Uploaded June 2026 | Updated September 2026, 2 weeks ago
I help editors move into feature films, TV, docs, & story-driven content: skool.com/the-go-to-editor/about Watch the full video here: youtu.be/HWLEQ-oRuqs
Most early filmmakers use too much exposition. It's often the editor's job to get rid off it.
Got a short film or scene you'd like honest feedback on? Submit this form and I may feature it in a future episode: https://forms.gle/oNa25uWJjCrkxCmG6
Experienced Hollywood editor *Sven Pape, ACE* (aka *This Guy Edits*) who cut for James Cameron on Ghost of the Abyss, worked on the Emmy-winning series Hit Record with Joseph Gordon-Levitt, and has given professional notes to directors like Adam Balo (Telemarketers) delivers raw, no-sugarcoating feedback on a short film by early-stage filmmakers.
In this in-depth editing critique, Sven breaks down pacing, shot selection, process-heavy scenes, dramatic tension, and audience engagement with real-time examples and practical tightening suggestions.
Perfect for directors, editors, screenwriters, and filmmakers looking to improve their storytelling rhythm and editing instincts.
Take my Editor Readiness Check: thisguyedits.com/ready
*Short film title:* Finders Fee: youtu.be/vBJ3gDIxO50?si=6q3M71C1yBBe0e3Q*Filmmaker:* Trevor Meyer and William Sharkey
I help editors move into feature films, TV, docs, & story-driven content: skool.com/the-go-to-editor/about Watch the full video here: youtu.be/HWLEQ-oRuqs
Most early filmmakers use too much exposition. It's often the editor's job to get rid off it.
Got a short film or scene you'd like honest feedback on? Submit this form and I may feature it in a future episode: https://forms.gle/oNa25uWJjCrkxCmG6
Experienced Hollywood editor *Sven Pape, ACE* (aka *This Guy Edits*) who cut for James Cameron on Ghost of the Abyss, worked on the Emmy-winning series Hit Record with Joseph Gordon-Levitt, and has given professional notes to directors like Adam Balo (Telemarketers) delivers raw, no-sugarcoating feedback on a short film by early-stage filmmakers.
In this in-depth editing critique, Sven breaks down pacing, shot selection, process-heavy scenes, dramatic tension, and audience engagement with real-time examples and practical tightening suggestions.
Perfect for directors, editors, screenwriters, and filmmakers looking to improve their storytelling rhythm and editing instincts.
Take my Editor Readiness Check: thisguyedits.com/ready
*Short film title:* Finders Fee: youtu.be/vBJ3gDIxO50?si=6q3M71C1yBBe0e3Q*Filmmaker:* Trevor Meyer and William Sharkey
