Uploaded October 2022 | Updated September 2026, 1 hour ago
Dear friends, welcome back to the program! One student of mine is preparing this wonderful Sonatina for the famous German music competition ”Jugend Musiziert“ (Youth Makes Music). A good opportunity to present this charming Sonatina here on YouTube!
It consists of two movements:
1. Allegro 0:00
2. Alegretto 3:50
More classical Sonatas and Sontinas:
Beethoven Sonata op.10 nr. 1: youtu.be/u2HMg6SeXmc
Clementi Sonatina op.36 nr.3: youtu.be/UpxxPdJGgV8
Friedrich Daniel Rudolf Kuhlau (German; Danish sometimes Frederick Kulav) (11 September 1786 – 12 March 1832) was a German-Danish pianist and composer during the late Classical and early Romantic periods. He was a central figure of the Danish Golden Age and is immortalized in Danish cultural history through his music for Elves' Hill, the first true work of Danish National Romanticism and a concealed tribute to the absolute monarchy. To this day it is his version of this melody which is the definitive arrangement.
During his lifetime, Kuhlau was known primarily as a concert pianist and composer of Danish opera, but was responsible for introducing many of Beethoven's works, which he greatly admired, to Copenhagen audiences. Kuhlau was a prolific composer, as evidenced by the fact that although his house burned down, destroying all of his unpublished manuscripts, he still left a legacy of more than 200 published works in most genres.
Early life and education
Kuhlau was born on 11 September 1786 just south of Lüneburg in the Uelzen district of Lower Saxony (Germany). At the age of seven, he lost his right eye when he slipped on ice and fell. His father, grandfather, and uncle were military oboists. Even though Kuhlau was born to a poor family, his parents managed to pay for piano lessons. In 1802 he moved to Hamburg where he began learning the piano with scholar C.F.G Schwencke.
Career
In 1804, Kuhlau made his debut and began working as a concert pianist. It was around this time that he began composing songs and chamber music to earn money. Many of Kuhlau's compositions throughout his life were for the flute, though he himself did not play the instrument. In 1810, he fled to Copenhagen to avoid conscription in the Napoleonic Army, which overwhelmed the many small principalities and duchies of northern Germany. In the same year, Kuhlau published his first piano and flute compositions. Kuhlau made a living in Copenhagen as a piano teacher and composer in 1811. He was later appointed as a non-salaried musician in the Danish Court in 1812. Kuhlau eventually became a Danish citizen in 1813. Following the success of his singspiel, The Robber's Castle, Kuhlau gained a high-paying position as a singing teacher at the Royal Theater in 1816. Kuhlau's works between 1817 and 1820 failed to gain much prominence. His opera, The Magic Harp, was said to have failed due to a controversial libretto. In 1821 and 1825, Kuhlau travelled to Vienna where he befriended Ludwig van Beethoven. Beethoven's influence is evidential in Kuhlau's later works such as his singspiel, Elverhøj or Elves' Hill, a work widely regarded as a tribute to the Danish Monarchy and an inspiring piece from the Danish Golden Age. In 1828, Kuhlau was awarded an honorary professorship.
#piano #sonatina #kuhlau
Dear friends, welcome back to the program! One student of mine is preparing this wonderful Sonatina for the famous German music competition ”Jugend Musiziert“ (Youth Makes Music). A good opportunity to present this charming Sonatina here on YouTube!
It consists of two movements:
1. Allegro 0:00
2. Alegretto 3:50
More classical Sonatas and Sontinas:
Beethoven Sonata op.10 nr. 1: youtu.be/u2HMg6SeXmc
Clementi Sonatina op.36 nr.3: youtu.be/UpxxPdJGgV8
Friedrich Daniel Rudolf Kuhlau (German; Danish sometimes Frederick Kulav) (11 September 1786 – 12 March 1832) was a German-Danish pianist and composer during the late Classical and early Romantic periods. He was a central figure of the Danish Golden Age and is immortalized in Danish cultural history through his music for Elves' Hill, the first true work of Danish National Romanticism and a concealed tribute to the absolute monarchy. To this day it is his version of this melody which is the definitive arrangement.
During his lifetime, Kuhlau was known primarily as a concert pianist and composer of Danish opera, but was responsible for introducing many of Beethoven's works, which he greatly admired, to Copenhagen audiences. Kuhlau was a prolific composer, as evidenced by the fact that although his house burned down, destroying all of his unpublished manuscripts, he still left a legacy of more than 200 published works in most genres.
Early life and education
Kuhlau was born on 11 September 1786 just south of Lüneburg in the Uelzen district of Lower Saxony (Germany). At the age of seven, he lost his right eye when he slipped on ice and fell. His father, grandfather, and uncle were military oboists. Even though Kuhlau was born to a poor family, his parents managed to pay for piano lessons. In 1802 he moved to Hamburg where he began learning the piano with scholar C.F.G Schwencke.
