![Friday The 13th Part VIII - Jason Takes Manhattan - Mini OST *1989* [FULL SOUNDTRACK] @AnthonysChannel80s](https://i.ytimg.com/vi/VixurQ5w41Y/sddefault.jpg)
Uploaded June 2021 | Updated September 2026, 3 weeks ago
[AOR/Pop Rock/Melodic Rock/Glam Rock/Rock/Pop/Various Artists/OST] Here is my personal custom made mini soundtrack album to Paramount Pictures' horror sequel: FRIDAY THE 13th PART VIII – JASON TAKES MANHATTAN (1989). This mini soundtrack includes the title song "The Darkest Side of the Night" by Metropolis and the four highly requested bonus tracks found on the La-La Land Records 2021 release: "The Darkest Side of the Night (Instrumental)" by Metropolis, "Broken Dream" by Terry Crawford, "J.J.'s Blues" by Stan Meissner, and "Livin' In The City" by King Lou. All four of these bonus tracks remained unreleased for 30 some odd years ...until now. I do remember reading somewhere that according to Stan Meissner, "Broken Dream" by Terry Crawford and "J.J.'s Blues" were never finished and what you hear in the film is pretty much all that there is. Never the less it is great that Stan Meissner and Fred Mollin finally released them in its entirety from their personal archives. Also included is two tracks that were featured in the film such as: "Say This To Me" by Neo A4, and "Strike" by The Koo. Both of these songs were never featured on any of the soundtracks released for FRIDAY THE 13th PART VIII though they are credited in the films end credits. "Friday the 13th Part VIII: Jason Takes Manhattan" is a 1989 American slasher film written and directed by Rob Hedden, and starring Jensen Daggett, Scott Reeves, Peter Mark Richman, and Kane Hodder as Jason Voorhees. It is the eighth installment in the Friday the 13th franchise and follows Jason as he stalks a group of high school graduates on a ship en-route to New York City. Released on July 28, 1989, "Jason Takes Manhattan" grossed $14.3 million at the domestic box office, making it the poorest-performing film in the Friday the 13th series to date. The film received overwhelmingly negative reviews for what critics saw as weak humor, unintelligent plotting, and a failure to effectively deliver on the promise of its subtitle. Overall, even though the film wasn't as good the music in my opinion is some of the best in the entire FRIDAY THE 13th franchise. With that said I hope all you "Friday The 13th" fans enjoy this incredible collection of songs that truly elevate the films replay value. This custom made OST Various Artists album is unreleased and has no distribution label '89.
Tracklist:
1) Metropolis - "The Darkest Side Of The Night" (0:10)
2) Stan Meissner - "J.J.'s Blues" (5:06)
3) Terry Crawford - "Broken Dream" (5:56)
4) The Koo - "Strike" (9:31)
5) King Lou - "Livin' In The City" (14:16)
6) Neo A4 - "Say This To Me" (18:03)
7) Metropolis - "The Darkest Side Of The Night (Instrumental)" (21:34)
--------
[END SCREEN/SIMILAR VIDEO SUGGESTIONS] - (27:04)
I do Not own anything
INFRINGEMENT OF COPYRIGHT IS NOT INTENDED!
All Material used is the property of the respective original owners. (Friday The 13th Part VIII - Jason Takes Manhattan/Paramount Pictures/Friday The 13th Part VIII Movie/Stan Meissner/Terry Crawford/Metropolis/King Lou/Neo a4/The Koo/Jason Takes Manhattan/La-La Land Records/Etc).
Under Section 107 of the Copyright Act: "§ 107. Limitations on exclusive rights: Fair use40
Notwithstanding the provisions of sections 106 and 106A, the fair use of a copyrighted work, including such use by reproduction in copies or phonorecords or by any other means specified by that section, for purposes such as criticism, comment, news reporting, teaching (including multiple copies for classroom use), scholarship, or research, is not an infringement of copyright. "
Therefore, "allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research."
[AOR/Pop Rock/Melodic Rock/Glam Rock/Rock/Pop/Various Artists/OST] Here is my personal custom made mini soundtrack album to Paramount Pictures' horror sequel: FRIDAY THE 13th PART VIII – JASON TAKES MANHATTAN (1989). This mini soundtrack includes the title song "The Darkest Side of the Night" by Metropolis and the four highly requested bonus tracks found on the La-La Land Records 2021 release: "The Darkest Side of the Night (Instrumental)" by Metropolis, "Broken Dream" by Terry Crawford, "J.J.'s Blues" by Stan Meissner, and "Livin' In The City" by King Lou. All four of these bonus tracks remained unreleased for 30 some odd years ...until now. I do remember reading somewhere that according to Stan Meissner, "Broken Dream" by Terry Crawford and "J.J.'s Blues" were never finished and what you hear in the film is pretty much all that there is. Never the less it is great that Stan Meissner and Fred Mollin finally released them in its entirety from their personal archives. Also included is two tracks that were featured in the film such as: "Say This To Me" by Neo A4, and "Strike" by The Koo. Both of these songs were never featured on any of the soundtracks released for FRIDAY THE 13th PART VIII though they are credited in the films end credits. "Friday the 13th Part VIII: Jason Takes Manhattan" is a 1989 American slasher film written and directed by Rob Hedden, and starring Jensen Daggett, Scott Reeves, Peter Mark Richman, and Kane Hodder as Jason Voorhees. It is the eighth installment in the Friday the 13th franchise and follows Jason as he stalks a group of high school graduates on a ship en-route to New York City. Released on July 28, 1989, "Jason Takes Manhattan" grossed $14.3 million at the domestic box office, making it the poorest-performing film in the Friday the 13th series to date. The film received overwhelmingly negative reviews for what critics saw as weak humor, unintelligent plotting, and a failure to effectively deliver on the promise of its subtitle. Overall, even though the film wasn't as good the music in my opinion is some of the best in the entire FRIDAY THE 13th franchise. With that said I hope all you "Friday The 13th" fans enjoy this incredible collection of songs that truly elevate the films replay value. This custom made OST Various Artists album is unreleased and has no distribution label '89.
