FORGET camera SLIDERS get this INSTEAD @cinechimp
FORGET camera SLIDERS get this INSTEAD  @cinechimp
Uploaded August 2025 | Updated September 2026, 3 hours ago
Using the Neewer DL400 motorised camera dolly has been the most fun I've have filming in a long time. Its ultra quiet. It has dual motors, nonslip rubber wheels and is front wheel drive. The DL400 can handle payloads of 6.6lb/3kg, but i have run mine with a lot heavier setups and up some steep inclines.

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The accessories, a 360° ball head, phone holder, and action camera adapter are good quality. They are compatible with Canon Sony Nikon Fujifilm fuji mirrorless cameras.

It can be controlled by either the APP or physical controls. And it is very simple to use, and execute good looking shots.

The NP-F750 rechargeable battery supports up to 5 hours of runtime, and a USB Type C cable for charging and firmware upgrade
Customisable Shooting Modes.

In Live Video mode, you can set movement directions, movement distance (2.2-32.8ft/66-999cm), and movement mode (constant/slow). In Time Lapse mode, you can set shutter speed, frame by frame duration, number of shots, and fixed point shoot.

In Button Control Mode, you can set movement directions, speed (1-5 levels), and movement mode (constant/slow). Note: Time Lapse photography requires a camera shutter cable (separately purchased)
Precise Motion & Flexible Use.

The camera dolly manually moves along circular, arched, and linear paths, with left or right +/-30°, and provides 5 speed levels (60s/m, 50s/m, 35s/m, 25s/m, 15s/m) for precise control, ensuring real time adjustments while shooting. The included ball head with a pan base and a U shaped notch for 360° rotation and 90° tilt angles.

The best thing of all is that its affordable and works really well with gimbals that have AI powered subject tracking. @7artisansOfficial @NeewerOfficial @FreewellGear

At Cine, we’re all about budget-friendly cameras, lenses, and techniques. We focus on providing honest, unbiased technical reviews, with a sprinkling of Resolve training to up your post game.

Everything we review or feature is something we’ve bought with our money, or is gear we genuinely use ourselves. Brands that send us equipment for review acknowledge, we reserve all exclusive rights to our content in perpetuity unless you license it from the CINE Channel. If we choose not to review your product, for any reason - you agree that it does not need to be returned.

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This production was made with Made with:
DaVinci Resolve 20 Studio
BMD Cameras and Canon Cameras and Cine Primes
Sound mixed in Fairlight
VFX DaVinci Resolve Fusion
Foley Sound Effects Created on location
Music Copyright Supplied by Audiio Sound or Written, Produced and Owned by us.
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