![Giorgio Moroder - Scarface: Expanded Motion Picture Soundtrack *1983* [FULL SOUNDTRACK] @AnthonysChannel80s](https://i.ytimg.com/vi/wDsLZq6Fnhw/maxresdefault.jpg)
Uploaded October 2022 | Updated September 2026, 2 weeks ago
[Synth/Ambient/Electronic/Orchestration/Score/OST] "First you get the money, then you get the power, then you get the soundtrack." Here is the complete official expanded film score to Brian De Palma's iconic mobster epic "Scarface" composed entirely by the legendary Giorgio Moroder. This video brings together all the score material composed for the film including the rare source cues and unreleased material that were used as ambient pieces in the movie. Also included is the official master tape tracks for "Success" by Joe Esposito, "Right Combination" by Beth Andersen and "Scarface (Push It To The Limit) & Extended by Paul Engemann (which were originally found in 2006's "Scarface: The World Is Yours" video game). Forty years after the release of De Palma's enduring early '80s crime drama "Scarface", starring Al Pacino, Michelle Pfeiffer, and Robert Loggia, La-La Land Records has presented fans with the entirety of the film's operatic synth pop score, finally released as a limited edition package in conjunction with the Universal Pictures Film Music Classics Collection (only 5000 copies exist). Film scores heighten emotions and create the mood for scenes, driving action and drawing tears. For De Palma's '83 remake - that arguably surpassed the original - of Scarface, he sought out the "Father of Disco," Italian composer, songwriter and record producer, Giorgio Moroder. At the time he was credited as the pioneer for euro disco, and had also composed the score for Flashdance, released that same year (1983). Moroder used his knowledge of synthesizers and unique vision, by incorporating elements of synth rock and disco, to elevate the film and make Scarface the legacy that it is today. In collaboration with Arthur Barrow, Sylvester Levay and Kristian Schultze, Moroder used clashing beats and haunting tones to create an aura of lavish bravado worthy of Tony Montana. For the score, the main synthesizers used by Moroder for the Scarface soundtrack were the Roland Jupiter-8 and the Yamaha CS-80. Personally this is my all time favorite synth film score that I am glad to finally see officially released to the public. Overall, this score is considered to be Giorgio Moroder 's synthesized magnum opus, and is a sinister and bold musicscape that captures the extravagance of the film. This complete OST soundtrack score was released under La-La Land Records & Universal Pictures Film Music Classics Collection '83 ('22).
Tracklist:
1) "Main Title - Scarface" (0:10)
2) "Rebenga" (3:53)
3) "Chainsaw / Tony Rescued" (6:04)
4) "I Got The Yeyo" (9:59)
5) "Elvira" (10:46)
6) "Night Drive" (14:49)
7) "Gina" (15:21)
8) "She's Not For You" (18:16)
9) "Bolivia" (20:27)
10) "Sosa / Talk To Frank" (21:38)
11) "Omar Out / Don't F*%k Me" (24:11)
12) "Proposal" (25:20)
13) "Tony Spots Gina / Tony Slaps Gina / Tony Guilty / Shooters" (28:06)
14) "What About You? / Open Fire / Tony Escapes" (30:55)
15) "Just Paranoid" (33:43)
16) "Lopez Begs" (38:29)
17) "Bye Bernstein" (40:06)
18) "The World Is Yours" (42:03)
19) "Plant The Plastic" (44:12)
20) "The Chase" (45:42)
21) "409 Citrus Drive" (49:49)
22) "Paranoid Tony / Gina's Grief" (54:42)
23) "Back To The House" (57:13)
24) "Tony's Grief / Attack Begins / Crazy Gina / Attack Continues" (59:03)
25) "Gina Dead / Chi-Chi Wasted" (1:03:12)
26) "Finale" (1:04:28)
27) "End Title - Scarface" (1:07:56)
28) "Trailer Music (Unused)" (1:14:37)
29) *BONUS* Paul Engemann - "Scarface (Push It To The Limit)" (1:17:38)
30) *BONUS* Beth Andersen - "Right Combination" (1:20:38)
31) *BONUS* "Car Getaway Source" (1:24:23)
32) *BONUS* "Cuban I" (1:25:34)
33) *BONUS* "Cuban II" (1:28:03)
34) *BONUS* "Cuban III" (1:31:27)
35) *BONUS* "Muzak I" (1:33:56)
36) *BONUS* "Muzak II" (1:38:42)
37) *BONUS* "Muzak III" (1:42:02)
38) *BONUS* "Disco I" (1:45:07)
39) *BONUS* "Disco II" (1:48:12)
40) *BONUS* Joe Esposito - "Success" (1:50:12)
41) *BONUS* Paul Engemann - "Scarface (Push It To The Limit) [Extended Version]" (1:54:13)
--------
[END SCREEN/SIMILAR VIDEO SUGGESTIONS] - (1:59:26)
I do Not own anything
INFRINGEMENT OF COPYRIGHT IS NOT INTENDED!
All Material used is the property of the respective original owners. (Scarface/Giorgio Moroder/Universal Pictures/Scarface Movie/Universal Pictures Film Music Classics Collection/La-La Land Records/Etc).