Tracklist:
1) Metropolis - "The Darkest Side Of The Night" (0:10)
2) Stan Meissner - "J.J.'s Blues" (5:06)
3) Terry Crawford - "Broken Dream" (5:56)
4) The Koo - "Strike" (9:31)
5) King Lou - "Livin' In The City" (14:16)
6) Neo A4 - "Say This To Me" (18:03)
7) Metropolis - "The Darkest Side Of The Night (Instrumental)" (21:34)
--------
[END SCREEN/SIMILAR VIDEO SUGGESTIONS] - (27:04)
I do Not own anything
INFRINGEMENT OF COPYRIGHT IS NOT INTENDED!
All Material used is the property of the respective original owners. (Friday The 13th Part VIII - Jason Takes Manhattan/Paramount Pictures/Friday The 13th Part VIII Movie/Stan Meissner/Terry Crawford/Metropolis/King Lou/Neo a4/The Koo/Jason Takes Manhattan/La-La Land Records/Etc).
Under Section 107 of the Copyright Act: "§ 107. Limitations on exclusive rights: Fair use40
Notwithstanding the provisions of sections 106 and 106A, the fair use of a copyrighted work, including such use by reproduction in copies or phonorecords or by any other means specified by that section, for purposes such as criticism, comment, news reporting, teaching (including multiple copies for classroom use), scholarship, or research, is not an infringement of copyright. "
Therefore, "allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research."
![Friday The 13th Part VIII - Jason Takes Manhattan - Mini OST *1989* [FULL SOUNDTRACK]](https://i.ytimg.com/vi/VixurQ5w41Y/mqdefault.jpg "Friday The 13th Part VIII - Jason Takes Manhattan - Mini OST *1989* [FULL SOUNDTRACK]
[AOR/Pop Rock/Melodic Rock/Glam Rock/Rock/Pop/Various Artists/OST] Here is my personal custom made mini soundtrack album to Paramount Pictures horror sequel: FRIDAY THE 13th PART VIII – JASON TAKES MANHATTAN (1989). This mini soundtrack includes the title song The Darkest Side of the Night by Metropolis and the four highly requested bonus tracks found on the La-La Land Records 2021 release: The Darkest Side of the Night (Instrumental) by Metropolis, Broken Dream by Terry Crawford, J.J.s Blues by Stan Meissner, and Livin In The City by King Lou. All four of these bonus tracks remained unreleased for 30 some odd years ...until now. I do remember reading somewhere that according to Stan Meissner, Broken Dream by Terry Crawford and J.J.s Blues were never finished and what you hear in the film is pretty much all that there is. Never the less it is great that Stan Meissner and Fred Mollin finally released them in its entirety from their personal archives. Also included is two tracks that were featured in the film such as: Say This To Me by Neo A4, and Strike by The Koo. Both of these songs were never featured on any of the soundtracks released for FRIDAY THE 13th PART VIII though they are credited in the films end credits. Friday the 13th Part VIII: Jason Takes Manhattan is a 1989 American slasher film written and directed by Rob Hedden, and starring Jensen Daggett, Scott Reeves, Peter Mark Richman, and Kane Hodder as Jason Voorhees. It is the eighth installment in the Friday the 13th franchise and follows Jason as he stalks a group of high school graduates on a ship en-route to New York City. Released on July 28, 1989, Jason Takes Manhattan grossed $14.3 million at the domestic box office, making it the poorest-performing film in the Friday the 13th series to date. The film received overwhelmingly negative reviews for what critics saw as weak humor, unintelligent plotting, and a failure to effectively deliver on the promise of its subtitle. Overall, even though the film wasnt as good the music in my opinion is some of the best in the entire FRIDAY THE 13th franchise. With that said I hope all you Friday The 13th fans enjoy this incredible collection of songs that truly elevate the films replay value. This custom made OST Various Artists album is unreleased and has no distribution label 89.
Tracklist:
1) Metropolis - The Darkest Side Of The Night (0:10)
2) Stan Meissner - J.J.s Blues (5:06)
3) Terry Crawford - Broken Dream (5:56)
4) The Koo - Strike (9:31)
5) King Lou - Livin In The City (14:16)
6) Neo A4 - Say This To Me (18:03)
7) Metropolis - The Darkest Side Of The Night (Instrumental) (21:34)
[END SCREEN/SIMILAR VIDEO SUGGESTIONS] - (27:04)
I do Not own anything
INFRINGEMENT OF COPYRIGHT IS NOT INTENDED!
All Material used is the property of the respective original owners. (Friday The 13th Part VIII - Jason Takes Manhattan/Paramount Pictures/Friday The 13th Part VIII Movie/Stan Meissner/Terry Crawford/Metropolis/King Lou/Neo a4/The Koo/Jason Takes Manhattan/La-La Land Records/Etc).
Under Section 107 of the Copyright Act: § 107. Limitations on exclusive rights: Fair use40
Notwithstanding the provisions of sections 106 and 106A, the fair use of a copyrighted work, including such use by reproduction in copies or phonorecords or by any other means specified by that section, for purposes such as criticism, comment, news reporting, teaching (including multiple copies for classroom use), scholarship, or research, is not an infringement of copyright.
Therefore, allowance is made for fair use for purposes such as criticism, comment, news reporting, teaching, scholarship, and research.")
