Uploaded October 2021 | Updated September 2026, 3 weeks ago
"Don't Forget to Live" by Deaf Club from the Productive Disruption LP available from Three One G and Sweatband.
Video directed and edited by Nicholas Crider.
Costume design by Adrienne Shurte and Matt Wild.
Acting by Matt Wild and Tristan Brennis.
Deaf Club is a savage sound bath dripping with sardonicism: a blastbeat-centric hardcore punk assault channeling crust, thrash, and grind (un)sensibilities. Succinct pauses, surreal frequencies and effects, breakneck pace and sharply hurled vocals characterize the band’s aesthetic, which seems as though it is rooted in a sort of nasty-sound-meets-highbrow-message ethos. Fueled by the onslaught of society’s insanity and driven mad by tinnitus, Justin Pearson (The Locust, Dead Cross, Planet B), Brian Amalfitano (ACxDC), Scott Osment (Weak Flesh), Jason Klein (Run With The Hunted), and Tommy Meehan (The Manx, Chum Out!) approach music as an opportunity to confront our collective sicknesses. Last October, the band released their debut EP, Contemporary Sickness, as well as a Remix cassette EP of bonus remixes featuring GothBoiClique’s YAWNS, Bubblegum Octopus, 304angstroms, and DJ Embryonic Petit Sac. More recently, the band released a cover and video of Killing Joke’s “The Wait” as a benefit, with all proceeds going to Fair Fight, an organization founded in 2018 by Stacey Abrams.
"Don't Forget to Live" is a single off of the band’s upcoming debut LP Productive Disruption, which was recorded by Alex Estrada and Tommy Meehan. Mixed by Pseudo Beast. Mastered by Brent Asbury. It is available on limited vinyl, “persecutor color” limited to 700 and “pyrolysis color” limited to 300, as well as a limited 100 cassettes, via Three One G Records.
Order here: threeoneg.com/archive/vinyl/productive-disruption
Ironically, Deaf Club’s debut LP was recorded on the same day as what would become known colloquially as The Insurrection - January 6th, 2021. While the actions that day at The Capitol were aimless, unplanned, asinine and delusional, this album was created in direct opposition without even knowing it: it is intentional, tactical, bitterly relevant. In short, it serves as a productive disruption to the bootlicking, copsucking, flag-fucking frenzy we’ve found ourselves surrounded by. And although the band’s 2019 EP, Contemporary Sickness, delivered its own blastbeat-fueled urgency in message and tone, this full-length ventures deeper into the abyss. Having had time to stew in the cesspool of the last two years and mutating into its newest variant, Deaf Club confidently emerged angrier, evolved, more focused and thus, more dangerous. It discovers nastier, weirder, grimier territory, often through its use of pedals and distortion, in large part due to the addition of sci fi shredder Tommy Meehan. Alongside Brian Amalfitano, these two guitarists leave no sound untuned. Merge this with Justin Pearson’s always acerbic lyrics alongside drummer Scott Osment and bassist Jason Klein, and what you end up with is Productive Disruption: a death threat to some, a love letter to others.
"Don't Forget to Live" by Deaf Club from the Productive Disruption LP available from Three One G and Sweatband.
Video directed and edited by Nicholas Crider.
Costume design by Adrienne Shurte and Matt Wild.
Acting by Matt Wild and Tristan Brennis.
Deaf Club is a savage sound bath dripping with sardonicism: a blastbeat-centric hardcore punk assault channeling crust, thrash, and grind (un)sensibilities. Succinct pauses, surreal frequencies and effects, breakneck pace and sharply hurled vocals characterize the band’s aesthetic, which seems as though it is rooted in a sort of nasty-sound-meets-highbrow-message ethos. Fueled by the onslaught of society’s insanity and driven mad by tinnitus, Justin Pearson (The Locust, Dead Cross, Planet B), Brian Amalfitano (ACxDC), Scott Osment (Weak Flesh), Jason Klein (Run With The Hunted), and Tommy Meehan (The Manx, Chum Out!) approach music as an opportunity to confront our collective sicknesses. Last October, the band released their debut EP, Contemporary Sickness, as well as a Remix cassette EP of bonus remixes featuring GothBoiClique’s YAWNS, Bubblegum Octopus, 304angstroms, and DJ Embryonic Petit Sac. More recently, the band released a cover and video of Killing Joke’s “The Wait” as a benefit, with all proceeds going to Fair Fight, an organization founded in 2018 by Stacey Abrams.