Under Section 107 of the Copyright Act: "§ 107. Limitations on exclusive rights: Fair use40
Notwithstanding the provisions of sections 106 and 106A, the fair use of a copyrighted work, including such use by reproduction in copies or phonorecords or by any other means specified by that section, for purposes such as criticism, comment, news reporting, teaching (including multiple copies for classroom use), scholarship, or research, is not an infringement of copyright. "
Therefore, "allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research."
[Synth/Ambient/Electronic/Orchestration/Score/OST] "First you get the money, then you get the power, then you get the soundtrack." Here is the complete official expanded film score to Brian De Palma's iconic mobster epic "Scarface" composed entirely by the legendary Giorgio Moroder. This video brings together all the score material composed for the film including the rare source cues and unreleased material that were used as ambient pieces in the movie. Also included is the official master tape tracks for "Success" by Joe Esposito, "Right Combination" by Beth Andersen and "Scarface (Push It To The Limit) & Extended by Paul Engemann (which were originally found in 2006's "Scarface: The World Is Yours" video game). Forty years after the release of De Palma's enduring early '80s crime drama "Scarface", starring Al Pacino, Michelle Pfeiffer, and Robert Loggia, La-La Land Records has presented fans with the entirety of the film's operatic synth pop score, finally released as a limited edition package in conjunction with the Universal Pictures Film Music Classics Collection (only 5000 copies exist). Film scores heighten emotions and create the mood for scenes, driving action and drawing tears. For De Palma's '83 remake - that arguably surpassed the original - of Scarface, he sought out the "Father of Disco," Italian composer, songwriter and record producer, Giorgio Moroder. At the time he was credited as the pioneer for euro disco, and had also composed the score for Flashdance, released that same year (1983). Moroder used his knowledge of synthesizers and unique vision, by incorporating elements of synth rock and disco, to elevate the film and make Scarface the legacy that it is today. In collaboration with Arthur Barrow, Sylvester Levay and Kristian Schultze, Moroder used clashing beats and haunting tones to create an aura of lavish bravado worthy of Tony Montana. For the score, the main synthesizers used by Moroder for the Scarface soundtrack were the Roland Jupiter-8 and the Yamaha CS-80. Personally this is my all time favorite synth film score that I am glad to finally see officially released to the public. Overall, this score is considered to be Giorgio Moroder 's synthesized magnum opus, and is a sinister and bold musicscape that captures the extravagance of the film. This complete OST soundtrack score was released under La-La Land Records & Universal Pictures Film Music Classics Collection '83 ('22).
Tracklist:
1) "Main Title - Scarface" (0:10)
2) "Rebenga" (3:53)
3) "Chainsaw / Tony Rescued" (6:04)
4) "I Got The Yeyo" (9:59)
5) "Elvira" (10:46)
6) "Night Drive" (14:49)
7) "Gina" (15:21)
8) "She's Not For You" (18:16)
9) "Bolivia" (20:27)
10) "Sosa / Talk To Frank" (21:38)
11) "Omar Out / Don't F*%k Me" (24:11)
12) "Proposal" (25:20)
13) "Tony Spots Gina / Tony Slaps Gina / Tony Guilty / Shooters" (28:06)
14) "What About You? / Open Fire / Tony Escapes" (30:55)
15) "Just Paranoid" (33:43)
16) "Lopez Begs" (38:29)
17) "Bye Bernstein" (40:06)
18) "The World Is Yours" (42:03)
19) "Plant The Plastic" (44:12)
20) "The Chase" (45:42)
21) "409 Citrus Drive" (49:49)
22) "Paranoid Tony / Gina's Grief" (54:42)
23) "Back To The House" (57:13)
24) "Tony's Grief / Attack Begins / Crazy Gina / Attack Continues" (59:03)
25) "Gina Dead / Chi-Chi Wasted" (1:03:12)
26) "Finale" (1:04:28)
27) "End Title - Scarface" (1:07:56)
28) "Trailer Music (Unused)" (1:14:37)
29) *BONUS* Paul Engemann - "Scarface (Push It To The Limit)" (1:17:38)
30) *BONUS* Beth Andersen - "Right Combination" (1:20:38)
31) *BONUS* "Car Getaway Source" (1:24:23)
32) *BONUS* "Cuban I" (1:25:34)
33) *BONUS* "Cuban II" (1:28:03)
34) *BONUS* "Cuban III" (1:31:27)
35) *BONUS* "Muzak I" (1:33:56)
36) *BONUS* "Muzak II" (1:38:42)
37) *BONUS* "Muzak III" (1:42:02)
38) *BONUS* "Disco I" (1:45:07)
39) *BONUS* "Disco II" (1:48:12)
40) *BONUS* Joe Esposito - "Success" (1:50:12)
41) *BONUS* Paul Engemann - "Scarface (Push It To The Limit) [Extended Version]" (1:54:13)
--------
[END SCREEN/SIMILAR VIDEO SUGGESTIONS] - (1:59:26)
I do Not own anything
INFRINGEMENT OF COPYRIGHT IS NOT INTENDED!
All Material used is the property of the respective original owners. (Scarface/Giorgio Moroder/Universal Pictures/Scarface Movie/Universal Pictures Film Music Classics Collection/La-La Land Records/Etc).