![Adrian Zmed - Adrian Zmed *1984* [FULL ALBUM]](https://i.ytimg.com/vi/W1WQJZdhgew/mqdefault.jpg "Adrian Zmed - Adrian Zmed *1984* [FULL ALBUM]
[AOR/Synth Rock/Melodic Rock/Pop/Pop Rock/Rock/Glam Rock] Here is the iconic 80s actor, singer and television personality Adrian George Zmed with his one and only self titled debut album: Adrian Zmed. An amazing AOR Melodic Rock album that is surprisingly quite rare and relatively forgotten / hard to find. Its scarcity is a little shocking when considering Adrian Zmed was a pretty big Hollywood icon throughout the 1980s. He is mostly notable for his roles as Johnny Nogerelli in 1982s Grease 2 starring alongside Michelle Pfeiffer; as well as Officer Vince (Vincent) Romano in the T.J. Hooker television series starring alongside William Shatner. Adrian is also known for his guest appearances in TV shows including (but not limited to): Dance Fever, Starsky & Hutch, and The Love Boat. Not to mention, Zmed also had a prominent supporting role playing Jay ONeill in the 1984 film: Bachelor Party starring alongside Hollywood legend Tom Hanks in one of his earliest films. Speaking of Bachelor Party, I also included Adrians song titled: Little Demon feat. Angel and the Reruns (Track 7) as a well deserving bonus track (which is exclusively ripped from the official 1984 Various Artists Bachelor Party - The Music From The Movie Soundtrack CD). There is not much data or backstory about the production of this album though it does seem like another one of those attempts to market a trendy actor turned singer to the teenage market at the time. However, I do know that this album was produced by none other than guitarist Rick Derringer whom has worked with other famous musicians such as: Weird Al Yankovic and Cyndi Lauper. Honestly, Zmed really owns it on every track in this album particularly with: Oh What A Night (Track 1) and: Always A Rebel (Track 6). And his cover version of Spider / Lisa Hartman s song: New Romance (Its A Mystery) (Track 4) is probably my second favorite track on the album. This album did receive some fame as anyone whom has seen episode 19 from season 3 of: T. J. Hooker will be very familiar with Track 5 s: Run Girl Run as it was prominently played during the opening nightclub sequence. Overall, if you are a fan of Adrians music from Grease 2 and Bachelor Party than youll love this album from start to finish as each song feels like a musical extension to Zmeds involvement in those films. This album was released under Attic Records 84.
**Heres a link to an interview with Adrian on Rock On Chicago from 1984 where he talks a little about this album: https://youtu.be/R1Jz5YkFwn8
( Also, heres a link to a really cool recent interview with Adrian Zmed where he talks about some interesting things that happened during the shooting of Bachelor Party & Grease 2: https://youtu.be/Ik4TUeKAyvQ )
Tracklist:
1) Oh What A Night (0:10)
2) The Kind Of Girl I Like (3:08)
3) Whiplash (5:46)
4) New Romance (9:37)
5) Run Girl Run (12:42)
6) Always A Rebel (15:34)
7) *BONUS* Little Demon [From Soundtrack Bachelor Party 1984] (19:41)
[END SCREEN/SIMILAR VIDEO SUGGESTIONS] - (23:04)
I do Not own anything
INFRINGEMENT OF COPYRIGHT IS NOT INTENDED!
All Material used is the property of the respective original owners. (Adrian Zmed/Adrian George Zmed/Attic/Attic Records LTD./Attic Records/Rick Derringer/Bachelor Party Soundtrack/I.R.S. Records/Epic Records/Etc).
Under Section 107 of the Copyright Act: § 107. Limitations on exclusive rights: Fair use40
Notwithstanding the provisions of sections 106 and 106A, the fair use of a copyrighted work, including such use by reproduction in copies or phonorecords or by any other means specified by that section, for purposes such as criticism, comment, news reporting, teaching (including multiple copies for classroom use), scholarship, or research, is not an infringement of copyright.
Therefore, allowance is made for fair use for purposes such as criticism, comment, news reporting, teaching, scholarship, and research.")
![Morris Day - Fishnet *1988* [FULL ALBUM SINGLE]](https://i.ytimg.com/vi/WJgtJh-UfZ0/mqdefault.jpg "Morris Day - Fishnet *1988* [FULL ALBUM SINGLE]
[New Jack Swing/Funk/Electro Funk/Minneapolis Sound/R&B] Here is (RnB/Swing) artist Morris Day with his 12 maxi single titled: Fishnet. It contains all four extended mixes offered on the album: Fishnet (Big Leg Mix), Fishnet (A Cappella), Fishnet (La Glub Dub Mix), and the Fishnet (Instrumental). Morris Day is a Soul/funk singer whom was one of the leading figures in the Minneapolis funk scene. He was in a high school band called Grand Central and then Champagne, with Prince and André Cymone. He became the lead singer of The Time, releasing four albums with them. He pursued a solo career in 1985 with four albums, in total up till 2004. He played the villain role in the movies Purple Rain and Graffitti Bridge. In 1985 he did a duet with Vanity of Vanity 6 on Mechanical Emotion. This single was Days most successful solo hit, peaking at number twenty-three on the Hot 100, and reaching number one on the soul singles chart, for two weeks. Fishnet also peaked at number twelve on the dance charts.This album single was released under Warner Bros Records 88.
I also uploaded the full soundtrack film score for the film Purple Rain, you can check it out through this link: https://youtu.be/almBy1h1RAs
Tracklist:
1) Fishnet (Big Leg Mix) (0:10)
2) Fishnet (A Cappella) (7:29)
3) Fishnet (La Glub Dub Mix) (9:09)
4) Fishnet (Instrumental) (13:14)
I do Not own anything
INFRINGEMENT OF COPYRIGHT IS NOT INTENDED!
All Material used is the property of the respective original owners. (Morris Day/Warner Bros Records/Etc).
