Uploaded March 2024 | Updated September 2026, 3 weeks ago
This week's live is covering questions around your most pressing color grading questions.
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Grab my Voyager LUT Pack. 17 LUTs to provide beautiful looks for any type of project so you can grade faster, take every image further, and attract better and better jobs.
http://procolor.ist/voyager-lut-pack
Get my free Kodak 2383 film print LUT for DWG and ACES here:
http://procolor.ist/freelut
Check out my ebook, The Colorist's 10 Commandments:
http://procolor.ist/ebook
0:00 Audio issues
1:20 Introduction
3:55 Do you have any default project settings?
6:04 How would you approach day for night in exteriors?
15:11 How would you create an IDT for a color space that is nos listed in ACES or RCM?
17:32 How does a color chart work?
22:42 Is there a rule of thumb for choosing a tool over another?
30:41 Best way to color manage FujiFilm FLog-2 to use Cullen LUTs
31:35 What should you ask for and give to the editor in long form projects, such as documentaries?
33:35 What are your thoughts about the XMP310
35:55 Video vs Full levels
39:43 What is the criteria for establishing color grading rates?
43:10 How to start learning color grade? And look development?
45:42 How to grade using a MacBook display?
47:03 Making neutrals more blue without breaking the color cube
52:22 Should we use Gamma 2.2 for Youtube?
55:53 Dealing with Gamma shift in a cloud project between Mac and Windows
59:55 What would you do to make your grades look more profesional?
This week's live is covering questions around your most pressing color grading questions.
---
Grab my Voyager LUT Pack. 17 LUTs to provide beautiful looks for any type of project so you can grade faster, take every image further, and attract better and better jobs.
http://procolor.ist/voyager-lut-pack
Get my free Kodak 2383 film print LUT for DWG and ACES here:
http://procolor.ist/freelut
Check out my ebook, The Colorist's 10 Commandments:
http://procolor.ist/ebook
0:00 Audio issues
1:20 Introduction
3:55 Do you have any default project settings?
6:04 How would you approach day for night in exteriors?
15:11 How would you create an IDT for a color space that is nos listed in ACES or RCM?
17:32 How does a color chart work?
22:42 Is there a rule of thumb for choosing a tool over another?
30:41 Best way to color manage FujiFilm FLog-2 to use Cullen LUTs
31:35 What should you ask for and give to the editor in long form projects, such as documentaries?
33:35 What are your thoughts about the XMP310
35:55 Video vs Full levels
39:43 What is the criteria for establishing color grading rates?
43:10 How to start learning color grade? And look development?
45:42 How to grade using a MacBook display?
47:03 Making neutrals more blue without breaking the color cube
52:22 Should we use Gamma 2.2 for Youtube?
55:53 Dealing with Gamma shift in a cloud project between Mac and Windows
59:55 What would you do to make your grades look more profesional?