Under Section 107 of the Copyright Act: "§ 107. Limitations on exclusive rights: Fair use40
Notwithstanding the provisions of sections 106 and 106A, the fair use of a copyrighted work, including such use by reproduction in copies or phonorecords or by any other means specified by that section, for purposes such as criticism, comment, news reporting, teaching (including multiple copies for classroom use), scholarship, or research, is not an infringement of copyright. "
Therefore, "allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research."
![Giorgio Moroder - Scarface: Expanded Motion Picture Soundtrack *1983* [FULL SOUNDTRACK]](https://i.ytimg.com/vi/wDsLZq6Fnhw/mqdefault.jpg "Giorgio Moroder - Scarface: Expanded Motion Picture Soundtrack *1983* [FULL SOUNDTRACK]
[Synth/Ambient/Electronic/Orchestration/Score/OST] First you get the money, then you get the power, then you get the soundtrack. Here is the complete official expanded film score to Brian De Palmas iconic mobster epic Scarface composed entirely by the legendary Giorgio Moroder. This video brings together all the score material composed for the film including the rare source cues and unreleased material that were used as ambient pieces in the movie. Also included is the official master tape tracks for Success by Joe Esposito, Right Combination by Beth Andersen and Scarface (Push It To The Limit) & Extended by Paul Engemann (which were originally found in 2006s Scarface: The World Is Yours video game). Forty years after the release of De Palmas enduring early 80s crime drama Scarface, starring Al Pacino, Michelle Pfeiffer, and Robert Loggia, La-La Land Records has presented fans with the entirety of the films operatic synth pop score, finally released as a limited edition package in conjunction with the Universal Pictures Film Music Classics Collection (only 5000 copies exist). Film scores heighten emotions and create the mood for scenes, driving action and drawing tears. For De Palmas 83 remake - that arguably surpassed the original - of Scarface, he sought out the Father of Disco, Italian composer, songwriter and record producer, Giorgio Moroder. At the time he was credited as the pioneer for euro disco, and had also composed the score for Flashdance, released that same year (1983). Moroder used his knowledge of synthesizers and unique vision, by incorporating elements of synth rock and disco, to elevate the film and make Scarface the legacy that it is today. In collaboration with Arthur Barrow, Sylvester Levay and Kristian Schultze, Moroder used clashing beats and haunting tones to create an aura of lavish bravado worthy of Tony Montana. For the score, the main synthesizers used by Moroder for the Scarface soundtrack were the Roland Jupiter-8 and the Yamaha CS-80. Personally this is my all time favorite synth film score that I am glad to finally see officially released to the public. Overall, this score is considered to be Giorgio Moroder s synthesized magnum opus, and is a sinister and bold musicscape that captures the extravagance of the film. This complete OST soundtrack score was released under La-La Land Records & Universal Pictures Film Music Classics Collection 83 (22).
Tracklist:
1) Main Title - Scarface (0:10)
2) Rebenga (3:53)
3) Chainsaw / Tony Rescued (6:04)
4) I Got The Yeyo (9:59)
5) Elvira (10:46)
6) Night Drive (14:49)
7) Gina (15:21)
8) Shes Not For You (18:16)
9) Bolivia (20:27)
10) Sosa / Talk To Frank (21:38)
11) Omar Out / Dont F*%k Me (24:11)
12) Proposal (25:20)
13) Tony Spots Gina / Tony Slaps Gina / Tony Guilty / Shooters (28:06)
14) What About You? / Open Fire / Tony Escapes (30:55)
15) Just Paranoid (33:43)
16) Lopez Begs (38:29)
17) Bye Bernstein (40:06)
18) The World Is Yours (42:03)
19) Plant The Plastic (44:12)
20) The Chase (45:42)
21) 409 Citrus Drive (49:49)
22) Paranoid Tony / Ginas Grief (54:42)
23) Back To The House (57:13)
24) Tonys Grief / Attack Begins / Crazy Gina / Attack Continues (59:03)
25) Gina Dead / Chi-Chi Wasted (1:03:12)
26) Finale (1:04:28)
27) End Title - Scarface (1:07:56)
28) Trailer Music (Unused) (1:14:37)
29) *BONUS* Paul Engemann - Scarface (Push It To The Limit) (1:17:38)
30) *BONUS* Beth Andersen - Right Combination (1:20:38)
31) *BONUS* Car Getaway Source (1:24:23)
32) *BONUS* Cuban I (1:25:34)
33) *BONUS* Cuban II (1:28:03)
34) *BONUS* Cuban III (1:31:27)
35) *BONUS* Muzak I (1:33:56)
36) *BONUS* Muzak II (1:38:42)
37) *BONUS* Muzak III (1:42:02)
38) *BONUS* Disco I (1:45:07)
39) *BONUS* Disco II (1:48:12)
40) *BONUS* Joe Esposito - Success (1:50:12)
41) *BONUS* Paul Engemann - Scarface (Push It To The Limit) [Extended Version] (1:54:13)
[END SCREEN/SIMILAR VIDEO SUGGESTIONS] - (1:59:26)
I do Not own anything
INFRINGEMENT OF COPYRIGHT IS NOT INTENDED!