Under Section 107 of the Copyright Act: § 107. Limitations on exclusive rights: Fair use40
Notwithstanding the provisions of sections 106 and 106A, the fair use of a copyrighted work, including such use by reproduction in copies or phonorecords or by any other means specified by that section, for purposes such as criticism, comment, news reporting, teaching (including multiple copies for classroom use), scholarship, or research, is not an infringement of copyright.
Therefore, allowance is made for fair use for purposes such as criticism, comment, news reporting, teaching, scholarship, and research.")
![Total Contrast - Total Contrast *1985* [FULL ALBUM]](https://i.ytimg.com/vi/Wsq7eKJ3Ots/mqdefault.jpg "Total Contrast - Total Contrast *1985* [FULL ALBUM]
[Funk/Soul/Electro Funk/R&B] Here is Total Contrast with their debut self titled album: Self Contrast. A shame it didnt get a lot of recognition in the united states because many tracks feel like theyd top the charts.Total Contrast was a male duo from England, specializing in soul and electro music. Group members were Robin Achampong and Delroy Murray. This album scored several hits in England on the US Hot Dance Music/Club Play chart, including Takes A Little Time (Track 5) which hit #1 in 1985. In their homeland, the same song, reached number 17 in the UK Singles Chart. Further releases included Hit and Run (Track 1), a minor hit which reached #41 in the UK in 1985, The River (Track 2) which peaked at #44 UK in early 1986, and What You Gonna Do About It (Track 6) peaking at #63 in the summer of 1986. They went on to release another album titled Beat To Beat in 1987 and after that albums release Achampong and Murray evolved into Tongue n Cheek in the late 80s. This LP album was released under London Records and PTG Records 85.
(Btw, this is the CD reissue of the album which contains several bonus tracks such as: Takes A Little Time (US Remix), Be With You Tonight, What You Gonna Do About It (Dance Remix), Im Still Waiting, and Dub A Little While (Dub Mix))
Tracklist:
1) Hit And Run (0:10)
2) The River (6:16)
3) Where Is Love? (11:51)
4) How Many Reasons (17:39)
5) Takes A Little Time (22:08)
6) What You Gonna Do About It (28:03)
7) Sunshine (33:57)
8) Entangled (40:02)
9) *BONUS* Takes A Little Time (US Remix) (45:02)
10) *BONUS* Be With You Tonight (53:11)
11) *BONUS* What You Gonna Do About It (Dance Remix) (58:57)
12) *BONUS* Im Still Waiting (1:06:24)
13) *BONUS* Dub A Little While (Dub Mix) (1:09:53)
I do Not own anything
INFRINGEMENT OF COPYRIGHT IS NOT INTENDED!
All Material used is the property of the respective original owners. (Total Contrast/Delroy Murray/Robin Achampong/London Records/PTG Records/Etc).
Under Section 107 of the Copyright Act: § 107. Limitations on exclusive rights: Fair use40
Notwithstanding the provisions of sections 106 and 106A, the fair use of a copyrighted work, including such use by reproduction in copies or phonorecords or by any other means specified by that section, for purposes such as criticism, comment, news reporting, teaching (including multiple copies for classroom use), scholarship, or research, is not an infringement of copyright.
Therefore, allowance is made for fair use for purposes such as criticism, comment, news reporting, teaching, scholarship, and research.")
![Tahnee Cain And Tryanglz - The Tech Noir Album: REMASTERED *1984* [The Terminator Soundtrack]](https://i.ytimg.com/vi/WwFx_5s5ydI/mqdefault.jpg "Tahnee Cain And Tryanglz - The Tech Noir Album: REMASTERED *1984* [The Terminator Soundtrack]
[Melodic Rock/Synth Rock/Hard Rock/AOR/Metal/Glam Metal] In honor of The Terminator s 40th anniversary, here is the remastered edition to one of my most viral videos found on my channel: The Tech Noir Album by Tahnee Cain And Tryanglz. This video includes all of the tracks that were originally found on my OG version, plus THREE ADDITIONAL UNRELEASED BONUS SONGS from Tanes 1985 recording archives: It Aint Enough (Track 5), Tryanglz (Track 8), and Unchained (Track 9). All of which has been digitally remastered & enhanced by my brother Andy Morales. Also in collaboration on this project is 3D Artist & Visualizer Scott Owen whom painstakingly made a 100% film accurate 3D model replica of the entire Tech Noir nightclub in UE4 (Unreal Engine 4). Tahnee Cain (Tané Cain) And The Tryanglz s music was commonly used throughout the Tech-Noir club scenes in James Camerons 1984 hit film: The Terminator. Only three tracks can be heard within the film: PhotoPlay (Track 1), You Cant Do That (Track 6), and Burnin In The Third Degree (Track 12). The rest of the tracks are unreleased demos that were planned to be released in 1985 by the group but sadly that never came to materialize. Tané Cain was born Tané M. McClure on June 8th, 1958 in Los Angeles County, California. She is the daughter of actor Doug McClure & Faye Brash (the first of his five wives). She recorded her first single, Redwood City, in the late 1970s, and soon thereafter she met The Babys and Journey keyboardist Jonathan Cain, whom she eventually married (they are no longer together). After marrying, they both moved to Los Angeles where she landed a record deal in 1982 and released a self-titled (using her married name Tané Cain) album on RCA Records. The album did not sell as well as the label had hoped (peaking at number 121 on the Billboard album chart), and she was dropped, never to release another album until her contributions to: The Terminator film with the Tryanglz. Strangely enough, she changed her name to Tahnee Cain when she performed with the Tryanglz for reasons unknown; Maybe the change in name was her trying to shift her image to be more distinguished since her voice definitely gives off a very similar Pat Benatar vibe. Never the less, in 1984 she recorded all of these unreleased tracks presented in this video with the Tryanglz but they never were officially released. A real shame because the success of the Terminator film was monumental and the club scene is still widely talked about for being the most pivotal point in the movie. As time progressed, McClure (whom now officially goes by Tane McClure) starred in more than two dozen sexploitation films. She also played the mother of Elle Woods (Reese Witherspoon) in Legally Blonde (2001) and its sequel, Legally Blonde 2: Red, White & Blonde (2003). Overall, this remastered edition has been a long time coming as it is a huge love letter to the fans of the original movie. On behalf of me, my brother, and Scott Owens 3D visuals, we hope that you all enjoy a night out at the Technoir nightclub in the aftermath of the shootout on the night of May 12th, 1984 located on Pico Boulevard in Los Angeles. This album is unreleased and has no distribution label 84.
