Grade School: Alexa 35 Footage Q&A @CullenKelly
Grade School: Alexa 35 Footage Q&A  @CullenKelly
Uploaded April 2024 | Updated September 2026, 2 weeks ago
This week's live is covering questions around working with Alexa 35 film footage.

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0:00 Introduction

5:42 - Why do ARRI LogC LUTs produce inconsistent results when applied to footage from different cameras?

15:03 How can we create LUTs using Dehancer or Filmbox for LogC4 not using the REC709 workflow suggest?

21:27 How would you set an HDR workflow on an Alexa 35?

29:25 Best tips to match contrast throughout a scene

38:50 Do you do a final pass on contrast specifically?

40:34 When grading long form projects do you use one timeline macro look or multiple macro looks at the post group level?

46:33 Arri LUT transforms vs CSTs

52:32 Linear grading examples
Grade School: Alexa 35 Footage Q&AGrade School: Pro Colorist AMA🔴 Live: Pro Colorist AMACinematic grades break these 3 rules5 pro colorist tips for navigating every grade like you know what youre doingGrade School: Using HDR tools & film grain like a proThe Pro Colorist Guide To Color Management in 2024Behind the Scenes: How I work as a Pro ColoristGrade School: Pro Colorist Q&ALive Color Grading AMAHow to make your own Alexa LUT pt. 2How to use ColorSlice like a pro (& when to NEVER use it)
Cullen Kelly |

Grade School: Alexa 35 Footage Q&A

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