Uploaded April 2026 | Updated September 2026, 2 weeks ago
Richard Marx tells the story of the biggest love song of all time on Spotify: the 80s classic Right Here Waiting. It's the #1 love song on Spotify and yet he has been paid almost nothing for it. Coming up, it's the story of Richard Marx, a Chicago kid who grew up in recording studios watching his jingle-writing father work. For years, he stayed in the shadows, singing backup for superstars and writing powerhouse hits for other artists. Marx spent his twenties as a session singer, quietly honing his craft and paying his dues, trying to make it as a singer. In fact, super-producer David Foster told him he’d never make it. But he proved him wrong… Dead wrong. When he finally stepped into the spotlight in the late 80s, he exploded. Seven Top 5 hits on the Billboard charts. Then seven more Top 20 hits in the early 90s. He was a repeat chart offender who became one of the most successful pop songwriters of his era. So how did this kid go from singing backup to dominating the airwaves? Get the behind-the-scenes story of his rise from the studio shadows to pop royalty, including an interview with the man himself… on our latest edition of short and sweet. He had so many hits from Endless Summer Nights to Right Here Waiting to Satisfied to Angelia...from Should've Known Better to Hold on the Nights, from Hazard to Now and Forever, from Keep Coming Back.
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#classicrock #shorts #80smusic #80srock
Hey Music Junkies… let’s get straight into this week’s edition of Short and Sweet, where we cover the legends, their careers, and my top three 3 songs catalog, and I try to do it in 10 minutes or less. On this episode, we’re telling the story of the man who soundtracked every prom and homecoming dance in the late 80s and early 90s… who kept Def Leppard’s Pour Some Sugar on Me from claiming #1 in 1988. And who became the first solo artist to have his first 7 singles reach the Top 5 on the Billboard Hot 100. That man is Richard Marx, one of the most successful pop-rockers of the late 80s. From 1987 to 1989, he reeled off 7 Top 5 hits on the Hot 100. And in the 90s, he added 7 more that reached the Top 20. Here’s a few. Remember this hair?
Born in Chicago in 1963, Richard Marx grew up surrounded by music. His father Dick Marx was a successful jingle writer and commercial producer, and Richard started singing on his dad's ad spots at the age of 5. By his teens, Richard was a professional session singer, lending his voice to commercials while learning studio craft from the inside. After graduating from high school, Richard moved to LA to pursue music seriously. He landed work as a session vocalist, singing on hit records for some of the biggest stars of the 80s: Lionel Richie, Whitney Houston, and Madonna… But Richard wasn't content with being a voice in the background. He was writing his own songs and pitching them to established acts. In 1984, he co-wrote "What About Me?" which became a hit for Kenny Rogers. He provided material for Chicago, Vixen, and Freddie Jackson, building a reputation as a songwriter who understood how to craft radio-ready hooks.
By the mid-80s, Marx had proven himself as both a vocalist and a songwriter. It was time to step out front. In 1987, EMI Manhattan Records released his self-titled debut album, "Richard Marx." The lead single "Don't Mean Nothing" shot to #3 with the help of a couple of Eagles, including Joe Walsh and Randy Meisner. But it was a great rocker that showed us the rock side of Marx. Then came "Should've Known Better," another Top 3 hit. His third single, "Endless Summer Nights" reached #2 in early 1988. And that was one that was rejected by every record label in the business. Richard had sweet revenge there.
He was told by Superproducer David Foster, a hero of his, that he’d never make it as a singer , that he should just write songs for others. Here’s Richard on that… in the late 80s, Richard Marx was everywhere, his face was on MTV, and his voice dominated Top 40 radio. But 1988 and 1989 was Richard’s peak season. "Hold On to the Nights" became his first #1 in the summer of 88. His sophomore LP Repeat Offender dropped on April 26, 1989… and with it came two more #1 hits, “Satisfied" and "Right Here Waiting.” For a fleeting moment, Richard Marx was one of the biggest stars in popular music.
