Uploaded May 2024 | Updated September 2026, 2 hours ago
Frédéric Chopin - Ballade No.1 in g minor, Op.23
Performer: Sergio Fiorentino
When Chopin gave his Opus 23 the title “Ballade” in the mid 1830s, he established the piano ballade as a new musical genre which was subsequently taken up by others, including Brahms, Liszt and Grieg. The idea of transforming a fictional, dramatic and mystical event into music particularly suggested itself to the Romantic Schumann. He was enthusiastic about this work: “I have a new Ballade by Chopin. It seems to me to be one of his most brilliant (not most inspired) works.”
Frédéric Chopin - Ballade No.1 in g minor, Op.23
Performer: Sergio Fiorentino
When Chopin gave his Opus 23 the title “Ballade” in the mid 1830s, he established the piano ballade as a new musical genre which was subsequently taken up by others, including Brahms, Liszt and Grieg. The idea of transforming a fictional, dramatic and mystical event into music particularly suggested itself to the Romantic Schumann. He was enthusiastic about this work: “I have a new Ballade by Chopin. It seems to me to be one of his most brilliant (not most inspired) works.”




![Franz Liszt - Grande Fantaisie sur des thèmes de Paganini, S700
Franz Liszt - Grande Fantaisie sur des thèmes de Paganini, S700
0:00-Grande Fantaisie (Variations) sur des thèmes de Paganini La Clochette et Le Carnaval de Venise, S700i
14:28-Grande Fantaisie (Variations) sur des thèmes de Paganini, S700ii
Performer: Leslie Howard
The two versions of a Grande Fantaisie sur des thèmes de Paganini (D Q], E] are contained within one manuscript, which was completed in Lisbon in 1845 and is presently in Weimar. The work was published in 1989, edited by the excellent Imre Mezó. A few textual observations: first, the manuscript is untitled, but the clear connection of the work with the Clochette fantasy seems to warrant a similar title rather than the Variations suggested by Editio Musica Budapest(EMB); secondly, the first version of the ending can only be properly reconstructed if some pages of crossed-out material are included from the manuscript - the EMB solution of printing just what was not crossed out does not work, because it no longer connects at the point of its insertion; thirdly, EMBs bar 139 should not be included - it is part of a partially crossed-out group of bars which have been replaced on the adjacent systems; fourthly, the missing bars 454- 463 of the second version can be supplied by repeating bars 284-290 rather than by composing some other variant of the Clochette theme; and lastly, the second versions final chords can be supplied from the undeleted ending of the first version. Franz Liszt - Grande Fantaisie sur des thèmes de Paganini, S700](https://i.ytimg.com/vi/6dsg6ONyTfs/mqdefault.jpg)