All Material used is the property of the respective original owners. (Scarface/Giorgio Moroder/Universal Pictures/Scarface Movie/Universal Pictures Film Music Classics Collection/La-La Land Records/Etc).
Under Section 107 of the Copyright Act: § 107. Limitations on exclusive rights: Fair use40
Notwithstanding the provisions of sections 106 and 106A, the fair use of a copyrighted work, including such use by reproduction in copies or phonorecords or by any other means specified by that section, for purposes such as criticism, comment, news reporting, teaching (including multiple copies for classroom use), scholarship, or research, is not an infringement of copyright.
Therefore, allowance is made for fair use for purposes such as criticism, comment, news reporting, teaching, scholarship, and research.")
![Max Rebo Band - Galactic Dance Blast (Sail Barge Version) *1983* [Return Of The Jedi Soundtrack]](https://i.ytimg.com/vi/w_UsIGlNYVk/mqdefault.jpg "Max Rebo Band - Galactic Dance Blast (Sail Barge Version) *1983* [Return Of The Jedi Soundtrack]
[Synth/Ambient/Electronic/Orchestration/OST/Score] Yes, youve read the title right; Here is the lost/unreleased Sail Barge music from Star Wars: Return Of The Jedi .... RESTORED! .... REMASTERED!! ... AND EXTENDED!!! It is played by the Jabbas Palace Ortolan Max Rebo and his band (Sy Snootles / Droopy McCool) on Jabba The Hutt s sail barge (The Khetanna) as he transports Luke Skywalker, Han Solo, Chewbacca, and Lando Calrissian to the Great Pit of Carkoon aka the Sarlacc Pit. This song is heavily sought after by a large margin of the Star Wars fan base as it was sadly never included on any soundtrack or album. The only max rebo tracks that are released to the public are Jedi Rocks, Jabbas Baroque Recital, and Lapti Nek (but the film version of Lapti Nek is unreleased). A lot of people assume that Galactic Dance Blast is done by legendary composer John Williams but I read somewhere that the song was actually done by Joseph Williams (John Williams s son). Also, the master tape of this song is unfortunately lost due to the makers of Jedi loaning this music to a company who used it in a making of documentary titled: From Star Wars to Jedi: The Making of a Saga and they ended up misplacing the original recording which means that this video will probably always be the CLOSEST thing you will get to the authentic high quality master tape of the song (its pretty much 98% accurate). I also doubt Lucasfilm , Disney, and or John Williams has them either because usually when you make a master tape its one copy and thats it. Return of the Jedi (also known as Star Wars: Episode VI – Return of the Jedi) is a 1983 American epic space opera film directed by Richard Marquand. It is the third installment in the original Star Wars trilogy and the first film to use THX technology. The film is set one year after The Empire Strikes Back and was produced by Howard Kazanjian for Lucasfilm Ltd. The film stars Mark Hamill, Harrison Ford, Carrie Fisher, Billy Dee Williams, Anthony Daniels, David Prowse, Kenny Baker, Peter Mayhew and Frank Oz. The film was released in theaters on May 25, 1983, six years to the day after the release of the first film, receiving mostly positive reviews. The film grossed between $475 million and $572 million worldwide. Several home video and theatrical releases and revisions to the film followed over the next 20 years. One of the revisions that is heavily criticized is the re branded max rebo band scene with the song Jedi Rocks (which has a love/hate relationship with me in terms of what i like and dont like from it). Overall, I can assure you that this video is (and probably always will be) the closest thing you will get to the master tape quality of the song. This OST soundtrack score is unreleased and has no distribution label 83.
Here are two links that i found interesting on the max rebo character, one is funny the other is very informative. - Link 1: https://youtu.be/U_hRXPJUmEY - Link 2: https://youtu.be/Iza7_7tozbw
Link to the movie scene when they are going to the Sarlacc Pit: https://youtu.be/nAnkFVaKnec
***TO ALL STAR WARS FANS / VIEWERS ... FEEL FREE TO THANK MY BROTHER (ANDY MORALES) FOR RESTORING/REMASTERING/EXTENDING THIS SONG IN THE COMMENTS AS HE IS THE ONE WHO PUT A LOT OF HEART & SOUL INTO FINALLY GIVING YOU GUYS THIS SONG IN AMAZING QUALITY THAT IS JUST AS GOOD AS THE MASTER TAPE***
Tracklist:
1) Max Rebo - Galactic Dance Blast (Sail Barge Version) (0:10)
[END SCREEN/SIMILAR VIDEO SUGGESTIONS] - (4:16)
I do Not own anything
INFRINGEMENT OF COPYRIGHT IS NOT INTENDED!
All Material used is the property of the respective original owners. (John Williams/Joseph Williams/Return of the Jedi/Star Wars: Episode VI – Return of the Jedi/Return of the Jedi Movie/Star Wars Episode 6 Soundtrack/Return Of The Jedi 1983 Soundtrack/ROTJ 83/Episode 6/Disney/Star Wars/George Lucas/Industrial Light & Magic/LucasFilm/Etc).