*A HUGE PERSONAL THANK YOU TO SCOTT OWEN, WHOSE 3D TECH NOIR UE4 MODEL/DESIGN WAS THE DRIVING FORCE THAT MADE THIS REMASTERED VIDEO POSSIBLE. PLEASE CLICK THE LINK TO VISIT HIS WEBSITE:* https://www.scottowen3d.com/
*Also, please support Tané McClure by purchasing her One Desire EP on ITunes. (which contains additional demos from her 1985 recording archives with the TRYANGLZ), LINK TO EP:* https://music.apple.com/us/album/one-desire-ep/1744507073
Tracklist:
1) Photoplay (0:10)
2) Hunter (3:44)
3) Camouflage (8:08)
4) Stranger (12:03)
5) It Aint Enough (16:42)
6) You Cant Do That (20:10)
7) Did I Ever Tell You (23:36)
8) Tryanglz (27:20)
9) Unchained (32:20)
10) Cross Words (36:22)
11) Lifeline (40:21)
12) Burnin In The Third Degree (44:11)
[END SCREEN/SIMILAR VIDEO SUGGESTIONS] - (47:44)
I do Not own anything
INFRINGEMENT OF COPYRIGHT IS NOT INTENDED!
All Material used is the property of the respective original owners. (Tahnee Cain & Tryanglz/Tane McClure/Tane Cain/Terminator/The Terminator Soundtrack/Terminator 1984 Soundtrack/James Cameron/Scott Owen 3D/Tryanglz/Etc).
Under Section 107 of the Copyright Act: § 107. Limitations on exclusive rights: Fair use40
Notwithstanding the provisions of sections 106 and 106A, the fair use of a copyrighted work, including such use by reproduction in copies or phonorecords or by any other means specified by that section, for purposes such as criticism, comment, news reporting, teaching (including multiple copies for classroom use), scholarship, or research, is not an infringement of copyright.
Therefore, allowance is made for fair use for purposes such as criticism, comment, news reporting, teaching, scholarship, and research.")
![Good Question - Good Question *1988* [FULL ALBUM]](https://i.ytimg.com/vi/X7R4ri8j8_Q/mqdefault.jpg "Good Question - Good Question *1988* [FULL ALBUM]
[Synth Pop/ElectroFunk/Pop/Dance/R&B/Funk/Soul] Here is the duo Good Question with their self-titled debut and only album: Good Question. Personally, I am disappointed that they havent resurfaced after the shocking passing of Prince because I love this album a lot and its a shame that it completely flopped when it was released. All I can discover on them is that they were Sean and Marc Douglas, brothers from Philadelphia. In 1988, they were signed to Princes Paisley Park label, however his personal involvement seems unlikely. It definitely seems more like a Warner Bros. production, who partly funded and distributed the label and studio. Either that or Princes management, whom back in the day liked to sign unknown acts to it without his knowledge. The label had little success, and Good Question surely seemed like a no-brainer to get some attention since (in my opinion) they are kind of like a knock-off Milli Vanilli ...only difference is that these guys can actually sing, haha. The music however sounds more like something that The Jets or The Breakfast Club would put out. They did manage a number one dance hit in Billboard with the Clivilles & Cole remix of their first single Got A New Love (Track 1) but the song only made it to number 86 on the Hot 100, and the follow-up single Listen To Your Heart (Track 5) was sadly another silent flop along with the album in general. Hopefully Marc Douglas & Sean Douglas resurface one day to give us an update on their whereabouts. This album was released under Warner Bros. Records, Paisley Park Records 88.
Tracklist:
1) Got A New Love (0:10)
2) Body Contact (4:46)
3) Dance With Me (9:02)
4) One On One (13:04)
5) Listen To Your Heart (17:57)
6) Private Property (22:06)
7) Real Love (25:51)
8) Mysterious Lady (30:12)
9) Like An Explosion (33:14)
10) One More Time (37:24)
I do Not own anything
INFRINGEMENT OF COPYRIGHT IS NOT INTENDED!
All Material used is the property of the respective original owners. (Good Question/Marc Douglas/Sean Douglas/Warner Bros. Records/Paisley Park/Paisley Park Records/Etc).
Under Section 107 of the Copyright Act: § 107. Limitations on exclusive rights: Fair use40
Notwithstanding the provisions of sections 106 and 106A, the fair use of a copyrighted work, including such use by reproduction in copies or phonorecords or by any other means specified by that section, for purposes such as criticism, comment, news reporting, teaching (including multiple copies for classroom use), scholarship, or research, is not an infringement of copyright.
Therefore, allowance is made for fair use for purposes such as criticism, comment, news reporting, teaching, scholarship, and research.")