"Don't Forget to Live" is a single off of the band’s upcoming debut LP Productive Disruption, which was recorded by Alex Estrada and Tommy Meehan. Mixed by Pseudo Beast. Mastered by Brent Asbury. It is available on limited vinyl, “persecutor color” limited to 700 and “pyrolysis color” limited to 300, as well as a limited 100 cassettes, via Three One G Records.
Order here: threeoneg.com/archive/vinyl/productive-disruption
Ironically, Deaf Club’s debut LP was recorded on the same day as what would become known colloquially as The Insurrection - January 6th, 2021. While the actions that day at The Capitol were aimless, unplanned, asinine and delusional, this album was created in direct opposition without even knowing it: it is intentional, tactical, bitterly relevant. In short, it serves as a productive disruption to the bootlicking, copsucking, flag-fucking frenzy we’ve found ourselves surrounded by. And although the band’s 2019 EP, Contemporary Sickness, delivered its own blastbeat-fueled urgency in message and tone, this full-length ventures deeper into the abyss. Having had time to stew in the cesspool of the last two years and mutating into its newest variant, Deaf Club confidently emerged angrier, evolved, more focused and thus, more dangerous. It discovers nastier, weirder, grimier territory, often through its use of pedals and distortion, in large part due to the addition of sci fi shredder Tommy Meehan. Alongside Brian Amalfitano, these two guitarists leave no sound untuned. Merge this with Justin Pearson’s always acerbic lyrics alongside drummer Scott Osment and bassist Jason Klein, and what you end up with is Productive Disruption: a death threat to some, a love letter to others.
![Venamoris So Good [Official music video]](https://i.ytimg.com/vi/AvLjX3tcxWY/mqdefault.jpg "Venamoris So Good [Official music video]
Venamoris So Good from the album Drown in Emotion LP
Available from Three One G: https://threeoneg.com/archive/vinyl/drown-in-emotion
Video by Dennis Bersales: https://www.instagram.com/ashotfortheroad/
Venamoris was founded in 2021 by what can only be called astral influence. Married couple Paula and Dave (Slayer, Fantômas, Testament, Mr. Bungle, Misfits, Dead Cross) Lombardo formed Venamoris as a result of some persistent persuasion on the latter’s part. Dave, who is in charge of drums and production on the record, explains: “Several months after meeting Paula in 2010, she hesitantly shared with me her past decade-long career as the lead back up singer for Wayne Newton. She later played me some of the demos she recorded throughout the years and I was floored by her sonically soothing, rich tone and natural, instinctive ability to harmonize. I was determined to persuade her to return to her creative self. It’s been a deeply gratifying journey witnessing this music come to life.”
Canadian born singer/songwriter Paula Lombardo, who performs vocals and piano for this project, bursts with vulnerability and intimacy, addressing a broad scope of emotion: anger, healing, pain, hope. It’s evident that Venamoris was founded out of love, passion, communication, respect, and trust. One person thriving in music encouraged the other, who had abandoned music to find their way back. It is the result of many late nights with too much wine, and even more truth laid bare: an aural couples journaling generously shared with the world.
Drown In Emotion was recorded and produced at Ritmo Studio by Dave Lombardo. Drum Overdubs recorded at Studio 606. Mixed at Ritmo Studio by David A. Lombardo. Mastered by John Golden at Golden Mastering. Features guest appearances from Tyler Bates (Jerry Cantrell, Manson), Ra Diaz (Korn, Suicidal Tendencies), Jack Gibson (Exodus), George Pajon (Black Eyed Peas, Cairo Knife Fight), and Tim Stewart (Lady GaGa, Damnage).")
