Uploaded September 2023 | Updated September 2026, 3 weeks ago
This week's live is covering questions around improving how you use your looks in Resolve.
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Grab my Voyager LUT Pack. 17 LUTs to provide beautiful looks for any type of project so you can grade faster, take every image further, and attract better and better jobs.
http://procolor.ist/voyager-lut-pack
Get my free Kodak 2383 film print LUT for DWG and ACES here:
http://procolor.ist/freelut
Check out my ebook, The Colorist's 10 Commandments:
http://procolor.ist/ebook
00:07 Introduction
3:46 What method do you recommend to control contrast and the roll off?
14:24 I’ve heard that using curves to create a Look might be problematic. Can you explain why and how to avoid it?
18:18 Do you usually do your look development before the per clip adjustment? If so, what do you do with a timeline that has been exposed to the right?
22:26 Do you lock up your middle stops and then compress the highs and low values?
25:20 How do you go about working with titles and logos? Is using groups a good solution?
26:41 Can you use LUTs in DWG that don’t expect DWG if you use a CST before and after the LUT?
36:59 If LUTs can have up to 65 points, how many points does a CST have?
38:51 When and how should we use the input DRT at the project settings? Should it be always set to ‘’none’’?
42:35 Can you explain the DRT in depth?
53:05 How would you fix over saturated colors in 8 bit footage?
57:26 How to produce a show lut for any camera if you’re working in DWG?
1:01:23 Is there any best practice to apply film LUTs while working on DWG? Cineon sometimes produces oversaturated values
1:03:10 Conclusion
This week's live is covering questions around improving how you use your looks in Resolve.
---
Grab my Voyager LUT Pack. 17 LUTs to provide beautiful looks for any type of project so you can grade faster, take every image further, and attract better and better jobs.
http://procolor.ist/voyager-lut-pack
Get my free Kodak 2383 film print LUT for DWG and ACES here:
http://procolor.ist/freelut
Check out my ebook, The Colorist's 10 Commandments:
http://procolor.ist/ebook
00:07 Introduction
3:46 What method do you recommend to control contrast and the roll off?
14:24 I’ve heard that using curves to create a Look might be problematic. Can you explain why and how to avoid it?
18:18 Do you usually do your look development before the per clip adjustment? If so, what do you do with a timeline that has been exposed to the right?
22:26 Do you lock up your middle stops and then compress the highs and low values?
25:20 How do you go about working with titles and logos? Is using groups a good solution?
26:41 Can you use LUTs in DWG that don’t expect DWG if you use a CST before and after the LUT?
36:59 If LUTs can have up to 65 points, how many points does a CST have?
38:51 When and how should we use the input DRT at the project settings? Should it be always set to ‘’none’’?
42:35 Can you explain the DRT in depth?
53:05 How would you fix over saturated colors in 8 bit footage?
57:26 How to produce a show lut for any camera if you’re working in DWG?
1:01:23 Is there any best practice to apply film LUTs while working on DWG? Cineon sometimes produces oversaturated values
1:03:10 Conclusion
