tcxWY/mqdefault.jpg)


![Netherlands So Sick [Official video]
Netherlands So Sick from the album, Kali Corvette available here: https://threeoneg.com/archive/vinyl/kali-corvette-lp
Directed by OFCLOUDS
Ben Smith & Cam Vokey
For Vacationland.club
Thanks:
Shirley’s Temple, Heptathlon, Stormcrow, Jason Batcheller, Paul Cendron, Nick Chandler, Erin Colby, Ted Day, Jon Ehlers, Jessie Hillman, Addie Horan, Maggie Horan, Seth Kirby, Jacob Krupnick, Stef McFayden, Dillon Majoros, Melanie Parker, Benny Sanson, Luke Taylor
Netherlands:
Lead singer, multi-instrumentalist, compulsive creator, and unrepentant volume addict Timo Ellis (Yoko Ono, Cibo Matto, Sean Lennon, Joan As Police Woman, Spacehog) formed NETHERLANDS in 2010 in NYC. The band has since shared stages with Napalm Death, Melt Banana, Mutoid Man, Yob, Retox, Black Flag, Eyehategod, Flipper, Martin Rev, The Death Set, Moon Tooth, and Witch Mountain, among many others. Now with drummer David Keith (Rainbow), the band continues to reject restraint in favor of maximum impact: shredding chops, soaring vocals, and maddening hooks. Netherlands crushes decades worth of bombast into psychotropic nuggets of evil sludge-rock bliss, with nods to the dirtbag rituals of 70’s acid rock and punk, the grandeur of 80’s arena rock, and the guttural intensity of 00’s posthardcore.
KALI CORVETTE is Netherlands’ 6th full LP, and features all the hallmarks of Ellis’ work; blistering guitar heroics, primal drumming, and searing caterwauls. However KALI CORVETTE veers bracingly into the realm of electro-noise-punk, ratcheting up the intensity into a uniquely weaponized form of rock that reaches towards high art. The record features guest performances by Gibby Haynes (Butthole Surfers), Michael Kubacki (Car Bomb), Tim Dahl (Lydia Lunch Retrovirus, Child Abuse), Daisy Press (Steve Reich) and Suzanne Von Aichinger (The Suzannes.) KALI CORVETTE is another chapter in the book of a band that’s consistently released heavy music on its own terms and with its own undeniable personality. There’s a reason contemporary heavy luminaries like Joe Duplantier of Gojira and Bill Kelliher of Mastodon count themselves amongst Netherlands’ biggest fans, and KALI COREVETTE’s 7 tracks effortlessly demonstrate NETHrock’s potency once again. Netherlands So Sick [Official video]](https://i.ytimg.com/vi/Cb1IwGTqEPY/mqdefault.jpg)
![FUCK MONEY Demure [Official music video]
Fuck Money Demure from the bands self-titled EP.
Purchase album here: https://threeoneg.com/archive/digital-only/self-titled-4
Fuck Money is an American space punk band based in Austin, TX. The group debuted in October 2021 consisting of members TaSzlin Trébuchet (vocals) Alton Jenkins (drums), Bill Kenny (lead guitar), and Jeremy Humphries (bass guitar). Their sound draws on punk rock, noise, industrial, extreme music and other transgressive subgenres. Fuck Money was formed in 2020 during the latter half of the COVID pandemic that year. After writing their first EP, they spent their time recording at Arroyo Audio. The band has created a reputation of performing high energy, sporadic DIY shows in liminal spaces throughout the dark corners of the city The Austin Chronicle noted how “the band’s churning feedback swirl is equal parts imposing and obfuscating – curiously serene in its refusal to give its sonic-aggression a clear human face.” Their vocalist is also known for donning an unpredictable and tantalizing look at each show.
Fuck Money’s debut self-titled EP on Three One G is six songs of unrelenting ‘space punk,’ drawing influence from punk, noise, industrial, and extreme music elements. Described as sounding like “a fully rabid Deerhoof,” the merciless & melodic stick-work of Alton Jenkins, paired with the visceral intensity of frontman TaSz Trébuchet, guides listeners down a path of challenging, awe-inspiring sonic behavior adorned with biting yet hyper-melodic guitar melodies. Death From Above’s Jesse F. Keeler aptly explains the EP simply as, “Feeling at all costs. If I was trying to explain this to someone with no reference, I’d say it was like a pomegranate. Challenging to get at the fruit, but worth the effort.” FUCK MONEY Demure [Official music video]](https://i.ytimg.com/vi/DYCxpzrwpf0/mqdefault.jpg)


