Uploaded September 2018 | Updated September 2026, 2 weeks ago
I help editors level up into feature films, TV, and documentaries by cutting the kind of scenes that get them hired: skool.com/the-go-to-editor/about Rebroadcast of our monthly LIVE Post Meet which you can join to ask your questions by becoming a patron.
patreon.com/thisguyedits
The featured topic was "How To Become A 'Full-Time' Freelance Editor" followed by a Q&A with attending Patreon members.
Here is the email by Kyle that inspired the topic:
"Hi Sven,
I'm a huge fan of your channel and I am sure you get hundreds of emails like this so I will try to keep it short.
I am currently a A/V high school teacher as well as a freelance sports videographer with EVS and Daktronics experience. I also have about 10 years editing experience doing mostly documentary style videos ( I worked in local news for a few years).
But I want to quit teaching and become a full time freelance, continuing to be a pro and college sports videographer, but also an editor who does documentaries, movies, short films, music videos, commercials...really anything that will make me a livable wage.
My question is this: what steps do I take to be able to freelance edit full time?
I live in Houston, Texas. Do I realistically need to move to California? Do I need to email all my contacts about potential work? Can I work remotely? What kind of reel do I need to build if I don't have too much specific movie editing experience? What tips do you have for building that reel if I don't have too many movie contacts? Jumping from a stable job is scary...how much should I save before I do it?
I'm not coming out of college with no experience hoping for the fast track. I am very confident in my editing abilities and love doing it. Just wanting to be able to do it full time while being able to pay the bills and student loans and find consistent work.
Again, I know you're an extremely busy and get these questions all the time. But any advice would be extremely helpful. Thanks for all that you do!
Sincerely,
Kyle"
I help editors level up into feature films, TV, and documentaries by cutting the kind of scenes that get them hired: skool.com/the-go-to-editor/about Rebroadcast of our monthly LIVE Post Meet which you can join to ask your questions by becoming a patron.
patreon.com/thisguyedits
The featured topic was "How To Become A 'Full-Time' Freelance Editor" followed by a Q&A with attending Patreon members.
Here is the email by Kyle that inspired the topic:
"Hi Sven,
I'm a huge fan of your channel and I am sure you get hundreds of emails like this so I will try to keep it short.
I am currently a A/V high school teacher as well as a freelance sports videographer with EVS and Daktronics experience. I also have about 10 years editing experience doing mostly documentary style videos ( I worked in local news for a few years).
But I want to quit teaching and become a full time freelance, continuing to be a pro and college sports videographer, but also an editor who does documentaries, movies, short films, music videos, commercials...really anything that will make me a livable wage.
My question is this: what steps do I take to be able to freelance edit full time?
I live in Houston, Texas. Do I realistically need to move to California? Do I need to email all my contacts about potential work? Can I work remotely? What kind of reel do I need to build if I don't have too much specific movie editing experience? What tips do you have for building that reel if I don't have too many movie contacts? Jumping from a stable job is scary...how much should I save before I do it?
I'm not coming out of college with no experience hoping for the fast track. I am very confident in my editing abilities and love doing it. Just wanting to be able to do it full time while being able to pay the bills and student loans and find consistent work.
Again, I know you're an extremely busy and get these questions all the time. But any advice would be extremely helpful. Thanks for all that you do!
Sincerely,
Kyle"

![The New Opportunity for Editing FeatureFilms, TV, & Docs
Sven Pape, ACE, helps editors level up into feature films, television, and documentaries by cutting the kind of scenes that get them hired. Join him in the new Studio: https://www.skool.com/the-go-to-editor
The film and television industry is changing, but that does not mean the opportunity for editors is disappearing.
In this live kickoff session, Sven Pape, ACE, breaks down where new editing opportunities are appearing, how creators are becoming filmmakers and showrunners, and what editors need to do to build careers cutting feature films, documentaries, television, and story-driven content.
You’ll also learn more about The Studio, a new editing community designed to help editors build clarity, consistency, storytelling skills, stronger portfolios, professional relationships, and career momentum.
Sven draws from seven years of teaching more than 1,500 editors, shares real student success stories, and explores the common patterns that help some editors move forward while others remain stuck.