![Harold Faltermeyer - Fletch Lives *1989* [FULL SOUNDTRACK]](https://i.ytimg.com/vi/ZMhrEJK0xVM/mqdefault.jpg "Harold Faltermeyer - Fletch Lives *1989* [FULL SOUNDTRACK]
[Synth/Ambient/Electronic/Orchestration/Score/OST] Here is the complete film score to the classic Chevy Chase 1989 comedy sequel: Fletch Lives composed by the legendary Harold Faltermeyer. This video brings together all the score material composed for the film including the rare source cues that were used as SFXs in certain sections of the movie. All these scores were finally released as a limited edition package by La-La Land Records and the Universal Pictures Film Music Heritage Collection (only 3000 copies exist). For roughly 30 years an official soundtrack to this film was never released and the score material seemed impossible to obtain. Whats awesome about the tracks in this video is that they were all extracted and remastered from the original master tapes (meaning that these are the actual authentic tapes that were sent in to the sound editors when they placed the scores in the movie). As an added bonus, this video also includes the super rare track titled: Kings Of The Road (Track 21) by Martin Nethercutt which was used in the bar sequence when Irwin M. Fletcher is disguised as Ed Harley, lol. Fletch Lives is a 1989 American comedy film starring Chevy Chase, Hal Holbrook, Julianne Phillips, R. Lee Ermey, and Richard Libertini, and is a sequel to 1985s Fletch directed by Michael Ritchie. In this sequel, investigative reporter Irwin M. Fletcher (Chevy Chase) inherits a Louisiana estate when his aunt dies. Leaving his reporter career behind, Fletch travels down South to check out his new-found property. However, when the lawyer handling the estate is found murdered, Fletch becomes the prime suspect, and must resort to a bunch of amusing antics to clear his name. Despite getting mixed reviews upon release, the movie went on to gross $39.4 million worldwide and is still considered one of the great highlights in Chevy Chases impressive acting career. Harold Faltermeyer is best known for composing the Axel F theme for the feature film: Beverly Hills Cop, as well as the Top Gun Anthem for the feature film: Top Gun. Both of which shouldnt detract from the many other notable musical contributions that he has aided in throughout the 1980s (Ex: The Running Man, Thief Of Hearts, & Fletch). When it comes to Fletch Lives, Faltermeyer doesnt disappoint as most of the tracks are basically different ways (or i should say variants) of his iconic Fletch theme. With that said it should also be noted that the new material composed for this film is quite good. For example, the The Kiss (Track 11) and Another Kiss (Track 14) are nice additions that really show you how talented Faltermeyer really is. Overall, this score is truly great from start to finish because not only does Faltermeyer give us his famous Fletch motifs from the first film in a revised fashion, but he also gives us brand new material in expert ways that heighten the films action, suspense and comedy. This complete OST soundtrack score was released under La-La Land Records & Universal Pictures Film Music Heritage Collection 89 (19).
** Apologies but I personally removed the track: Make A Change by Buckwheat Zydeco due to copyright, you can listen to the song through this link: https://youtu.be/_JaEGzRYKic **
Tracklist:
1) Fletch Lives - Main Title (0:10)
2) Fletch Out The Window (2:27)
3) The Drive Home / Amanda Gets Killed (3:37)
4) Fletch Walks (4:42)
5) Sneaking Into Amandas / Following Shadow (6:52)
6) The Morgue / Belle Island On Fire (9:05)
7) Raccoon Hunt (10:46)
8) Smelly Shoes / Bibleland Model (14:54)
9) The Stakeout (16:00)
10) Morgue Chase (17:10)
11) The Kiss (18:11)
12) Toxic Dump Walk / Drive to Hams (19:38)
13) Chase To Bibleland (20:33)
14) Another Kiss (23:38)
15) Jimmy Lee Intro / Fletch Healed (24:13)
16) Over The Waves (24:51)
17) TV Source (25:59)
18) Jimmy Lee Intro II (27:49)
19) Claude Henry Intro (28:47)
20) Party Source (29:04)
21) *BONUS* Martin Nethercutt - King Of The Road (31:39)
[END SCREEN/SIMILAR VIDEO SUGGESTIONS] - (34:47)
I do Not own anything
INFRINGEMENT OF COPYRIGHT IS NOT INTENDED!
All Material used is the property of the respective original owners. (Fletch Lives/Harold Faltermeyer/Universal Pictures/Fletch Lives Movie/Martin Nethercutt/Universal Pictures Film Music Heritage Collection/La-La Land Records/Etc).
Under Section 107 of the Copyright Act: § 107. Limitations on exclusive rights: Fair use40
Notwithstanding the provisions of sections 106 and 106A, the fair use of a copyrighted work, including such use by reproduction in copies or phonorecords or by any other means specified by that section, for purposes such as criticism, comment, news reporting, teaching (including multiple copies for classroom use), scholarship, or research, is not an infringement of copyright.
Therefore, allowance is made for fair use for purposes such as criticism, comment, news reporting, teaching, scholarship, and research.")
![Smokey And The Bandit Part 3 *1983* [FULL SOUNDTRACK]](https://i.ytimg.com/vi/_4luOefgZAM/mqdefault.jpg "Smokey And The Bandit Part 3 *1983* [FULL SOUNDTRACK]
[Country/Folk/Synth Pop/Electronic/Funk/Orchestration/World/OST] Here is the complete expanded Various Artists Original Motion Picture Soundtrack album for the 1983 film: Smokey And The Bandit Part 3. While country/folk music isnt so much my cup of tea, this soundtrack is really good from start to finish. This video showcases the complete album ripped directly from the official 1983 vinyl and is exclusively remastered into FLAC format for the highest and sharpest audio quality. Also included is two bonus tracks not found on the LP: Suzi Plastic by Bill Summers & Summers Heat (Track 7) and It Ain’t The Gold by John Stewart (Track 8). Smokey and the Bandit Part 3 is a 1983 American action comedy film and a third and final sequel to Smokey and the Bandit (1977) and Smokey and the Bandit II (1980), starring Jackie Gleason, Jerry Reed, Paul Williams, Pat McCormick, Mike Henry and Colleen Camp. The film was originally entitled Smokey IS the Bandit, and did not include Jerry Reed in the cast. Some newspapers refer to original plans by featuring Gleason as both Smokey and the Bandit. According to some accounts, Jackie Gleason was to play two roles: Sheriff Buford T. Justice and a different Bandit with the original version shot in October of 1982. However, test audiences reacted poorly, finding Gleasons two roles confusing, so the studio opted to do re-shoots in April of 1983. The Bandit scenes were re-shot with Jerry Reed playing the role. Other accounts indicate that the title was more literal: that Gleason was to play only Sheriff Justice, but the character would also fill the role of the Bandit, by taking the Enos familys challenge (as Burt Reynolds character had done in the previous two films). Smokey and the Bandit Part 3 received negative reviews by critics and the film was generally regarded as the weakest of the three Bandit films in terms of both storyline and revenue. As for the soundtrack, it was released under MCA Records as Smokey and the Bandit Part 3: Music from the Original Motion Picture Soundtrack on vinyl and cassette tape but for only promotional purposes when the film came out in 1983. Me personally, its standout track is John Stewarts Ticket For The Wind (Track 1) which plays during the films end credits. Overall, even though the film bombed, its soundtrack is still praised for having some of the best music in the entire Smokey and the Bandit franchise. This complete various artists OST soundtrack was released under MCA Records 83.
