Uploaded March 2024 | Updated September 2026, 2 hours ago
Sergei Rachmaninoff - 8 Études-Tableaux, Op.33
Performer: Sergio Fiorentino
00:00 - 1. Allegro non troppo
02:51 - 2. Allegro
04:44 - 3. Grave
09:39 - 5. Moderato
12:47 - 6. Non allegro - Presto
14:18 - 7. Allegro con fuoco
16:02 - 8. Moderato
18:50 - 9. Grave
With his Études-Tableaux Rachmaninoff continued down the path that Chopin and Liszt had already set out on with their concert etudes: the most demanding technical tasks are presented in the form of expressive character pieces. Rachmaninoff composed two cycles, each originally with nine Études-Tableaux; however, shortly before Opus 33 went to print, he removed three of the pieces.
Sergei Rachmaninoff - 8 Études-Tableaux, Op.33
Performer: Sergio Fiorentino
00:00 - 1. Allegro non troppo
02:51 - 2. Allegro
04:44 - 3. Grave
09:39 - 5. Moderato
12:47 - 6. Non allegro - Presto
14:18 - 7. Allegro con fuoco
16:02 - 8. Moderato
18:50 - 9. Grave
With his Études-Tableaux Rachmaninoff continued down the path that Chopin and Liszt had already set out on with their concert etudes: the most demanding technical tasks are presented in the form of expressive character pieces. Rachmaninoff composed two cycles, each originally with nine Études-Tableaux; however, shortly before Opus 33 went to print, he removed three of the pieces.

![Franz Liszt - Grande Fantaisie sur des thèmes de Paganini, S700
Franz Liszt - Grande Fantaisie sur des thèmes de Paganini, S700
0:00-Grande Fantaisie (Variations) sur des thèmes de Paganini La Clochette et Le Carnaval de Venise, S700i
14:28-Grande Fantaisie (Variations) sur des thèmes de Paganini, S700ii
Performer: Leslie Howard
The two versions of a Grande Fantaisie sur des thèmes de Paganini (D Q], E] are contained within one manuscript, which was completed in Lisbon in 1845 and is presently in Weimar. The work was published in 1989, edited by the excellent Imre Mezó. A few textual observations: first, the manuscript is untitled, but the clear connection of the work with the Clochette fantasy seems to warrant a similar title rather than the Variations suggested by Editio Musica Budapest(EMB); secondly, the first version of the ending can only be properly reconstructed if some pages of crossed-out material are included from the manuscript - the EMB solution of printing just what was not crossed out does not work, because it no longer connects at the point of its insertion; thirdly, EMBs bar 139 should not be included - it is part of a partially crossed-out group of bars which have been replaced on the adjacent systems; fourthly, the missing bars 454- 463 of the second version can be supplied by repeating bars 284-290 rather than by composing some other variant of the Clochette theme; and lastly, the second versions final chords can be supplied from the undeleted ending of the first version. Franz Liszt - Grande Fantaisie sur des thèmes de Paganini, S700](https://i.ytimg.com/vi/6dsg6ONyTfs/mqdefault.jpg)