Under Section 107 of the Copyright Act: § 107. Limitations on exclusive rights: Fair use40
Notwithstanding the provisions of sections 106 and 106A, the fair use of a copyrighted work, including such use by reproduction in copies or phonorecords or by any other means specified by that section, for purposes such as criticism, comment, news reporting, teaching (including multiple copies for classroom use), scholarship, or research, is not an infringement of copyright.
Therefore, allowance is made for fair use for purposes such as criticism, comment, news reporting, teaching, scholarship, and research.")
![Angelo Badalamenti - Twin Peaks: The Windom Earle Mix [FULL SOUNDTRACK]](https://i.ytimg.com/vi/xAgQbeNwS6Q/mqdefault.jpg "Angelo Badalamenti - Twin Peaks: The Windom Earle Mix [FULL SOUNDTRACK]
[Synth/Ambient/Electronic/Orchestration/Jazz/OST] Here is the FULL Soundtrack Score for the Windom Earle Mix (music scores by Badalamenti). This is a mix of mostly recreated mixes that can be heard in Season 2 from the series. Check out track 12 which is a mix combining the many ways the track Windom Earles Motif was used in the series. I feel its much more representative of how people remember the track from the series.
Tracklist:
1) Earles First Pawn (Mix) (0:10)
*Recreation mix heard in episode 21.*
(Opening sequence as Cooper investigate dead vagrant)
**Mix includes:
-Earles Theme (Pitched-Up)
-Windom Earles Motif
-Packard’s Vibration (Original) [ending]
-Black Lodge Rumble
-Back To Missoula
2) Laura Palmers Theme (Caroline Version) (TV Mix) (3:15)
*Recreation mix heard in episode 21.*
(Cooper tells Truman about Caroline Earle)
**Mix includes:
-Earles Theme
-Laura Palmers Theme (Caroline Version)
-Laura Palmers Theme
3) Dark Forces (Earle Edit) (6:27)
*Recreation mix heard in episode 21.*
(Leo stumbles upon Earle’s cabin, first see Earle)
**Mix includes:
-Earles Theme
-Dark Forces
-Windom Earles Motif
-Earles Theme (Pitched-Up)
4) White Lodge Rumble (Earle Mix 1) (8:36)
*Recreation mix heard in episode 22.*
(Earle/Leo write letter to the girls)
**Mix includes:
-Audreys Prayer (Earles Flute)
-White Lodge Rumble
-Windom Earles Motif
5) Josie’s Death (Mix) (11:32)
*Recreation mix heard in episode 23.*
(Josie dies, Cooper sees Bob, Josie trapped in drawer)
**Mix includes:
-White Lodge Rumble
-Laura Palmer’s Theme (Ethereal Pad Version)
-The Culmination
-Dance Of The Dream Man
-Windom Earle’s Motif
-Back To Missoula
6) White Lodge Rumble (Earle Mix 2) (15:23)
*Recreation mix heard in episode 24.*
(Leo gives Earle his slippers, Audrey walks runway)
**Mix includes:
-Audreys Walk (Earles Flute)
-White Lodge Rumble
-Windom Earles Motif
7) Leo Returns (Windoms Deck Mix) (18:17)
*Recreation re-edit heard in episode 25.*
(Earle shows card deck to Leo; Donna, Shelly, & Audrey as queens)
**Mix includes:
-Leo Returns
8) Audreys Walk (Earles Flute) (Alternate) (20:18)
*Series recreation track using the original, released version. Unsure if they created it this way, or if it was an entirely different (unreleased) take/version.*
**Mix includes:
-Audreys Walk (Earles Flute)
9) 24 Hours (Windoms Tale Mix) (20:49)
*Recreation mix heard in episode 26.*
(Earle tells story of Black & White Lodges to Leo/Rusty)
**Mix includes:
-Audreys Walk (Earles Flute) [half-speed]
-24 Hours
-Audreys Walk (Earles Flute) (Alternate) (unreleased – extracted)
10) Windom Earles Motif/Dark Forces (Combo Mix) (23:50)
*Recreation mix heard in episode 26.*
(Earle shoots/kills Rusty)
**Mix includes:
-Audreys Walk (Earles Flute) (Alternate) [half-speed]
-Windom Earles Motif
-Dark Forces
-Scary sounds [bootleg]
11) Fear Is The Key (Mix) (26:32)
*Recreation mix heard in episode 28.*
(Earle, listening to Cooper & Truman, fear is the key)
**Mix includes:
-Owl Cave
-Laura Palmers Theme (Baritone Guitar Punctuation)
-Unease Motif (The Woods)
-Dark Forces
-Windom Earles Motif
12) Windom Earles Motif (Extended Flute Mix) (31:08)
*Mix that combines the many ways Windom Earle’s Motif is used into one mix. Combined with the various flute tracks. Much more representative of how people think of the track than the original.*
**Mix includes:
-Windom Earles Motif
-Audreys Walk (Earles Flute)
-Earles Theme
-Audreys Prayer (Earles Flute) + extracted sounds
-Earles Theme (Pitched-Up)
13) Windom Earles Motif (Extended Mix) (35:05)
*Same as above, only without the additional flute elements.*
14) Dark Mood Woods (Earle Mix) (38:54)
*Original mix that Earle-izes Dark Mood Woods.*
**Mix includes:
-Dark Forces (Normal Speed)
-Dark Forces
-Earles Theme
-Owl Cave
-Dark Mood Woods
-Dark Mood Woods (Studio Version)
-Windom Earles Motif
15) Earle’s Theme (Pitched-Up) (43:57)
*Full pitched-up version. Parts of the pitched up track were used in episode 21.*
[END SCREEN/SIMILAR VIDEO SUGGESTIONS] - (45:11)
I do Not own anything
INFRINGEMENT OF COPYRIGHT IS NOT INTENDED!
