Uploaded June 2022 | Updated September 2026, 2 weeks ago
Seamless backgrounds are probably one of my most used items in the studio. I love using them to create supersaturated scenes either with a specific color or with a gray background that can soak up gels and create interesting effects, however sometimes it can get a bit repetitive.
So what can you do about that?
In this case, I thought, maybe I could layer multiple seamless backgrounds together to create more of a set and graphic effect, something out of the ordinary.
The execution was pretty simple. I setup a Savage Universal Plum background and then put up a Canary Yellow one across that to create an interesting set piece that also complimented the model's outfit and matched the clothing to the environment.
One of the things to keep in mind while building a set or planning a photoshoot is that there is no โrightโ answer, it all depends on the intention.
So when youโre trying to think outside the box and create something a bit different, let those ideas flow and experiment!
For the light we decided because of the vertical seamless across the background, it might be interesting to contrast that by creating a vertical beam of light down the middle for the model to step in.
To create this effect I used an Optical Spot since it gives me ultimate control for creating tight pockets of light. I also added a large umbrella with diffusion to help lift the shadows a bit.
The end result was something different and not the typical use of a backdrop. Itโs all about thinking outside the box to create something interesting.
๐ Iโd love to hear your thoughts on the final outcome. Is this something youโd try? It might spark some new inspiration for you!
๐ธ Camera Settings:
โ 1/200
โ F/11
โ iso 200
๐ธ Gear Used:
โ Canon EOS R5: https://prf.hn/l/7oZobqW/
โ Canon RF 24-105mm F/4: https://prf.hn/l/deZLnJq/
โ Canon 35mm EF Lens (for optical spot): https://prf.hn/l/zpkdWJJ/
โ Tiffen 77mm 1/4 Black Pro Mist filter: https://prf.hn/l/0egzL0P/
โ Profoto D2: (discontinued, linking to new D3): https://prf.hn/l/K9ENnmk/
โ Westcott Optical Spot: https://prf.hn/l/G9DRROp/
โ Profoto Large Umbrella: https://prf.hn/l/75BdnNR/
โ Profoto Large Umbrella Diffuser: https://prf.hn/l/Mb91VR8/
โ Profoto Air Remote: https://prf.hn/l/Kz4yPNW/
โ Avenger D600 boom arm: https://prf.hn/l/EJDBPD2/
โ Savage C-Stand: https://prf.hn/l/kV0wEB3/
โ TetherTools Tether Cable: https://prf.hn/l/vwzRaoJ/
โ Savage Seamless Canary Yellow Background: https://prf.hn/l/xEeQ8gG/
โ Savage Seamless Plum Background: https://prf.hn/l/zpJ9GQQ/
๐ฅ To learn more about lighting definitely check out my class Master Studio Lighting: https://lindsayadler.photo/msl
----
๐ Portfolio: lindsayadlerphotography.com
๐ Instagram: instagram.com/lindsayadler_photo
๐ Facebook: facebook.com/lindsayadlerphotography
๐ Twitter: twitter.com/lindsayadler
๐ Education: learn.lindsayadlerphotography.com
Some of the links in this description contain affiliate links to partners.
Seamless backgrounds are probably one of my most used items in the studio. I love using them to create supersaturated scenes either with a specific color or with a gray background that can soak up gels and create interesting effects, however sometimes it can get a bit repetitive.
So what can you do about that?
In this case, I thought, maybe I could layer multiple seamless backgrounds together to create more of a set and graphic effect, something out of the ordinary.
The execution was pretty simple. I setup a Savage Universal Plum background and then put up a Canary Yellow one across that to create an interesting set piece that also complimented the model's outfit and matched the clothing to the environment.
One of the things to keep in mind while building a set or planning a photoshoot is that there is no โrightโ answer, it all depends on the intention.
So when youโre trying to think outside the box and create something a bit different, let those ideas flow and experiment!
For the light we decided because of the vertical seamless across the background, it might be interesting to contrast that by creating a vertical beam of light down the middle for the model to step in.
To create this effect I used an Optical Spot since it gives me ultimate control for creating tight pockets of light. I also added a large umbrella with diffusion to help lift the shadows a bit.
The end result was something different and not the typical use of a backdrop. Itโs all about thinking outside the box to create something interesting.
๐ Iโd love to hear your thoughts on the final outcome. Is this something youโd try? It might spark some new inspiration for you!
๐ธ Camera Settings:
โ 1/200
โ F/11
โ iso 200
๐ธ Gear Used:
โ Canon EOS R5: https://prf.hn/l/7oZobqW/
โ Canon RF 24-105mm F/4: https://prf.hn/l/deZLnJq/
โ Canon 35mm EF Lens (for optical spot): https://prf.hn/l/zpkdWJJ/
โ Tiffen 77mm 1/4 Black Pro Mist filter: https://prf.hn/l/0egzL0P/
โ Profoto D2: (discontinued, linking to new D3): https://prf.hn/l/K9ENnmk/
โ Westcott Optical Spot: https://prf.hn/l/G9DRROp/
โ Profoto Large Umbrella: https://prf.hn/l/75BdnNR/
โ Profoto Large Umbrella Diffuser: https://prf.hn/l/Mb91VR8/
โ Profoto Air Remote: https://prf.hn/l/Kz4yPNW/
โ Avenger D600 boom arm: https://prf.hn/l/EJDBPD2/
โ Savage C-Stand: https://prf.hn/l/kV0wEB3/
โ TetherTools Tether Cable: https://prf.hn/l/vwzRaoJ/
โ Savage Seamless Canary Yellow Background: https://prf.hn/l/xEeQ8gG/
โ Savage Seamless Plum Background: https://prf.hn/l/zpJ9GQQ/
๐ฅ To learn more about lighting definitely check out my class Master Studio Lighting: https://lindsayadler.photo/msl
----
๐ Portfolio: lindsayadlerphotography.com
๐ Instagram: instagram.com/lindsayadler_photo
๐ Facebook: facebook.com/lindsayadlerphotography
๐ Twitter: twitter.com/lindsayadler
๐ Education: learn.lindsayadlerphotography.com
Some of the links in this description contain affiliate links to partners.