Richard Marx tells the story of the biggest love song of all time on Spotify: the 80s classic Right Here Waiting. It's the #1 love song on Spotify and yet he has been paid almost nothing for it. Coming up, it's the story of Richard Marx, a Chicago kid who grew up in recording studios watching his jingle-writing father work. For years, he stayed in the shadows, singing backup for superstars and writing powerhouse hits for other artists. Marx spent his twenties as a session singer, quietly honing his craft and paying his dues, trying to make it as a singer. In fact, super-producer David Foster told him he’d never make it. But he proved him wrong… Dead wrong. When he finally stepped into the spotlight in the late 80s, he exploded. Seven Top 5 hits on the Billboard charts. Then seven more Top 20 hits in the early 90s. He was a repeat chart offender who became one of the most successful pop songwriters of his era. So how did this kid go from singing backup to dominating the airwaves? Get the behind-the-scenes story of his rise from the studio shadows to pop royalty, including an interview with the man himself… on our latest edition of short and sweet. He had so many hits from Endless Summer Nights to Right Here Waiting to Satisfied to Angelia...from Should've Known Better to Hold on the Nights, from Hazard to Now and Forever, from Keep Coming Back.
-
#classicrock #shorts #80smusic #80srock
Hey Music Junkies… let’s get straight into this week’s edition of Short and Sweet, where we cover the legends, their careers, and my top three 3 songs catalog, and I try to do it in 10 minutes or less. On this episode, we’re telling the story of the man who soundtracked every prom and homecoming dance in the late 80s and early 90s… who kept Def Leppard’s Pour Some Sugar on Me from claiming #1 in 1988. And who became the first solo artist to have his first 7 singles reach the Top 5 on the Billboard Hot 100. That man is Richard Marx, one of the most successful pop-rockers of the late 80s. From 1987 to 1989, he reeled off 7 Top 5 hits on the Hot 100. And in the 90s, he added 7 more that reached the Top 20. Here’s a few. Remember this hair?
Born in Chicago in 1963, Richard Marx grew up surrounded by music. His father Dick Marx was a successful jingle writer and commercial producer, and Richard started singing on his dad's ad spots at the age of 5. By his teens, Richard was a professional session singer, lending his voice to commercials while learning studio craft from the inside. After graduating from high school, Richard moved to LA to pursue music seriously. He landed work as a session vocalist, singing on hit records for some of the biggest stars of the 80s: Lionel Richie, Whitney Houston, and Madonna… But Richard wasn't content with being a voice in the background. He was writing his own songs and pitching them to established acts. In 1984, he co-wrote "What About Me?" which became a hit for Kenny Rogers. He provided material for Chicago, Vixen, and Freddie Jackson, building a reputation as a songwriter who understood how to craft radio-ready hooks.
By the mid-80s, Marx had proven himself as both a vocalist and a songwriter. It was time to step out front. In 1987, EMI Manhattan Records released his self-titled debut album, "Richard Marx." The lead single "Don't Mean Nothing" shot to #3 with the help of a couple of Eagles, including Joe Walsh and Randy Meisner. But it was a great rocker that showed us the rock side of Marx. Then came "Should've Known Better," another Top 3 hit. His third single, "Endless Summer Nights" reached #2 in early 1988. And that was one that was rejected by every record label in the business. Richard had sweet revenge there.
He was told by Superproducer David Foster, a hero of his, that he’d never make it as a singer , that he should just write songs for others. Here’s Richard on that… in the late 80s, Richard Marx was everywhere, his face was on MTV, and his voice dominated Top 40 radio. But 1988 and 1989 was Richard’s peak season. "Hold On to the Nights" became his first #1 in the summer of 88. His sophomore LP Repeat Offender dropped on April 26, 1989… and with it came two more #1 hits, “Satisfied" and "Right Here Waiting.” For a fleeting moment, Richard Marx was one of the biggest stars in popular music.









