Uploaded January 2026 | Updated September 2026, 2 weeks ago
Seventeen Come Sunday is another song from Joe Offer's collection.
The song is new to me and as with others from this collection, I have created my own chord progression for it.
The following footnote accompanied the song in the collection:
Source: Palmer, R (1979) Everyman's Book of English Country Songs London, Dent
Notes:
Communicated by Walter Pardon, Knapton, Norfolk. August 1978
Palmer notes:
Mothers with nubile daughters were particularly wary of soldiers, who were proverbial for the girls they left behind. The man here is atypical, for he takes the girl with him to be at least a common-law wife. The song originated in the eighteenth century, and remained widely popular until the twentieth. Cecil Sharp alone collected 22 versions, but the one given here was recorded by Walter Pardon in 1978.
Seventeen Come Sunday is another song from Joe Offer's collection.
The song is new to me and as with others from this collection, I have created my own chord progression for it.
The following footnote accompanied the song in the collection:
Source: Palmer, R (1979) Everyman's Book of English Country Songs London, Dent
Notes:
Communicated by Walter Pardon, Knapton, Norfolk. August 1978
Palmer notes:
Mothers with nubile daughters were particularly wary of soldiers, who were proverbial for the girls they left behind. The man here is atypical, for he takes the girl with him to be at least a common-law wife. The song originated in the eighteenth century, and remained widely popular until the twentieth. Cecil Sharp alone collected 22 versions, but the one given here was recorded by Walter Pardon in 1978.









![Guitar: Some Folks Do (Including lyrics and chords)
In Joe Offers collection, this song had only the following footnotes:
Source: Singing Together, Autumn 1974, BBC Publications
Notes:
None supplied in the pamphlet.
However, in a discussion on the song the following was added:
According to Steven Saunders and Deane L. Root, The Music of Stephen C. Foster: A Critical Edition (Smithsonian Institution Press, 1990, vol. 1, p. 491), this edition (at the Levy Collection) is the earliest known copy.
Title: Fosters Melodies No.29. Some Folks.
Composer, Lyricist, Arranger: Composed by S[tephen] C[ollins] Foster
Publication: New York: Firth, Pond & Co., 1 Franklin Square, 1855.
Form of Composition: strophic with chorus (and instrumental interlude)
Instrumentation: piano and voice
First Line: Some folks like to sigh, Some folks do, some folks do
First Line of Chorus: Long live the Merry merry heart that laughs by night and day
Engraver, Lithographer, Artist: Wakelam & Bro.
I have chosen to sing the chorus after each verse, though in Fosters original it was only sung after the first verse, then after the 3rd and 5th verses. Guitar: Some Folks Do (Including lyrics and chords)](https://i.ytimg.com/vi/w9fkLj8jyI0/mqdefault.jpg)