Tracklist:
1) John Stewart - Ticket For The Wind (0:10)
2) Lee Greenwood - The Bandit Express (4:14)
3) Ed Bruce - Buford T. Justice (7:57)
4) Lee Greenwood - The Legend Of The Bandit (10:53)
5) Larry Cansler - Dixie (13:52)
6) Larry Cansler - Buford In Pursuit (16:20)
7) *BONUS* Bill Summers & Summers Heat - Suzi Plastic (18:19)
8) *BONUS* John Stewart - It Aint The Gold (22:41)
[END SCREEN/SIMILAR VIDEO SUGGESTIONS] - (25:35)
I do Not own anything
INFRINGEMENT OF COPYRIGHT IS NOT INTENDED!
All Material used is the property of the respective original owners. (John Stewart/Lee Greenwood/Ed Bruce/Larry Cansler/Bill Summers & Summers Heat/Bill Summers/Smokey And The Bandit Part 3/Smokey And The Bandit Part 3 Movie/Smokey And The Bandit Part 3 Soundtrack/MCA/MCA Records/Etc).
Under Section 107 of the Copyright Act: § 107. Limitations on exclusive rights: Fair use40
Notwithstanding the provisions of sections 106 and 106A, the fair use of a copyrighted work, including such use by reproduction in copies or phonorecords or by any other means specified by that section, for purposes such as criticism, comment, news reporting, teaching (including multiple copies for classroom use), scholarship, or research, is not an infringement of copyright.
Therefore, allowance is made for fair use for purposes such as criticism, comment, news reporting, teaching, scholarship, and research.")
![Michael Kamen - X-Men (Expanded Original Soundtrack) *2000* [FULL SOUNDTRACK]](https://i.ytimg.com/vi/_UGVPC9M2a8/mqdefault.jpg "Michael Kamen - X-Men (Expanded Original Soundtrack) *2000* [FULL SOUNDTRACK]
[Synth/Ambient/Electronic/Orchestration/Score/OST] Here is the complete expanded film score to the 2000 superhero blockbuster X-Men, composed entirely by the legendary Michael Kamen (K-Men). All these scores were finally released in 2021 as an expanded limited edition package by La-La Land Records (only 3000 copies exist). Whats awesome about the tracks in this video is that they were all expanded and remastered from the original master tapes (meaning that these are the actual authentic tapes that were sent in to the sound editors when they placed the scores in the movie). Michael Kamen scored countless action movies such as Die Hard, Lethal Weapon, License To Kill, Hudson Hawk, and Last Action Hero. Fun fact: this is Kamens first and only superhero movie score. With that said, this is my favorite X-Men film score out of all the movies and it is neat to hear them in its entirety before they were edited to fit the action on the screen. Overall, Michael Kamens score to XMen helped launch a new franchise and paved the way for other ambitious superhero movies such as Sam Raimis Spider-Man films, Christopher Nolans updates on Batman and ultimately the Marvel Cinematic Universe. This complete OST soundtrack score was released under La-La Land Records 2000 (21).
Tracklist:
[Side 1]
1) Death Camp (Film Version) (0:10)
2) Rogues Kiss (3:16)
3) Senate Discussion (5:08)
4) Bar Fight (7:35)
5) Logan Drives (9:10)
6) Ambush (10:17)
7) They Knew / Laboratory (13:46)
8) School Montage (17:45)
9) Helicopter Hijack (20:59)
10) Kellys Transformation (22:02)
11) Jean Reads Logans Mind / Nightmare / Rogue Heals Logan (25:27)
12) Kelly In Prison / Beach (28:53)
13) Bobby And Rogue (31:43)
14) Cerebro (32:52)
15) Logan And Rogue In Train (35:04)
16) Train (38:59)
17) Magneto Stand Off (41:38)
18) Xavier Reads Kellys Mind (44:39)
19) Kelly Dies (46:49)
20) Xavier Falls (48:25)
21) Jean Uses Cerebro (49:51)
22) Land Of Tolerance (51:26)
23) The X-Jet (53:27)
24) Over The Wall (57:16)
25) Museum Fight (Film Version) (57:51)
26) Museum Fight (Continued) (1:01:11)
27) Logan Kills Mystique (1:02:52)
28) Fight On The Head (1:03:51)
29) Final Showdown (Film Mix) (1:06:31)
30) Logan Holds Rogue (1:09:05)
31) Jean And Logan (1:11:51)
32) Logan Says Goodbye / Why Ask Questions / Finale (1:13:49)
[Side 2]
33) X-Men Main Title (Film Construct) (1:17:31)
34) Senate Discussion (Revised) (1:18:27)
35) Wolverine In The Ring (Film Construct) (1:20:59)
36) Logan Drives (Film Edit) (1:21:30)
37) Ambush (Part 1, Full Take) (1:22:05)
38) Ambush (Film Edit) (1:23:05)
39) Helicopter Hijack (Alternate) (1:25:25)
40) Helicopter Hijack (Film Version) (1:26:28)
41) Bobby And Rogue (Film Version) (1:27:39)
42) Cerebro (Film Mix) (1:28:51)
43) Logan And Rogue In Train (Film Version) (1:30:58)
44) Train (Film Version) (1:33:58)
45) Magneto Stand Off (Film Mix) (1:36:32)
46) Kelly Dies (Film Version) (1:39:31)
47) Xavier Falls (Film Version) (1:40:38)
48) Jean Uses Cerebro (Film Version) (1:41:42)
49) Land Of Tolerance (Film Version) (1:43:08)
50) The X-Jet (Film Version) (1:45:02)
51) Museum Fight (Part 1 Alternate) (1:47:09)
52) Logan Kills Mystique (Film Version) (1:49:13)
53) Inside The Statue / Logan Escapes (Film Construct) (1:49:55)
54) Fight On The Head (Film Version) (1:53:44)
55) Logan Holds Rogue (Film Version) (1:56:16)
56) Jean And Logan (Alternate) (1:58:48)
57) Why Ask Questions / Finale / End Credits (Film Construct) (2:00:48)
[END SCREEN/SIMILAR VIDEO SUGGESTIONS] - (2:11:56)
I do Not own anything
INFRINGEMENT OF COPYRIGHT IS NOT INTENDED!
