Uploaded July 2024 | Updated September 2026, 2 weeks ago
In the latest episode of Cult and Culture, Providence-based musician, author and writing professor Eric Paul discusses different facets of his career and life. Having been in bands such as Arab on Radar, The Chinese Stars, Doomsday Student, and currently Psychic Graveyard, Eric, Justin, and Luke discuss his wholly unique and feral stage presence, and where it stems from. They also delve into the evolution of his bands, being an adjunct professor, a father, poetry as self-exploration and healing, as well as the inspiration found from unlikely sources such as RI's Dropdead and the infamous cult, Heaven's Gate.
The concept of Cult and Culture began as a short segment created by Justin Pearson, an internationally known musician, record label owner (Three One G Records), author, and actor. He is perhaps best known as bassist for bands such as Dead Cross, The Locust, and Some Girls as well as vocalist for Deaf Club, Swing Kids, and Planet B. Having traveled the world touring in hardcore and punk bands since age 15, Justin has come to know and work with a broad spectrum of captivating personalities and brilliant minds, many of which are key figures in the realm of popular culture and cult followings alike-- from being on the soundtrack to John Waters’ Cecil B. Demented, to acting in an Asia Argento’s Incompresa, to playing in Dead Cross with Mike Patton and Dave Lombardo. Cult and Culture arose as an opportunity to document bits and pieces of the DIY-driven, subversive world of art Pearson identifies with- one that many are not aware of or perhaps have misconceptions about.
Eventually, Pearson joined up with producer and bandmate Luke Henshaw (Sonido De La Frontera, Planet B, Satanic Planet, First Power Crew) to build the idea into a proper podcast, now recorded at his own PengOne Studios in San Diego. Henshaw has collaborated with hip hop legends such as Invisible Skratch Piklz’ D-Styles and Q-Bert, Kool Keith, in addition to being immersed in the world of Cumbia alongside Sonido De La Frontera bandmate Karlos Paez (B Side Players). He also recently scored the music for upcoming documentary Sk8face, which tells the history of skateboard graphics. In this way, both Justin and Luke are influenced by a diverse array of subcultures that all have connected roots. John Waters was one of the first people interviewed for the podcast- an icon of both cult and culture. Since then, guests have included a broad scope of musicians, producers, authors, and anyone passionate about what they do-- anyone from Grammy-winning musician Juan Alderete (Mars Volta, Racer X, creator of Pedals And Effects) to actor Michael Malarkey (Vampire Diaries, Project Bluebook), from San Diego Black Panther Party members to longtime partners Nicola and Adam in electro-punk band ADULT. or The Satanic Temple cofounder Lucien Greaves (who would go on to form Satanic Planet with Luke and Justin as a direct result of their podcast conversation). The focus is not intended to be solely on people in any one realm, and because guests are friends and family, the conversations are frank, informal yet well-informed, and genuine. Pearson and Henshaw seek to achieve a casual openness, blurring lines between traditional guest and host. Cult and Culture is part of Ruinous Media.
Purchase the Cult and Culture Podcast compilation LP (featuring The Locust, ADULT., The Exploited, HIRS Collective, Swing Kids, and more!) either on vinyl or digitally here: threeoneg.com/archive/vinyl/v-a-cult-and-culture-a-planet-b-podcast-compilation-lp
Catch up on all episodes of Cult and Culture podcast, via iTunes, or through Three One G’s Soundcloud.
soundcloud.com/threeoneg/sets/cult-and-culture-podcast
podcasts.apple.com/us/podcast/cult-and-culture/id1232084207
(Originally aired April 2022)
In the latest episode of Cult and Culture, Providence-based musician, author and writing professor Eric Paul discusses different facets of his career and life. Having been in bands such as Arab on Radar, The Chinese Stars, Doomsday Student, and currently Psychic Graveyard, Eric, Justin, and Luke discuss his wholly unique and feral stage presence, and where it stems from. They also delve into the evolution of his bands, being an adjunct professor, a father, poetry as self-exploration and healing, as well as the inspiration found from unlikely sources such as RI's Dropdead and the infamous cult, Heaven's Gate.