![Netherlands So Sick [Official video]](https://i.ytimg.com/vi/Cb1IwGTqEPY/mqdefault.jpg "Netherlands So Sick [Official video]
Netherlands So Sick from the album, Kali Corvette available here: https://threeoneg.com/archive/vinyl/kali-corvette-lp
Directed by OFCLOUDS
Ben Smith & Cam Vokey
For Vacationland.club
Thanks:
Shirley’s Temple, Heptathlon, Stormcrow, Jason Batcheller, Paul Cendron, Nick Chandler, Erin Colby, Ted Day, Jon Ehlers, Jessie Hillman, Addie Horan, Maggie Horan, Seth Kirby, Jacob Krupnick, Stef McFayden, Dillon Majoros, Melanie Parker, Benny Sanson, Luke Taylor
Netherlands:
Lead singer, multi-instrumentalist, compulsive creator, and unrepentant volume addict Timo Ellis (Yoko Ono, Cibo Matto, Sean Lennon, Joan As Police Woman, Spacehog) formed NETHERLANDS in 2010 in NYC. The band has since shared stages with Napalm Death, Melt Banana, Mutoid Man, Yob, Retox, Black Flag, Eyehategod, Flipper, Martin Rev, The Death Set, Moon Tooth, and Witch Mountain, among many others. Now with drummer David Keith (Rainbow), the band continues to reject restraint in favor of maximum impact: shredding chops, soaring vocals, and maddening hooks. Netherlands crushes decades worth of bombast into psychotropic nuggets of evil sludge-rock bliss, with nods to the dirtbag rituals of 70’s acid rock and punk, the grandeur of 80’s arena rock, and the guttural intensity of 00’s posthardcore.
KALI CORVETTE is Netherlands’ 6th full LP, and features all the hallmarks of Ellis’ work; blistering guitar heroics, primal drumming, and searing caterwauls. However KALI CORVETTE veers bracingly into the realm of electro-noise-punk, ratcheting up the intensity into a uniquely weaponized form of rock that reaches towards high art. The record features guest performances by Gibby Haynes (Butthole Surfers), Michael Kubacki (Car Bomb), Tim Dahl (Lydia Lunch Retrovirus, Child Abuse), Daisy Press (Steve Reich) and Suzanne Von Aichinger (The Suzannes.) KALI CORVETTE is another chapter in the book of a band that’s consistently released heavy music on its own terms and with its own undeniable personality. There’s a reason contemporary heavy luminaries like Joe Duplantier of Gojira and Bill Kelliher of Mastodon count themselves amongst Netherlands’ biggest fans, and KALI COREVETTE’s 7 tracks effortlessly demonstrate NETHrock’s potency once again.")
![FUCK MONEY Demure [Official music video]](https://i.ytimg.com/vi/DYCxpzrwpf0/mqdefault.jpg "FUCK MONEY Demure [Official music video]
Fuck Money Demure from the bands self-titled EP.
Purchase album here: https://threeoneg.com/archive/digital-only/self-titled-4
Fuck Money is an American space punk band based in Austin, TX. The group debuted in October 2021 consisting of members TaSzlin Trébuchet (vocals) Alton Jenkins (drums), Bill Kenny (lead guitar), and Jeremy Humphries (bass guitar). Their sound draws on punk rock, noise, industrial, extreme music and other transgressive subgenres. Fuck Money was formed in 2020 during the latter half of the COVID pandemic that year. After writing their first EP, they spent their time recording at Arroyo Audio. The band has created a reputation of performing high energy, sporadic DIY shows in liminal spaces throughout the dark corners of the city The Austin Chronicle noted how “the band’s churning feedback swirl is equal parts imposing and obfuscating – curiously serene in its refusal to give its sonic-aggression a clear human face.” Their vocalist is also known for donning an unpredictable and tantalizing look at each show.
Fuck Money’s debut self-titled EP on Three One G is six songs of unrelenting ‘space punk,’ drawing influence from punk, noise, industrial, and extreme music elements. Described as sounding like “a fully rabid Deerhoof,” the merciless & melodic stick-work of Alton Jenkins, paired with the visceral intensity of frontman TaSz Trébuchet, guides listeners down a path of challenging, awe-inspiring sonic behavior adorned with biting yet hyper-melodic guitar melodies. Death From Above’s Jesse F. Keeler aptly explains the EP simply as, “Feeling at all costs. If I was trying to explain this to someone with no reference, I’d say it was like a pomegranate. Challenging to get at the fruit, but worth the effort.”")
