Uploaded June 2026 | Updated September 2026, 2 weeks ago
...the serpent-snapping eye, for trumpet, percussion, piano and 4-channel tape (1978)
Edwin Harkins, trumpet
Cecil Lytle, piano
Daryl Pratt, percussion
The work is twenty minutes long, divided into three roughly equal sections. In the first, the primary aim of the performers is to match, submit to and intensify the taped sounds. The second, in which the synthesized sounds are sparse, introduces a felling of independence as the performers respond, reflecting on models provided by the tape. In the final section, the live performers complement and elaborate upon -- they attempt to augment -- the synthesized sound. [rogerreynolds.bandcamp.com]
Art by J. M. W. Turner
...the serpent-snapping eye, for trumpet, percussion, piano and 4-channel tape (1978)
Edwin Harkins, trumpet
Cecil Lytle, piano
Daryl Pratt, percussion
The work is twenty minutes long, divided into three roughly equal sections. In the first, the primary aim of the performers is to match, submit to and intensify the taped sounds. The second, in which the synthesized sounds are sparse, introduces a felling of independence as the performers respond, reflecting on models provided by the tape. In the final section, the live performers complement and elaborate upon -- they attempt to augment -- the synthesized sound. [rogerreynolds.bandcamp.com]
Art by J. M. W. Turner


![Louise Talma - Six Etudes for Piano
Six Etudes for Piano (1953-54)
I. Allegro — for contrasts (to Thornton Wilder)
II. Prestissimo — for staccato (for Estelle Mershler)
III. Allegro — for sostenuto pedal (to John Edmunds)
IV. Allegro — for wide skips (to Paul Nordoff)
V. Allegretto grazioso — for crossed hands (for Guiomar Novaes)
VI. Molto adagio — for increase of notes per beat (to Beveridge Webster)
Beveridge Webster, piano
Louise Talma is Professor of Music at Hunter College of the City University of New York. She is the first woman to receive two Guggenheim Fellowships and the Sibelius Medal awarded to her in London. She has composed in all forms for orchestra, solo, a piano concerto and an opera “The Alcestiad” (libretto by Thornton Wilder) which was produced in 1962 at Frankfurt-am-Main, Germany, where it received eight performances. [DC 7117 STEREO]
Art by Farah Atassi Louise Talma - Six Etudes for Piano](https://i.ytimg.com/vi/ztkhRKawp04/mqdefault.jpg)