The concept of Cult and Culture began as a short segment created by Justin Pearson, an internationally known musician, record label owner (Three One G Records), author, and actor. He is perhaps best known as bassist for bands such as Dead Cross, The Locust, and Some Girls as well as vocalist for Deaf Club, Swing Kids, and Planet B. Having traveled the world touring in hardcore and punk bands since age 15, Justin has come to know and work with a broad spectrum of captivating personalities and brilliant minds, many of which are key figures in the realm of popular culture and cult followings alike-- from being on the soundtrack to John Waters’ Cecil B. Demented, to acting in an Asia Argento’s Incompresa, to playing in Dead Cross with Mike Patton and Dave Lombardo. Cult and Culture arose as an opportunity to document bits and pieces of the DIY-driven, subversive world of art Pearson identifies with- one that many are not aware of or perhaps have misconceptions about.
Eventually, Pearson joined up with producer and bandmate Luke Henshaw (Sonido De La Frontera, Planet B, Satanic Planet, First Power Crew) to build the idea into a proper podcast, now recorded at his own PengOne Studios in San Diego. Henshaw has collaborated with hip hop legends such as Invisible Skratch Piklz’ D-Styles and Q-Bert, Kool Keith, in addition to being immersed in the world of Cumbia alongside Sonido De La Frontera bandmate Karlos Paez (B Side Players). He also recently scored the music for upcoming documentary Sk8face, which tells the history of skateboard graphics. In this way, both Justin and Luke are influenced by a diverse array of subcultures that all have connected roots. John Waters was one of the first people interviewed for the podcast- an icon of both cult and culture. Since then, guests have included a broad scope of musicians, producers, authors, and anyone passionate about what they do-- anyone from Grammy-winning musician Juan Alderete (Mars Volta, Racer X, creator of Pedals And Effects) to actor Michael Malarkey (Vampire Diaries, Project Bluebook), from San Diego Black Panther Party members to longtime partners Nicola and Adam in electro-punk band ADULT. or The Satanic Temple cofounder Lucien Greaves (who would go on to form Satanic Planet with Luke and Justin as a direct result of their podcast conversation). The focus is not intended to be solely on people in any one realm, and because guests are friends and family, the conversations are frank, informal yet well-informed, and genuine. Pearson and Henshaw seek to achieve a casual openness, blurring lines between traditional guest and host. Cult and Culture is part of Ruinous Media.
Purchase the Cult and Culture Podcast compilation LP (featuring The Locust, ADULT., The Exploited, HIRS Collective, Swing Kids, and more!) either on vinyl or digitally here: threeoneg.com/archive/vinyl/v-a-cult-and-culture-a-planet-b-podcast-compilation-lp
Catch up on all episodes of Cult and Culture podcast, via iTunes, or through Three One G’s Soundcloud.
soundcloud.com/threeoneg/sets/cult-and-culture-podcast
podcasts.apple.com/us/podcast/cult-and-culture/id1232084207
(Originally aired April 2022)





![Planet B Filthy Suitcase [Official video]
Planet B Filthy Suitcase from the Fiction Prediction LP available from Three One G here:
https://threeoneg.com/archive/vinyl/fiction-prediction
Directed by Jay Strickland and Luke Henshaw.
Thanks to Leftys Chicago Pizzeria, Heartwork Coffee Bar, Dia Del Cafe, Andy Loy, Extra Graphic, Lucien Greaves, and Becky DiGiglio.
Justin Pearson (Dead Cross, Deaf Club, The Locust), Luke Henshaw (Sonido de la Frontera), Kevin Avery (Field Day, Retox) and Scott Osment (Deaf Club, Glassing) formed Planet B with the shared purpose of creating music subversive in sound and sobering in message. Their music lays somewhere just out of reach of genre, with aesthetics rooted in hip hop, hardcore punk, turntablism, and 70s-80s horror movie scores. It is catchy, heavily percussive, and eerie all at once. The band’s first self-titled LP showcased the band collaborating with artists such asKool Keith, Nick Zinner (Yeah Yeah Yeahs), Martin Atkins (ex-PiL, Killing Joke, Ministry, Pigface), K. Joseph Karam (The Locust), and Sonny Kay (The VSS, Angel Hair). The band has also released splits with electronic punk duo ADULT. and turntablist collective Invisibl Skratch Piklz. The band also formed an offshoot with The Satanic Temple co-founder and spokesperson, Lucien Greaves; this project is called Satanic Planet. Fiction Prediction sees a similar array of collaborators.