All Material used is the property of the respective original owners. (X-Men/Michael Kamen/X-Men 2000 Movie/20th Century Fox/Fox Music/Sony Music/Fox Film Music Corp./UMG Recordings, Inc./20th Century Studios/La-La Land Records/Etc).
Under Section 107 of the Copyright Act: § 107. Limitations on exclusive rights: Fair use40
Notwithstanding the provisions of sections 106 and 106A, the fair use of a copyrighted work, including such use by reproduction in copies or phonorecords or by any other means specified by that section, for purposes such as criticism, comment, news reporting, teaching (including multiple copies for classroom use), scholarship, or research, is not an infringement of copyright.
Therefore, allowance is made for fair use for purposes such as criticism, comment, news reporting, teaching, scholarship, and research.")
![Breakin 2 - Electric Boogaloo *1984* [FULL SOUNDTRACK]](https://i.ytimg.com/vi/a06ePOJnafY/mqdefault.jpg "Breakin 2 - Electric Boogaloo *1984* [FULL SOUNDTRACK]
[Breakdance/R&B/Synth Pop/Electro/Hip Hop/Dance/ElectroFunk] Here is the complete original soundtrack recording album for the film: Breakin 2 - Electric Boogaloo (Breakdance 2 - Electric Boogaloo). EXCELLENT OST ALBUM! It SCREAMS 1984 at the height of the break dancing craze. Electric Boogaloo was released nine months after its predecessor Breakin by TriStar Pictures and by Cannon Films a few months later. In some international locations the film was released under the title Breakdance 2: Electric Boogaloo. Another sequel, Rappin (also known as Breakdance 3) was made but had an unconnected plot and different lead characters – only Ice-T features in all three movies. Like its predecessor, much of the films soundtrack was provided by Ollie & Jerry, comprising the duo Ollie E. Brown and Jerry Knight. The title track, Electric Boogaloo (Track 1) reached number 45 on the R&B charts in 1984/85. This complete OST soundtrack was released under Polydor Records 84.
(Btw, Apologies but I personally removed the track: Din Daa Daa by George Kranz due to copyright. As a substitute, i included the RARE track that wasnt included on the soundtrack titled: Reckless Rivalry Combat aka Combat by Ice T, The Glove, and Dave Storrs to take its place on the album. AND as an added bonus i included the instrumental version of that track as well.)
Also ... if anyone is a fan of Firefox (Toi Overton & Paulette McWilliams) track Radiotron, i have uploaded their one and only album as well, you can listen to it through this link: https://youtu.be/e53XgPDMGzY
Tracklist:
1) Ollie & Jerry - Electric Boogaloo (0:10)
2) Firefox (Toi Overton & Paulette McWilliams) - Radiotron (4:22)
3) Ice-T, Chris The Glove Taylor & David Storrs - Reckless Rivalry Combat (9:00)
4) Ollie & Jerry - When I.C.U. (12:06)
5) Steve Donn - Gotta Have The Money (16:38)
6) Carol Lynn Townes - Believe In The Beat (21:21)
7) Midway (Bruce Nazarian) - Set It Out (25:48)
8) Mark Scott - I Dont Wanna Come Down (29:52)
9) Firefox (Paulette McWilliams & Toi Overton) - Stylin, Profilin (34:23)
10) Rags & Riches - Oye Mamacita (38:17)
11) *BONUS* Ice-T, Chris The Glove Taylor & David Storrs - Reckless Rivalry Combat (Instrumental) (43:03)
I do Not own anything
INFRINGEMENT OF COPYRIGHT IS NOT INTENDED!
All Material used is the property of the respective original owners. (Breakin 2 - Electric Boogaloo/Breakdance 2 - Electric Boogaloo/Polydor Records/Cannon/Breakin 2 - Electric Boogaloo Movie/Etc).
Under Section 107 of the Copyright Act: § 107. Limitations on exclusive rights: Fair use40
Notwithstanding the provisions of sections 106 and 106A, the fair use of a copyrighted work, including such use by reproduction in copies or phonorecords or by any other means specified by that section, for purposes such as criticism, comment, news reporting, teaching (including multiple copies for classroom use), scholarship, or research, is not an infringement of copyright.
Therefore, allowance is made for fair use for purposes such as criticism, comment, news reporting, teaching, scholarship, and research.")
