Uploaded October 2025 | Updated September 2026, 2 weeks ago
From '' Let It Happen With ''
Label: Teener – LPQ 39013
Format: Vinyl, LP, Album
Country: Denmark
Released: 1966
Tracklist
A1 Let The Four Winds Blow
A2 Lonely Weekends
A3 That'll Be The Day
A4 Colours
A5 Do The Dog
A6 Let It Happen
B1 A Little Bit Of Soap
B2 Voodoo Woman
B3 Lonely Bull
B4 Whole Lott'a Lovin'
B5 I'm Gonna Be Strong
B6 Every Day I Have To Cry
Guitar – John Inglis
Rhythm Guitar – Bjørn Holte
Drums – Niels Kjær
Bass – Harry Kershaw
Printed By – Bogtrykkeriet Forma
Notes
The record are made in 400 copies.
------------------------
"That'll Be the Day" is a song written by Buddy Holly and Jerry Allison.
It was first recorded by Buddy Holly and the Three Tunes in 1956 and was re-recorded in 1957 by Holly and his new band, the Crickets.
Buddy Holly and the Three Tunes' version was released several months after the Crickets' version, which achieved widespread success. Holly's producer, Norman Petty, was credited as a co-writer, although he did not contribute to the composition.
Many other versions have been recorded. It was the first song recorded (as a demonstration disc) by the Quarrymen, a skiffle group from Liverpool that evolved into the Beatles.
The song appeared in the 1973 George Lucas film American Graffiti and was on the MCA Records soundtrack album 41 Original Hits from the Soundtrack of American Graffiti with dialogue by Wolfman Jack, which was certified triple platinum by the RIAA and which peaked at no.10 on the Billboard 200 album chart.
The 1957 recording was certified gold by the Recording Industry Association of America (RIAA) in 1969.
It was inducted into the Grammy Hall of Fame in 1998.
It was placed in the National Recording Registry, a list of sound recordings that "are culturally, historically, or aesthetically important, and/or inform or reflect life in the United States", in 2005.
Background
In June 1956, Holly along with his older brother Larry as well as Allison and Sonny Curtis went to see the film The Searchers, starring John Wayne, in which Wayne repeatedly used the phrase "that'll be the day". This line of dialogue inspired the young musicians.
Buddy Holly and the Three Tunes' version
The song was first recorded by Buddy Holly and the Three Tunes for Decca Records at Bradley Studios in Nashville, on July 22, 1956.
Decca, displeased with Holly's previous two singles, did not issue recordings from this session. After the song was re-recorded by the Crickets in 1957 and became a hit, Decca released the original recording as a single (Decca D30434) on September 2, 1957, with "Rock Around with Ollie Vee" as the B-side. It was also the title track of the 1958 album That'll Be the Day. Despite Holly's newfound stardom, the single did not chart.
The Crickets' version
Holly's contract with Decca prohibited him from re-recording any of the songs recorded in the 1956 Nashville sessions for five years, even if Decca never released them. To evade this restriction, the producer Norman Petty credited the Crickets as the artist on his re-recording of "That'll Be the Day" for Brunswick Records. Brunswick was a subsidiary of Decca. Once the cat was out of the bag, Decca re-signed Holly to another of its subsidiaries, Coral Records, so he ended up with two recording contracts. Recordings with the Crickets were to be issued by Brunswick, and the recordings under Holly's name were to be on Coral, although the Crickets played on several of them.
The second recording of the song was made on February 25, 1957, seven months after the first, at the Norman Petty Recording Studios in Clovis, New Mexico, and issued by Brunswick on July 27, 1957. This version is on the debut album by the Crickets, The "Chirping" Crickets, issued on November 27, 1957. The recording was made with everyone performing and without additional overdubs. The B-side of the record, "I'm Looking for Someone to Love" was recorded at the same session with the same backup singers.
The Brunswick recording of "That'll Be the Day" is considered a classic of rock and roll.
It was ranked number 39 on Rolling Stone's list of the "500 Greatest Songs of All Time".
Chart performance
The Brunswick single was a number-one hit on Billboard magazine's Best Sellers in Stores chart in 1957. It went to number two on Billboard's R&B singles chart. The song peaked at number 1 in the UK Singles Chart in November 1957 and stayed in that position for three weeks.
On December 20, 1969, a reissue of the single by Coral Records was awarded a "gold single" by the RIAA.
On September 20, 1986, the song appeared on the UK Singles Chart at number 85 and left the chart a week later.
Linda Ronstadt version
Linda Ronstadt recorded "That'll Be the Day" for her 1976 Grammy Award-winning platinum album Hasten Down the Wind, produced by Peter Asher and issued by Asylum Records.
#beat
From '' Let It Happen With ''
Label: Teener – LPQ 39013
Format: Vinyl, LP, Album
Country: Denmark
Released: 1966
Tracklist
A1 Let The Four Winds Blow
A2 Lonely Weekends
A3 That'll Be The Day
A4 Colours
A5 Do The Dog
A6 Let It Happen
B1 A Little Bit Of Soap
B2 Voodoo Woman
B3 Lonely Bull
B4 Whole Lott'a Lovin'
B5 I'm Gonna Be Strong
B6 Every Day I Have To Cry
Guitar – John Inglis
Rhythm Guitar – Bjørn Holte
Drums – Niels Kjær
Bass – Harry Kershaw
Printed By – Bogtrykkeriet Forma
Notes
The record are made in 400 copies.