Planet B’s second LP has been a long time in the making. Obviously, over this span of time, there has been an almost unimaginable amount of surreality and insanity to pull from when creating the band’s unique hip-hop-punk-meets-sci-fi-horror-movie sonic aesthetic. As always, the sound is as confrontational as it is catchy, the lyrics scathing and the beats bizarre. Earworms abound. As with the band’s first release, there are a host of guest collaborations on the various tracks, from Josie Cotton to David Scott Stone (ex-LCD Soundsystem, Melvins), D-Styles (Invisibl Skratch Piklz), and more. Perhaps most personally meaningful are the instrumental contributions from Gabe Serbian (The Locust) and Eric Livingston (Mamaleek), both family to the band, who have each passed on from this dimension and back to whatever radical planet they came from since the creation of the album. Planet B Filthy Suitcase [Official video]](https://i.ytimg.com/vi/JOMlD3wYOz8/mqdefault.jpg)


![DEAF CLUB Planet Bombing [Official video]
DEAF CLUB Planet Bombing from the Productive Disruption LP
Purchase here: https://threeoneg.com/archive/vinyl/productive-disruption
Directed By
Eris Deo (@eris.deo)
Director of Photography
Tyler Bradberry (@coolinternetdude)
Edited by
Eris Deo (@erisdeo)
Evan Aretz (@shidd_fardd)
Asst. Editor
Constantine Mickens (@breadflavor)
Set Design
Eris Deo (@ErisDeo)
Art PA
Annabel Young (@omophagic)
Computer Art
Skinner (@theartofskinner)
Special Effects
Eris Deo (@erisdeo)
VFX
Evan Aretz (@shidd_fardd)
Glitch Art
Eris Deo (@erisdeo)
Extra Footage Provided by
Nic Maier (@commadorgilgamesh) DEAF CLUB Planet Bombing [Official video]](https://i.ytimg.com/vi/LDA1uys00tM/mqdefault.jpg)
![End Of The Line Burning Down [Official video]
END OF THE LINE Burning Down from the bands self-titled LP available from Three One G.
Purchase here: https://threeoneg.com/archive/vinyl/self-titled-3
Video by Displaced/Replaced.
“Fuckin great. This stuff rages with the kind of crazy, maniacal energy and enthusiasm thats often so hard to capture on vinyl. If I have to come up with a comparison, Id say old-style DC hardcore like... VOID, but less doomy and more dynamic. Imperative.”
—Maximum Rocknroll
End of the Line, the short-lived San Diego hardcore band that was in the right place at the right time. Existing during summer 1991, its membership boasted Matt Anderson, Scott Bartoloni and Aaron Montaigne of seminal 90s band Heroin, who, for the most part, had switched instruments. Further intensifying this lineup was leather-throated vocalist Cory Linstrum. A mutual appreciation of Bl’ast!, Faith, Void and SSD acted as its starting point, leading the band down the left hand path of chaotic punk and hardcore. EOTL played a dozen shows during its brief reign. Its teeth were cut appearing alongside Aspirin Feast, Say No More, Struggle, Undertow, Downcast, Media Children and Blatz (among others), before obtaining an opening slot on a Born Against/Rorschach show. The display of raw pandemonium unleashed that evening saw End of the Line’s buzz spread to the East Coast as these bands returned from tour. Rapidly a bidding war began with EOTL in the middle. Vermiform offered a seven-inch deal, while Ebullition dangled the opportunity of a full length. The band chose the full length. Having previously recorded three tracks, EOTL now had the opportunity to record the rest of its set for posterity. The band was aware it wouldn’t last much longer. Heroin would be releasing its own LP and leaving for tour, while Linstrum would relocate to the Bay Area to front John Henry West. It was during these recording dates that End of the Line concluded with its final appearance, a September 1991 show with Fugazi and Jawbreaker. Without an active band to promote the release, Ebullition’s version of the End of the Line LP wallowed in obscurity, where it slowly became a cult classic of early 90s hardcore. Let End of the Line crush your eardrums like an artillery shell, leaving you in the mud with the rats, lice and dogs!
This record has been remixed and remastered by Tim Green (Nation Of Ulysses/The Fucking Champs) at LOUDER studios. Pressed on limited edition color vinyl with a 3D cover and accompanying individually printed 3D glasses. End Of The Line Burning Down [Official video]](https://i.ytimg.com/vi/LDAKsyuEsE4/mqdefault.jpg)