All Material used is the property of the respective original owners. (Twin Peaks/Angelo Badalamenti/Badalamenti/David Lynch/Mark Frost/Twin Peaks Archive/Twin Peaks Soundtrack/Etc).
Under Section 107 of the Copyright Act: § 107. Limitations on exclusive rights: Fair use40
Notwithstanding the provisions of sections 106 and 106A, the fair use of a copyrighted work, including such use by reproduction in copies or phonorecords or by any other means specified by that section, for purposes such as criticism, comment, news reporting, teaching (including multiple copies for classroom use), scholarship, or research, is not an infringement of copyright.
Therefore, allowance is made for fair use for purposes such as criticism, comment, news reporting, teaching, scholarship, and research.")
![Berlin Feat. Harold Faltermeyer - Take My Breath Away (Humming Version) *1986* [Top Gun Soundtrack]](https://i.ytimg.com/vi/xYeySAS2riI/mqdefault.jpg "Berlin Feat. Harold Faltermeyer - Take My Breath Away (Humming Version) *1986* [Top Gun Soundtrack]
[Synth/Electronic/New Wave/Synth Pop/Score/OST] Here is the heavily sought after humming version to Berlins mega hit: Take My Breath Away that was prominently featured in the love scene to 1986s Top Gun. In 2024, La-La Land Records finally released Harold Faltermeyers complete Top Gun score to the public, however one of the biggest omissions from the album was the humming film version to Take My Breath Away. The good news is that Faltermeyers instrumental cue to the humming version was included in the release (titled Love Scene) which made it very possible to reconstruct the track with all the missing hums and powerful chorus sections. The person responsible for this reconstruction is a YouTuber named (TurdmanJones59) and he carefully extracted all of Terri Nunns official hums from the love scene and rebuilt the entire track to match EXACTLY to what is heard within the movie. However, he did miss ONE noticeable hum at min (3:25) that I successfully managed to source and include/add (which makes this video the CLOSEST THING that you will probably ever get to the official one heard within the film). Top Gun is a 1986 American action drama film directed by Tony Scott and stars Tom Cruise as Lieutenant Pete Maverick Mitchell, a young naval aviator and Anthony Edwards as his wingman Nick Goose Bradshaw. Kelly McGillis, Val Kilmer and Tom Skerritt also appear in supporting roles. Despite its initial mixed critical reaction, the film was a huge commercial hit, grossing $357 million globally against a production budget of $15 million and was the highest-grossing domestic film of 1986. A sequel, Top Gun: Maverick (in which Cruise and Kilmer reprised their roles) was released 36 years later on May 27th 2022, and surpassed the original film both critically and commercially. Harold Faltermeyer is best known for composing the Axel F theme for the feature film: Beverly Hills Cop and is considered one of the greatest synth score composers of the 1980s. Berlin is an American new wave/synth-pop band from Los Angeles that consisted of singer Terri Nunn, bass guitarist and vocalist John Crawford, keyboardist David Diamond, guitarist Ric Olsen, keyboardist Matt Reid, and drummer Rob Brill. The band gained commercial success in the 1980s with singles including: The Metro, No More Words and the chart-topping Take My Breath Away co-written and produced by Giorgio Moroder, which won the Academy Award for Best Original Song and a Golden Globe Award for Best Original Song. Overall, it is great to finally share with you guys the iconic Take My Breath Away humming version that fans of the movie have been searching and waiting nearly 40 years to listen to in its entirety. This OST soundtrack score is unreleased and has no distribution label 86.
**TO ALL TOP GUN FANS PLEASE THANK AND SUBSCRIBE TO YOUTUBER TURDMANJONES59 AS HE IS THE ONE WHO PUT A LOT OF HEART & SOUL INTO FINALLY GIVING YOU GUYS THE FILM VERSION TO THIS SONG** LINK TO CHANNEL: https://www.youtube.com/@turdmanjones59
Tracklist:
1) Berlin - Take My Breath Away (Humming Version) (0:10)
[END SCREEN/SIMILAR VIDEO SUGGESTIONS] - (3:52)
I do Not own anything
INFRINGEMENT OF COPYRIGHT IS NOT INTENDED!
All Material used is the property of the respective original owners. (Berlin/Terri Nunn/Top Gun/Top Gun 1986/Paramount Pictures/Columbia Records/Harold Faltermeyer/Top Gun Movie/Giorgio Moroder/La-La Land Records/Etc).
Under Section 107 of the Copyright Act: § 107. Limitations on exclusive rights: Fair use40
Notwithstanding the provisions of sections 106 and 106A, the fair use of a copyrighted work, including such use by reproduction in copies or phonorecords or by any other means specified by that section, for purposes such as criticism, comment, news reporting, teaching (including multiple copies for classroom use), scholarship, or research, is not an infringement of copyright.
