Uploaded September 2023 | Updated September 2026, 3 weeks ago
This week's live is answering questions around color aware and unaware tools.
Get on the waitlist for this year's final round of my color grading
course, the Colorist Career Accelerator (happening mid-October):
bit.ly/cca-waitlist-autumn-2023
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Grab my Voyager LUT Pack. 17 LUTs to provide beautiful looks for any type of project so you can grade faster, take every image further, and attract better and better jobs.
http://procolor.ist/voyager-lut-pack
Get my free Kodak 2383 film print LUT for DWG and ACES here:
http://procolor.ist/freelut
Check out my ebook, The Colorist's 10 Commandments:
http://procolor.ist/ebook
0:00 Introduction
2:14 New round of CCA Announcement
5:23 Revisiting LGG workflows
9:24 Is the HDR global saturation knob also considered color space aware?
14:12 How does a color space aware tool work?
24:08 Is there any way to make the qualifier behave in a more intuitive way in log spaces?
31:00 Is the color warper also color space aware?
35:55 What’s the difference between using a CST sandwich to operate in a different color space and simply using the dropdown menu in a node?
40:30 If you could request Blackmagic for another color space aware tool, what would it be?
43:04 What’s the relationship between the colorist and the DP or the director prior to the shooting? What role does the colorist play at the preproduction stage?
48:59 What is the advantage of using a color space aware tool over non color space aware tools if those produce the result that I want?
56:30 Is there any workflow for color spaces that are not included in RCM or that produce strange behaviors such as the conversion to V-Log?
59:01 Conclusion
This week's live is answering questions around color aware and unaware tools.
Get on the waitlist for this year's final round of my color grading
course, the Colorist Career Accelerator (happening mid-October):
bit.ly/cca-waitlist-autumn-2023
---
Grab my Voyager LUT Pack. 17 LUTs to provide beautiful looks for any type of project so you can grade faster, take every image further, and attract better and better jobs.
http://procolor.ist/voyager-lut-pack
Get my free Kodak 2383 film print LUT for DWG and ACES here:
http://procolor.ist/freelut
Check out my ebook, The Colorist's 10 Commandments:
http://procolor.ist/ebook
0:00 Introduction
2:14 New round of CCA Announcement
5:23 Revisiting LGG workflows
9:24 Is the HDR global saturation knob also considered color space aware?
14:12 How does a color space aware tool work?
24:08 Is there any way to make the qualifier behave in a more intuitive way in log spaces?
31:00 Is the color warper also color space aware?
35:55 What’s the difference between using a CST sandwich to operate in a different color space and simply using the dropdown menu in a node?
40:30 If you could request Blackmagic for another color space aware tool, what would it be?
43:04 What’s the relationship between the colorist and the DP or the director prior to the shooting? What role does the colorist play at the preproduction stage?
48:59 What is the advantage of using a color space aware tool over non color space aware tools if those produce the result that I want?
56:30 Is there any workflow for color spaces that are not included in RCM or that produce strange behaviors such as the conversion to V-Log?
59:01 Conclusion