Career
In 1804, Kuhlau made his debut and began working as a concert pianist. It was around this time that he began composing songs and chamber music to earn money. Many of Kuhlau's compositions throughout his life were for the flute, though he himself did not play the instrument. In 1810, he fled to Copenhagen to avoid conscription in the Napoleonic Army, which overwhelmed the many small principalities and duchies of northern Germany. In the same year, Kuhlau published his first piano and flute compositions. Kuhlau made a living in Copenhagen as a piano teacher and composer in 1811. He was later appointed as a non-salaried musician in the Danish Court in 1812. Kuhlau eventually became a Danish citizen in 1813. Following the success of his singspiel, The Robber's Castle, Kuhlau gained a high-paying position as a singing teacher at the Royal Theater in 1816. Kuhlau's works between 1817 and 1820 failed to gain much prominence. His opera, The Magic Harp, was said to have failed due to a controversial libretto. In 1821 and 1825, Kuhlau travelled to Vienna where he befriended Ludwig van Beethoven. Beethoven's influence is evidential in Kuhlau's later works such as his singspiel, Elverhøj or Elves' Hill, a work widely regarded as a tribute to the Danish Monarchy and an inspiring piece from the Danish Golden Age. In 1828, Kuhlau was awarded an honorary professorship.
#piano #sonatina #kuhlau


![Wang Yu Shi - Sun Flower - Arrangement: Er Yao Ling [Chinese Piano Music]
Hey friends! I like to present another work of Chinese piano music today: Sun Flower by Wang Yu Shi, arranged for piano by Er Yao Ling. I love the cheerful and playful character of this Chinese piano music piece.
My Chinese Piano Music Playlist: https://youtu.be/fPxnZ_i6O1s
Single performances of famous pieces:
Liuyang River: https://youtu.be/EaEFj2IaaG0
Lan Hua Hua: https://youtu.be/yBaUSr7KAPU
Colourful Clouds Chasing the Moon: https://youtu.be/FX0fGvTVKNk
Subscribe to my channel for more music: https://www.youtube.com/user/Klangzauberer/?sub_confirmation=1 Wang Yu Shi - Sun Flower - Arrangement: Er Yao Ling [Chinese Piano Music]](https://i.ytimg.com/vi/Luw-zVtP8CI/mqdefault.jpg)


![Händel: Lascia ch‘io pianga (live)
February 28th, 2025
Yu Garden, Hamburg, Germany
Ying Xiao: Soprano
Stefan Bötel: Piano
Florian Guantong Ding: Nyckelharpa
This is a performance of the concert that my esteemed colleague Ying and I did last year. Ying sung the beautiful and famous aria ”Lascia ch‘io pianga“ by Händel. Fortunately, for this particular performance a friend of us, Florian, joined our performance with playing on the Nyckelharpa. He is an expert on historical instruments and we are thankful that he made our performance so much more colourful!
Lascia chio pianga is a famous aria by George Frideric Handel from the opera *Rinaldo* (1711).
Content of the aria
The aria is sung by the character Almirena. She has been captured by the sorceress Armida and laments her fate. In the song, Almirena asks to be allowed to freely express her sorrow and yearns for freedom.
The famous lyrics translate roughly to:
Let me weep over my cruel fate,
and sigh for my freedom.
Context of the plot
The opera is set during the Crusades. The knight Rinaldo loves Almirena. When she is abducted, he must overcome numerous obstacles to rescue her. The aria occurs at a particularly emotional moment in the story, as Almirena expresses her despair while in captivity.
Significance
Lascia chio pianga is one of the most famous Baroque arias today. It is renowned for its simple, poignant melody and is frequently performed in concerts, films, and opera productions. The music conveys sorrow and longing in a very direct and moving way.
Nyckelharpa (Swedish: [ˈnʏ̂kːɛlˌharːpa], roughly keyed fiddle in Swedish, lit. key-harp, plural: nyckelharpor) is a keyed bowed chordophone, primarily originating from Sweden in its modern form, but with its historical roots scattered across medieval Europe. It is similar in appearance to a fiddle or violin but larger (in its earlier forms essentially a modified vielle), which employs key-actuated tangents along the neck to change the pitch during play, much like a hurdy-gurdy. The keys slide under the strings, with the tangents set perpendicularly to the keys, reaching above the strings. Upon key-actuation, the tangent is pressed to meet the corresponding string, much like a fret, shortening its vibrating length to that point, changing the pitch of the string. It is primarily played underarm, suspended from the shoulder using a sling, with the bow in the overhanging arm.
The origin of the instrument is unknown, but its historical foothold and modern development is much larger in Sweden than other countries, that being the only country with an unbroken usage. Many of the early historical depictions of the instrument are found in Sweden, with the earliest probable depiction being found on a relief located on a 14th century church portal. While historically, relatively speaking, not too common an instrument in Sweden, the violin outshining it in usage among spelmän (players of Swedish folk music), the nyckelharpa became a popular folk instrument in the Swedish province of Uppland during the 17th century, subsequently leading to its popularization and spread throughout Sweden the following centuries. By the 19th century it had become a fine instrument, being played at concerts in Stockholm,[3] and by the early 20th century it had become an archetypal instrument alongside the violin for Swedish folk music. Today it is considered by many to be the quintessential national instrument of Sweden. The oldest surviving nyckelharpa is dated 1526 and is part of the Zorn Collections in Mora Municipality, Sweden.
Besides Sweden, early depictions of nyckelharpor can also be found in Denmark, Germany and Italy, among other European countries. The earliest of these is found in a 1408 fresco by Taddeo di Bartolo at the Palazzo Pubblico chapel in Siena, Italy, which depicts an angel playing a keyed viola. Recently there has been a push by luthiers and the like to make recreations of these older depictions of nyckelharpor, akin to reconstructional archaeology, but also new instruments based on the nyckelharpa concept of a keyed bow instrument. Händel: Lascia ch‘io pianga (live)](https://i.ytimg.com/vi/MRWgwG-QnwY/mqdefault.jpg)