Therefore, allowance is made for fair use for purposes such as criticism, comment, news reporting, teaching, scholarship, and research.")
![Bonnie Bianco - Just Me *1987* [FULL ALBUM]](https://i.ytimg.com/vi/yB3-EuSlIc4/mqdefault.jpg "Bonnie Bianco - Just Me *1987* [FULL ALBUM]
[EuroPop/Synth Pop/Electronic/Pop/Disco/Dance/AOR] Here is Bonnie Bianco with her second major album titled: Just Me. At first i wasnt very fond of this album, but after i listened to it in its entirety i have truly grown to loving it. This album did fairly OK in Europe but went completely unnoticed here in the United States and that is a shame because if you really give it a chance you will see that Just Me is perhaps Biancos best album. Bonnie Bianco was born Lory Lynn Bianco on August 19th, 1963 in Pittsburgh, Pennsylvania. Bianco started her career at the tender age of 10 performing in musicals, fairs, convalescent homes, hospitals, conventions, and beauty pageants. She was managed by Sam Gino and her mother Helen Bianco. Bianco sang solo and duet with her sister Holly and the two of them recorded their first single, Give Me A Minute in 1975. Later at 16, Bianco received her first professional break with Hal White and Mark Gibbons, who released a single on RCA records titled: Teenager In Love. At eighteen Bianco was discovered in a talent search by two producers from Italy, Guido and Maurizio De Angelis. The De Angeles brothers signed her and became her record label Kangaroo Records/Polygram. They changed her name to Bonnie Bianco (a name that she wasnt so fond of using). She is best known as the leading role of Cindy in the Italian film Cinderella 80 (also known as Cinderella 87 or Cindy), a modernized adaptation of the fairy tale Cinderella. Bianco starred along side with french actor Pierre Cosso, known from his movie La Boum 2 with Sophie Marceau. Bianco also recorded the soundtrack for this TV series and the film gave her further success as an actress in Italy. From here you will see why she really wasnt very known in the United States and that is something that Bianco tried to change after this album was released. After this albums release, Bianco and her producer Christian De Walden had different views for her career so they finally mutually agreed to break away from each other. Bianco ended her contract with Metronome in 1987 after a battle of seven months and signed a new deal with the German record company WEA (Warner-Elektra-Atlantic, belonging to Warner Bros records) in 1988. They produced a new album, True Love, Lory, as they mutually agreed to gradually fade away from the name Bonnie. The record company stated that she had become famous by the name Bonnie Bianco and people would not know who Lory Bianco was. The album failed to continue the Top 10 success of the two previous albums (like this one) and failed to reach the German Top 40. Through the years, she released several more albums and singles and now resides in the Pacific Northwest of the United States. I consider this album a failure because it was only marketed heavily overseas, even though it was well received in Italy and had some major hits like The Heart Is A Lonely Hunter (Track 5) and Miss You So (Track 1), i just feel that if they promoted this album more globally than i think Biancos career would have skyrocketed higher than expected ...but all in all, the album is a must listen to as it is clearly her best work. This album was released under Metronome Records 87.
(Here are music videos for The Heart Is A Lonely Hunter: https://youtu.be/OErTyxQTdvk , and Miss You So: https://youtu.be/KLEV84DYVDw).
Tracklist:
1) Miss You So (0:10)
2) Face In The Crowd (5:11)
3) Last Of A Dying Breed (10:05)
4) Holding Back (13:58)
5) The Heart Is A Lonely Hunter (17:47)
6) Contender For Your Love (21:37)
7) Tonight Will Last Forever (25:27)
8) Stranger In My Heart (29:28)
9) If This Is Love (33:27)
10) I Feel It Getting Stronger (37:40)
[END SCREEN/SIMILAR VIDEO SUGGESTIONS] - (42:30)
I do Not own anything
INFRINGEMENT OF COPYRIGHT IS NOT INTENDED!
All Material used is the property of the respective original owners. (Bonnie Bianco/Lory Bianco/Lory Lynn Bianco/Metronome/Metronome Records/Etc).
Under Section 107 of the Copyright Act: § 107. Limitations on exclusive rights: Fair use40
Notwithstanding the provisions of sections 106 and 106A, the fair use of a copyrighted work, including such use by reproduction in copies or phonorecords or by any other means specified by that section, for purposes such as criticism, comment, news reporting, teaching (including multiple copies for classroom use), scholarship, or research, is not an infringement of copyright.
Therefore, allowance is made for fair use for purposes such as criticism, comment, news reporting, teaching, scholarship, and research.")