![Co-Singer In #1 Band Was SO BAD-They Secretly Turned Off Her MIC For Entire Tour!—Professor of Rock
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Coming up, we’re back at it again. It’s the third edition of one of this channel’s new favorite shows: Punchlines! And for this one, we’re counting down 6 more entries of songs that have become punchlines, and we’re telling some stories that will make you do a double-take. Including how everyone thinks the #1 hit Youre Beautiful is a romantic ballad, but it’s actually about a drug-fueled subway stalker who can’t stop staring at his ex-girlfriend. The song got so overexposed that even the singer James Blunt started mocking it, along with everyone else. Then there’s the girl group the Spice Girls, with a vocalist whose voice was not up to snuff. So producers repeatedly switched off her mic in concert so no one would know or hear her. Was she just lip-syncing the whole time? And finally, there’s the legend Tom Jones, who had a massive problem. Women wouldn’t stop throwing their underwear at him while he was on stage. It started with women passing him napkins to wipe the sweat from his brow. But then one night… one woman decided to pass him something more intimate… it launched one of the funniest running gags in concert history. Let’s get into it.
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#classicrock #80srock ##80smusic
Hey Music Junkies Professor of Rock always here to celebrate the Greatest artists and the greatest songs of all-time ever stretched your stretch Armstrong too much that it tore.. you’ll dig this channel of deep musical nostalgia make sure you are subscribed and make sure to like comment and share this so we can keep the channel going.
It’s time to count down songs that have become punchlines…We’ve done two of these already but this one may be the best of the shows with a couple of stories that are hard to believe. Now just because some of these songs have become gags it doesn’t there not still classics…It’s just another element to them expcailly our pick for #6 one of the greats It’s Germany’s most iconic rockers: Scorpions, featuring their signature balls to the wall anthem, “Rock You Like a Hurricane.” This is a track that has basically become shorthand for cheesy 80s intensity in its use in pop culture” Its relentless usage in over-the-top cinematic entrances has turned the legendary riff into a comedic force. But an entertaining one for sure. [The] Scorpions released 6 albums in the 70s, but really turned on the afterburners in the 80s. The band scored successive platinum albums with Animal Magnetism in 1980 and Blackout in 1982.
So coming into their 9th album, 1984’s Love at First Sting, the Scorpions had America in their sights and were ready to go big. At this point, the band’s line-up consisted of lead singer Klaus Meine, guitarists Rudolf Schenker and Matthias Jabs, bassist Francis Buchholz, and drummer Herman Rarebell. Love at First Sting hit #6 on the Billboard 200, went triple platinum, and gave us the trifecta of Big City Nights, Still Loving You, and Rock You Like a Hurricane. The creation of Hurricane was an arduous two-year process that saw the lyrics rewritten 9 different times. Born from a collaboration between Schenker’s power-packed opening riff, Rarebell’s dirty-minded lyrics, and Meine’s more melodic sensibilities… the song was originally titled Blank You Like a Hurricane. ya the f word… How about that? But beyond its sexual metaphors and storm-front imagery, Hurricane was designed as the band’s ultimate mission statement.
It was a celebration of the band’s no-holds-barred attitude and their desire to conquer the America. Said Rarebell, The original title, for me at least, was blank You Like A Hurricane. The record company looked at me and said, ‘You’re completely out of your mind!’ Which I was!” Obviously, that title had to go. So they swapped out the “FU” for an “RO” and Rock You Like A Hurricane,” was born. After the rewrite, the song hit #25 on the Hot 100 and #5 on the US Mainstream Rock charts. Co-Singer In #1 Band Was SO BAD-They Secretly Turned Off Her MIC For Entire Tour!—Professor of Rock](https://i.ytimg.com/vi/W5Z3HgY-qCA/mqdefault.jpg)
