Uploaded April 2026 | Updated September 2026, 2 weeks ago
String Quartet (1962)
I. Allegro
II. Andante tranquillo [4:26]
III. Vivace [12:23]
Tátrai Quartet
Gyula Dávid’s String Quartet composed in 1962 for the eightieth birthday of Zoltan Kodaly is practically an expression of the great homage the former pupil is paying to his master. Though based on dodecaphony some elements of construction, its forming and a Hungarian rhythm make the work akin to the traditional Hungarian school. Out of its three movements, the first is a sonata of individual interpretation rich in contrasts,— the second series of lyrical-dramatical in variations, and in the closing quick rondo there appear also bagpipe figurations the bass. [LPX 1227]
Art by Janos Kujbus
String Quartet (1962)
I. Allegro
II. Andante tranquillo [4:26]
III. Vivace [12:23]
Tátrai Quartet
Gyula Dávid’s String Quartet composed in 1962 for the eightieth birthday of Zoltan Kodaly is practically an expression of the great homage the former pupil is paying to his master. Though based on dodecaphony some elements of construction, its forming and a Hungarian rhythm make the work akin to the traditional Hungarian school. Out of its three movements, the first is a sonata of individual interpretation rich in contrasts,— the second series of lyrical-dramatical in variations, and in the closing quick rondo there appear also bagpipe figurations the bass. [LPX 1227]
Art by Janos Kujbus
![Roger Reynolds - ...the serpent-snapping eye
...the serpent-snapping eye, for trumpet, percussion, piano and 4-channel tape (1978)
Edwin Harkins, trumpet
Cecil Lytle, piano
Daryl Pratt, percussion
The work is twenty minutes long, divided into three roughly equal sections. In the first, the primary aim of the performers is to match, submit to and intensify the taped sounds. The second, in which the synthesized sounds are sparse, introduces a felling of independence as the performers respond, reflecting on models provided by the tape. In the final section, the live performers complement and elaborate upon they attempt to augment the synthesized sound. [rogerreynolds.bandcamp.com]
Art by J. M. W. Turner Roger Reynolds - ...the serpent-snapping eye](https://i.ytimg.com/vi/z9QWGDLUWAY/mqdefault.jpg)


![Louise Talma - Six Etudes for Piano
Six Etudes for Piano (1953-54)
I. Allegro — for contrasts (to Thornton Wilder)
II. Prestissimo — for staccato (for Estelle Mershler)
III. Allegro — for sostenuto pedal (to John Edmunds)
IV. Allegro — for wide skips (to Paul Nordoff)
V. Allegretto grazioso — for crossed hands (for Guiomar Novaes)
VI. Molto adagio — for increase of notes per beat (to Beveridge Webster)
Beveridge Webster, piano
Louise Talma is Professor of Music at Hunter College of the City University of New York. She is the first woman to receive two Guggenheim Fellowships and the Sibelius Medal awarded to her in London. She has composed in all forms for orchestra, solo, a piano concerto and an opera “The Alcestiad” (libretto by Thornton Wilder) which was produced in 1962 at Frankfurt-am-Main, Germany, where it received eight performances. [DC 7117 STEREO]
Art by Farah Atassi Louise Talma - Six Etudes for Piano](https://i.ytimg.com/vi/ztkhRKawp04/mqdefault.jpg)