![Cellarful Of Noise - Cellarful Of Noise *1985* [FULL ALBUM]](https://i.ytimg.com/vi/yVM2I8p9wWQ/mqdefault.jpg "Cellarful Of Noise - Cellarful Of Noise *1985* [FULL ALBUM]
[AOR/Synth Rock/Melodic Rock/Pop Rock/Rock/Glam Rock] Here is keyboardist, songwriter, producer, lawyer and singer Mark Avsec aka Cellarful Of Noise with his debut 1985 solo album titled: Cellarful Of Noise. An amazing AOR Synth Rock album that has unfortunately faded away into obscurity. A real shame that this album didnt take off so well because Avsec truly delivers every song with such energy and power. I personally think that this album deserved so much better than what it got because I absolutely love each track on it, especially Heartwrecker (Track 7), Youll Never Break My Heart Again (Track 5), and Cant Put A Leash On Love (Track 10). Each track has this Miami Vice Michael Mann type sound to it, as it feels like something that I would suspect Sonny Crockett (Don Johnson) to be jamming out to, lol. All of these tracks were of course super trendy at the time and that is what is so surprising with the development of this album. For those that dont know, Mark Avsec was a pretty well known musician back in the day as he was one of the members in the widely popular bands: Wild Cherry ( Play That Funky Music ) and Donnie Iris & The Cruisers ( Ah! Leah! ). Not only that but he himself also co-wrote and produced a lot of the bands music too. In 1984, Avsec had spare time to begin working in his home studio in Twinsburg, Ohio on 40 to 50 demos which he began recording in winter of that same year (10 of which are these songs found on this album). Originally, these songs were to be recorded for Donnie Iris and the Cruisers. However, after being offered a solo album deal with CBS Records, Avsec selected ten of his demo recordings for a solo project under the moniker Cellarful of Noise with Cruisers former drummer Kevin Valentine also aiding with the production. The album was released on vinyl and cassette only in America via CBS Associated Records; And on vinyl in the Netherlands via Epic Records. Still to this day this album has not been released on CD, and has remained out-of-print since its original release. According to Avsec, this album was just a little hobby and the name Cellarful Of Noise partially was inspired by his recording studio (where these songs originated as demos) in his basement labeled: The Cellar. In a 1988 interview with AOR Basement, Avsec revealed how this 1985 album came to be released by CBS: I had some spare time and I was really just experimenting in my basement with an eight-track and some midi-equipment. My manager, Mike Belkin, shopped the tapes and CBS put it out, virtually as it was - although it was really just me messing around. Right after it came out, though, I wanted to get more serious about it and make a better sounding record. After this albums release, Avsec went on to release a second Cellarful Of Noise album in 1988 titled: Magnificent Obsession but also noted that Donnie Iris and the Cruisers was still his main focus, and wanted to continue to release new albums solely within the band. Overall, this album is a great window into the musical talents of Mark Avsec whom (in my opinion) is the man that truly defined the ultimate success of Donnie Iris and the Cruisers. This album was released under CBS Associated Records and Epic Records 85.
Tracklist:
1) Id Walk The Line (0:10)
2) Cant Squeeze Blood From Rock (3:33)
3) The Price Of Love (7:08)
4) Everyday I Fall In Love With Someone (11:59)
5) Youll Never Break My Heart Again (15:00)
6) Something Goin On With Us (18:51)
7) Heartwrecker (23:03)
8) Easier Said Than Done (27:02)
9) Gonna Act Like A Man (31:05)
10) Cant Put A Leash On Love (34:57)
[END SCREEN/SIMILAR VIDEO SUGGESTIONS] - (38:40)
I do Not own anything
INFRINGEMENT OF COPYRIGHT IS NOT INTENDED!
All Material used is the property of the respective original owners. (Cellarful Of Noise/Mark Avsec/Kevin Valentine/CBS Associated Records/Epic Records/Etc).
Under Section 107 of the Copyright Act: § 107. Limitations on exclusive rights: Fair use40
Notwithstanding the provisions of sections 106 and 106A, the fair use of a copyrighted work, including such use by reproduction in copies or phonorecords or by any other means specified by that section, for purposes such as criticism, comment, news reporting, teaching (including multiple copies for classroom use), scholarship, or research, is not an infringement of copyright.
Therefore, allowance is made for fair use for purposes such as criticism, comment, news reporting, teaching, scholarship, and research.")
![Idoloonies: Stefano Langone Interview [TVLine] 5/14/11](https://i.ytimg.com/vi/yiCwhQNGxfk/mqdefault.jpg "Idoloonies: Stefano Langone Interview [TVLine] 5/14/11
Stefano Langone (Stefano) From Season 10 Of American Idol Dishes OUT His Idol Journey, I Need You Now, His Piano Skills, ‘Hello, Gordon Ramsays Bad Behavior, Pia Toscano Elimination, The Judges, Behind The Scenes, His Elimination, And Future. May 14th, 2011.
I do Not own anything
INFRINGEMENT OF COPYRIGHT IS NOT INTENDED!
All Material used is the property of the respective original owners. (FOX/Fremantle International/TV LINE/TVLINE.Com/Michael Slezak/MichaelSlezakTV/19 Entertainment/Etc).
Under Section 107 of the Copyright Act: § 107. Limitations on exclusive rights: Fair use40
Notwithstanding the provisions of sections 106 and 106A, the fair use of a copyrighted work, including such use by reproduction in copies or phonorecords or by any other means specified by that section, for purposes such as criticism, comment, news reporting, teaching (including multiple copies for classroom use), scholarship, or research, is not an infringement of copyright.
Therefore, allowance is made for fair use for purposes such as criticism, comment, news reporting, teaching, scholarship, and research.")
