Uploaded December 2020 | Updated September 2026, 1 week ago
This video essay explores some aesthetic and ethical implications of the “follow shot,” a tracking shot that follows a human subject on foot from behind, as it is conspicuously employed in two films that depict human atrocities, Alan Clarke’s Elephant (1989) and Gus Van Sant’s Elephant (2003).
This video essay explores some aesthetic and ethical implications of the “follow shot,” a tracking shot that follows a human subject on foot from behind, as it is conspicuously employed in two films that depict human atrocities, Alan Clarke’s Elephant (1989) and Gus Van Sant’s Elephant (2003).










