Uploaded August 2026 | Updated September 2026, 2 weeks ago
Venamoris was founded in 2021 by what can only be called astral influence. Married couple Paula and Dave (Slayer, Fantômas, Testament, Mr. Bungle, Misfits, Dead Cross) Lombardo formed Venamoris as a result of some persistent persuasion on the latter’s part. Dave, who is in charge of drums and production on the record, explains: “Several months after meeting Paula in 2010, she hesitantly shared with me her past decade-long career as the lead back up singer for Wayne Newton. She later played me some of the demos she recorded throughout the years and I was floored by her sonically soothing, rich tone and natural, instinctive ability to harmonize. I was determined to persuade her to return to her creative self. It’s been a deeply gratifying journey witnessing this music come to life.”
Canadian born singer/songwriter Paula Lombardo, who performs vocals and piano for this project, bursts with vulnerability and intimacy, addressing a broad scope of emotion: anger, healing, pain, hope. It’s evident that Venamoris was founded out of love, passion, communication, respect, and trust. One person thriving in music encouraged the other, who had abandoned music to find their way back. It is the result of many late nights with too much wine, and even more truth laid bare: an aural couple's journaling generously shared with the world.
“So Good” is a single off of Drown in Emotion, which was recorded and produced at Ritmo Studio by Dave Lombardo. Drum Overdubs recorded at Studio 606. Mixed at Ritmo Studio by David A. Lombardo. Mastered by John Golden at Golden Mastering. Features guest appearances from Tyler Bates (Jerry Cantrell, Manson), Ra Diaz (Korn, Suicidal Tendencies), Jack Gibson (Exodus), George Pajon (Black Eyed Peas, Cairo Knife Fight), and Tim Stewart (Lady GaGa, Damnage Gooods). The album was released on limited vinyl via Three One G on Feb 10th, 2023.
Purchase here: venamoris.bandcamp.com/album/drown-in-emotion
Venamoris was founded in 2021 by what can only be called astral influence. Married couple Paula and Dave (Slayer, Fantômas, Testament, Mr. Bungle, Misfits, Dead Cross) Lombardo formed Venamoris as a result of some persistent persuasion on the latter’s part. Dave, who is in charge of drums and production on the record, explains: “Several months after meeting Paula in 2010, she hesitantly shared with me her past decade-long career as the lead back up singer for Wayne Newton. She later played me some of the demos she recorded throughout the years and I was floored by her sonically soothing, rich tone and natural, instinctive ability to harmonize. I was determined to persuade her to return to her creative self. It’s been a deeply gratifying journey witnessing this music come to life.”
Canadian born singer/songwriter Paula Lombardo, who performs vocals and piano for this project, bursts with vulnerability and intimacy, addressing a broad scope of emotion: anger, healing, pain, hope. It’s evident that Venamoris was founded out of love, passion, communication, respect, and trust. One person thriving in music encouraged the other, who had abandoned music to find their way back. It is the result of many late nights with too much wine, and even more truth laid bare: an aural couple's journaling generously shared with the world.
“So Good” is a single off of Drown in Emotion, which was recorded and produced at Ritmo Studio by Dave Lombardo. Drum Overdubs recorded at Studio 606. Mixed at Ritmo Studio by David A. Lombardo. Mastered by John Golden at Golden Mastering. Features guest appearances from Tyler Bates (Jerry Cantrell, Manson), Ra Diaz (Korn, Suicidal Tendencies), Jack Gibson (Exodus), George Pajon (Black Eyed Peas, Cairo Knife Fight), and Tim Stewart (Lady GaGa, Damnage Gooods). The album was released on limited vinyl via Three One G on Feb 10th, 2023.
Purchase here: venamoris.bandcamp.com/album/drown-in-emotion

![DEAF CLUB Planet Bombing [Official video]
DEAF CLUB Planet Bombing from the Productive Disruption LP
Purchase here: https://threeoneg.com/archive/vinyl/productive-disruption
Directed By
Eris Deo (@eris.deo)
Director of Photography
Tyler Bradberry (@coolinternetdude)
Edited by
Eris Deo (@erisdeo)
Evan Aretz (@shidd_fardd)
Asst. Editor
Constantine Mickens (@breadflavor)
Set Design
Eris Deo (@ErisDeo)
Art PA
Annabel Young (@omophagic)
Computer Art
Skinner (@theartofskinner)
Special Effects
Eris Deo (@erisdeo)
VFX
Evan Aretz (@shidd_fardd)
Glitch Art
Eris Deo (@erisdeo)
Extra Footage Provided by
Nic Maier (@commadorgilgamesh) DEAF CLUB Planet Bombing [Official video]](https://i.ytimg.com/vi/LDA1uys00tM/mqdefault.jpg)
![End Of The Line Burning Down [Official video]
END OF THE LINE Burning Down from the bands self-titled LP available from Three One G.
Purchase here: https://threeoneg.com/archive/vinyl/self-titled-3
Video by Displaced/Replaced.
“Fuckin great. This stuff rages with the kind of crazy, maniacal energy and enthusiasm thats often so hard to capture on vinyl. If I have to come up with a comparison, Id say old-style DC hardcore like... VOID, but less doomy and more dynamic. Imperative.”
—Maximum Rocknroll
End of the Line, the short-lived San Diego hardcore band that was in the right place at the right time. Existing during summer 1991, its membership boasted Matt Anderson, Scott Bartoloni and Aaron Montaigne of seminal 90s band Heroin, who, for the most part, had switched instruments. Further intensifying this lineup was leather-throated vocalist Cory Linstrum. A mutual appreciation of Bl’ast!, Faith, Void and SSD acted as its starting point, leading the band down the left hand path of chaotic punk and hardcore. EOTL played a dozen shows during its brief reign. Its teeth were cut appearing alongside Aspirin Feast, Say No More, Struggle, Undertow, Downcast, Media Children and Blatz (among others), before obtaining an opening slot on a Born Against/Rorschach show. The display of raw pandemonium unleashed that evening saw End of the Line’s buzz spread to the East Coast as these bands returned from tour. Rapidly a bidding war began with EOTL in the middle. Vermiform offered a seven-inch deal, while Ebullition dangled the opportunity of a full length. The band chose the full length. Having previously recorded three tracks, EOTL now had the opportunity to record the rest of its set for posterity. The band was aware it wouldn’t last much longer. Heroin would be releasing its own LP and leaving for tour, while Linstrum would relocate to the Bay Area to front John Henry West. It was during these recording dates that End of the Line concluded with its final appearance, a September 1991 show with Fugazi and Jawbreaker. Without an active band to promote the release, Ebullition’s version of the End of the Line LP wallowed in obscurity, where it slowly became a cult classic of early 90s hardcore. Let End of the Line crush your eardrums like an artillery shell, leaving you in the mud with the rats, lice and dogs!
This record has been remixed and remastered by Tim Green (Nation Of Ulysses/The Fucking Champs) at LOUDER studios. Pressed on limited edition color vinyl with a 3D cover and accompanying individually printed 3D glasses. End Of The Line Burning Down [Official video]](https://i.ytimg.com/vi/LDAKsyuEsE4/mqdefault.jpg)







