Uploaded March 2025 | Updated September 2026, 3 weeks ago
Using CGI, live-action footage and game engines, Korean artist Ayoung Kim creates a speculative multiverse that blurs the boundaries between space, time and the self.
In Kim’s award-winning Deliver Dancer’s Sphere (2022), which was made during the COVID-19 pandemic, courier Ernst Mo speeds through a techno-futuristic Seoul controlled by a malevolent algorithm. Rendered as a labyrinth of regenerating routes and never-ending delivery work, Mo’s hyperreality is unravelled with the appearance of her otherworldly doppelganger, En Storm. Exploring the gig economy, self-optimisation and the isolation of networks, Kim returns to the characters of her ‘pandemic fiction’ with Delivery Dancer's Arc: 0° Receiver.
In this ACMI-commissioned sequel, Ernst Mo and En Storm escape the endless maze of package pick-ups and deliveries. No longer ordinary couriers, they transport something far more abstract and fundamental – the “time”. Across deserts, cities and different dimensions, they join a multiverse resistance, battling the algorithm seeking to flatten time in favour of productivity. Traversing different calendar mechanics and astronomical technologies, they’re tangled in networks of space and time that contradict and collide with each other.
Harnessing cinematic storytelling, videogame technology, app interfaces and poetry, Delivery Dancer's Arc: 0° Receiver confronts disjointed realities and personas while resisting the optimisation of ourselves and society.
Learn more
https://www.acmi.net.au/whats-on/ayoung-kim-delivery-dancers-arc-0-receiver/
_____________________
ACMI is Australia's national museum of screen culture. Watch, play, make and discover a universe of films, TV, videogames and screen-based art.
Visit us in Melbourne’s Fed Square or online at www.acmi.net.au.
Follow us
Facebook: facebook.com/acmionline
Instagram: instagram.com/acmionline
Twitter: twitter.com/ACMI
www.acmi.net.au
Using CGI, live-action footage and game engines, Korean artist Ayoung Kim creates a speculative multiverse that blurs the boundaries between space, time and the self.
In Kim’s award-winning Deliver Dancer’s Sphere (2022), which was made during the COVID-19 pandemic, courier Ernst Mo speeds through a techno-futuristic Seoul controlled by a malevolent algorithm. Rendered as a labyrinth of regenerating routes and never-ending delivery work, Mo’s hyperreality is unravelled with the appearance of her otherworldly doppelganger, En Storm. Exploring the gig economy, self-optimisation and the isolation of networks, Kim returns to the characters of her ‘pandemic fiction’ with Delivery Dancer's Arc: 0° Receiver.
In this ACMI-commissioned sequel, Ernst Mo and En Storm escape the endless maze of package pick-ups and deliveries. No longer ordinary couriers, they transport something far more abstract and fundamental – the “time”. Across deserts, cities and different dimensions, they join a multiverse resistance, battling the algorithm seeking to flatten time in favour of productivity. Traversing different calendar mechanics and astronomical technologies, they’re tangled in networks of space and time that contradict and collide with each other.
Harnessing cinematic storytelling, videogame technology, app interfaces and poetry, Delivery Dancer's Arc: 0° Receiver confronts disjointed realities and personas while resisting the optimisation of ourselves and society.
Learn more
https://www.acmi.net.au/whats-on/ayoung-kim-delivery-dancers-arc-0-receiver/
_____________________
ACMI is Australia's national museum of screen culture. Watch, play, make and discover a universe of films, TV, videogames and screen-based art.
Visit us in Melbourne’s Fed Square or online at www.acmi.net.au.
Follow us
Facebook: facebook.com/acmionline
Instagram: instagram.com/acmionline
Twitter: twitter.com/ACMI
www.acmi.net.au
![Frozen director Jennifer Lee [FULL TALK] | Disney: The Magic of Animation](https://i.ytimg.com/vi/oxHIVP7osH0/mqdefault.jpg "Frozen director Jennifer Lee [FULL TALK] | Disney: The Magic of Animation
Hear from one of the top minds working in animation today.
Chief Creative Officer of@disneyanimation, Jennifer Lee – best known as the writer and director of the beloved Frozen films – speaks with ACMI Assistant Film Curator Maria Lewis. Go behind the doors of the Walt Disney Animation Studios with Lee as she talks about her career to date, including her inspiration and her experience at Disney.
About Jennifer Lee
Jennifer Lee is the Chief Creative Officer of Walt Disney Animation Studios (WDAS) and is the writer/director of Frozen 2 (2019) and Frozen (2013), the top two highest-grossing animated features ever released.
As Chief Creative Officer, Lee has creative oversight of all films, series, shorts and associated projects from Walt Disney Animation Studios. Lee is executive producer for the critically-acclaimed feature Raya and the Last Dragon and the upcoming November 2021 feature Encanto, in addition to the upcoming Disney+ projects Baymax, Zootopia+, and Iwáju, among others.
Directing the Frozen features with Chris Buck, Lee became the highest-grossing female director of a feature with more than $1.45 billion and $1.27 billion in global box office for Frozen 2 and Frozen, respectively. Frozen 2 received the Humanitas Prize for Feature Film, Family and the Kids’ Choice Award for Animated film, two Annie Awards and a Visual Effects Society Award. Frozen received multiple honours, including two Academy Awards®, the Golden Globe®, BAFTA® Award, PGA Award, five Annie Awards and two GRAMMY® Awards. She can be seen in her CCO role and as writer/director of Frozen 2 in the critically-acclaimed 6-episode series, Into the Unknown: Making Frozen 2 on Disney+.
Lee’s career with Walt Disney Animation Studios began March 2011, when she became the co-writer of 2012’s Oscar®-nominated, arcade-hopping adventure Wreck-It Ralph. For their screenplay, she and Phil Johnston received an Annie Award. She then penned the screenplay for Frozen and went on to direct the film (with Buck). In 2014, for her work on Frozen, Lee was given Women In Film’s Dorothy Arzner Directors Award at the Crystal + Lucy Awards. That same year, she gave a memorable commencement speech at her undergraduate alma mater, University of New Hampshire, and was awarded an honorary doctorate degree.
In 2016, Lee was one of the writers of the story for the Academy Award-winning feature, Zootopia.
Lee was one of the executive producers of 2018’s Oscar-nominated feature Ralph Breaks the Internet. She also wrote the book for Frozen: the Broadway Musical, for which she received a Tony® Award nomination in 2018, as well as adapted the screenplay for the live action feature, A Wrinkle In Time that same year.
Before joining Walt Disney Animation Studios, Lee built a career in book publishing before she pursued screenwriting, entering Columbia University’s graduate Film program in 2001. There she received the William Goldman Award for excellence in screenwriting, and her first feature-length script Hinged on Stars won the Columbia University Film Festival. She graduated in 2005 with an MFA in film.
Lee lives in Los Angeles, California, with her family.
#Frozen #Disney #JenniferLee
Learn more about Disney: The Magic of Animation (13 May – 23 Jan 2021) at ACMI:
https://www.acmi.net.au/whats-on/disney-the-magic-of-animation-exhibition/")