The session also covers:
• The changing film and media landscape
• New pathways into narrative editing
• Why creators are building their own audiences and studios
• How editors can find better projects and collaborators
• Common career bottlenecks for film and video editors
• The importance of storytelling, networking, and consistency
• Editing career goals and the idea of “Editing Bliss”
• How The Studio differs from a traditional editing course
• Live editing training, professional footage, feedback, accountability, and access to experienced editors
The Studio is for editors who want to move beyond tutorials and begin building the skills, portfolio, relationships, and focused plan needed to pursue professional narrative editing work.
Learn more about The Studio:
[STUDIO LINK]
Get your Editing Bliss Blueprint:
[BLUEPRINT LINK]
Subscribe to This Guy Edits for professional film editing breakdowns, storytelling lessons, career advice, and behind-the-scenes insights into the editing industry.
#FilmEditing #VideoEditing #FilmEditor #EditingCareer #PostProduction #Storytelling #TheStudio #ThisGuyEdits The New Opportunity for Editing FeatureFilms, TV, & Docs](https://i.ytimg.com/vi/qPBp4ubYZi0/mqdefault.jpg)
![Blade Runner 2049 (2017)
We discuss how visual and emotional subtext can transcend dialogue and the beauty allowing breath in the pace of your edits. Edited by Joe Walker.
Blade Runner 2049 is a 2017 American neo-noir (https://en.wikipedia.org/wiki/Neo-noir) science fiction film (https://en.wikipedia.org/wiki/Science_fiction_film) directed by Denis Villeneuve (https://en.wikipedia.org/wiki/Denis_Villeneuve) and written by Hampton Fancher (https://en.wikipedia.org/wiki/Hampton_Fancher) and Michael Green (https://en.wikipedia.org/wiki/Michael_Green_(writer)) . A sequel (https://en.wikipedia.org/wiki/Blade_Runner_(franchise)) to the 1982 film Blade Runner (https://en.wikipedia.org/wiki/Blade_Runner) , the film stars Ryan Gosling (https://en.wikipedia.org/wiki/Ryan_Gosling) and Harrison Ford (https://en.wikipedia.org/wiki/Harrison_Ford) , with Ana de Armas (https://en.wikipedia.org/wiki/Ana_de_Armas) , Sylvia Hoeks (https://en.wikipedia.org/wiki/Sylvia_Hoeks) , Robin Wright (https://en.wikipedia.org/wiki/Robin_Wright) , Mackenzie Davis (https://en.wikipedia.org/wiki/Mackenzie_Davis) , Carla Juri (https://en.wikipedia.org/wiki/Carla_Juri) , Lennie James (https://en.wikipedia.org/wiki/Lennie_James) , Dave Bautista (https://en.wikipedia.org/wiki/Dave_Bautista) , and Jared Leto (https://en.wikipedia.org/wiki/Jared_Leto) in supporting roles. Ford and Edward James Olmos (https://en.wikipedia.org/wiki/Edward_James_Olmos) reprise their roles from the original. Set thirty years after the first film, Gosling plays K, a Nexus-9 replicant (https://en.wikipedia.org/wiki/Replicant) blade runner who uncovers a secret that threatens to destabilize society and the course of civilization. Original director Ridley Scott (https://en.wikipedia.org/wiki/Ridley_Scott) served as an executive producer on the film.
SCENE: https://youtu.be/T_sOFj3sUeA
Principal photography (https://en.wikipedia.org/wiki/Principal_photography) took place between July and November 2016, mainly in Budapest, Hungary. Blade Runner 2049 premiered in Los Angeles on October 3, 2017, and was released in the United States in 2D, 3D, and IMAX (https://en.wikipedia.org/wiki/IMAX) on October 6, 2017. The film was praised by critics for its performances, direction, cinematography, musical score, production design, visual effects, and faithfulness to the original film, and was considered by many critics to be among the best films of 2017. Despite positive reviews, the film was a box office disappointment (https://en.wikipedia.org/wiki/Box_office_disappointment) , grossing $259 million worldwide against a production budget between $150–185 million.[10] (https://en.wikipedia.org/wiki/Blade_Runner_2049#cite_note-10) [11] (https://en.wikipedia.org/wiki/Blade_Runner_2049#cite_note-11) [9] (https://en.wikipedia.org/wiki/Blade_Runner_2049#cite_note-BOM-9)
Blad Blade Runner 2049 (2017)](https://i.ytimg.com/vi/qQAxUMj4AG4/mqdefault.jpg)