------------------------
"That'll Be the Day" is a song written by Buddy Holly and Jerry Allison.
It was first recorded by Buddy Holly and the Three Tunes in 1956 and was re-recorded in 1957 by Holly and his new band, the Crickets.
Buddy Holly and the Three Tunes' version was released several months after the Crickets' version, which achieved widespread success. Holly's producer, Norman Petty, was credited as a co-writer, although he did not contribute to the composition.
Many other versions have been recorded. It was the first song recorded (as a demonstration disc) by the Quarrymen, a skiffle group from Liverpool that evolved into the Beatles.
The song appeared in the 1973 George Lucas film American Graffiti and was on the MCA Records soundtrack album 41 Original Hits from the Soundtrack of American Graffiti with dialogue by Wolfman Jack, which was certified triple platinum by the RIAA and which peaked at no.10 on the Billboard 200 album chart.
The 1957 recording was certified gold by the Recording Industry Association of America (RIAA) in 1969.
It was inducted into the Grammy Hall of Fame in 1998.
It was placed in the National Recording Registry, a list of sound recordings that "are culturally, historically, or aesthetically important, and/or inform or reflect life in the United States", in 2005.
Background
In June 1956, Holly along with his older brother Larry as well as Allison and Sonny Curtis went to see the film The Searchers, starring John Wayne, in which Wayne repeatedly used the phrase "that'll be the day". This line of dialogue inspired the young musicians.
Buddy Holly and the Three Tunes' version
The song was first recorded by Buddy Holly and the Three Tunes for Decca Records at Bradley Studios in Nashville, on July 22, 1956.
Decca, displeased with Holly's previous two singles, did not issue recordings from this session. After the song was re-recorded by the Crickets in 1957 and became a hit, Decca released the original recording as a single (Decca D30434) on September 2, 1957, with "Rock Around with Ollie Vee" as the B-side. It was also the title track of the 1958 album That'll Be the Day. Despite Holly's newfound stardom, the single did not chart.
The Crickets' version
Holly's contract with Decca prohibited him from re-recording any of the songs recorded in the 1956 Nashville sessions for five years, even if Decca never released them. To evade this restriction, the producer Norman Petty credited the Crickets as the artist on his re-recording of "That'll Be the Day" for Brunswick Records. Brunswick was a subsidiary of Decca. Once the cat was out of the bag, Decca re-signed Holly to another of its subsidiaries, Coral Records, so he ended up with two recording contracts. Recordings with the Crickets were to be issued by Brunswick, and the recordings under Holly's name were to be on Coral, although the Crickets played on several of them.
The second recording of the song was made on February 25, 1957, seven months after the first, at the Norman Petty Recording Studios in Clovis, New Mexico, and issued by Brunswick on July 27, 1957. This version is on the debut album by the Crickets, The "Chirping" Crickets, issued on November 27, 1957. The recording was made with everyone performing and without additional overdubs. The B-side of the record, "I'm Looking for Someone to Love" was recorded at the same session with the same backup singers.
The Brunswick recording of "That'll Be the Day" is considered a classic of rock and roll.
It was ranked number 39 on Rolling Stone's list of the "500 Greatest Songs of All Time".
Chart performance
The Brunswick single was a number-one hit on Billboard magazine's Best Sellers in Stores chart in 1957. It went to number two on Billboard's R&B singles chart. The song peaked at number 1 in the UK Singles Chart in November 1957 and stayed in that position for three weeks.
On December 20, 1969, a reissue of the single by Coral Records was awarded a "gold single" by the RIAA.
On September 20, 1986, the song appeared on the UK Singles Chart at number 85 and left the chart a week later.
Linda Ronstadt version
Linda Ronstadt recorded "That'll Be the Day" for her 1976 Grammy Award-winning platinum album Hasten Down the Wind, produced by Peter Asher and issued by Asylum Records.
#beat
![Ray Peterson - Hooked On A Feeling (B. J. Thomas Cover)
From Missing You (Featuring His Greatest Hits!)
Label: UNI Records – 73078
Format: Vinyl, LP, Album, Stereo
Country: US
Released: Jan 1970
Tracklist
A1 Corinna Corinna / Ya Ya
A2 Hey Little One
A3 Hooked On A Feeling
A4 Tell Laura I Love Her
A5 Love The Understanding Way
B1 Goodnight My Love, Pleasant Dreams
B2 The Wonder Of You
B3 Me Myself And I
B4 Funny How Time Slips Away
B5 Missing You
Arranged By – Ben Benay (tracks: A1-A4), Jim Gordon (tracks: A5, B1-B3), Mike Henderson (tracks: B4, B5)
Photography – Gene Brownell
Art Direction – John C. LePrevost
Engineer – Denny Shaw
Notes
Suitable For Mono
🎵 [SONG INFO]
Hooked on a Feeling is a 1968 pop song written by Mark James and first recorded by American singer B. J. Thomas. Thomass version featured the sound of the electric sitar (played by Reggie Young) and reached No. 5 in 1969 on the Billboard Hot 100. It has been recorded by many other artists, including Blue Swede, whose version reached No. 1 in the United States in 1974.
Production
The song was written by Mark James, who was introduced to producer Chips Moman around 1967 by Momans mutual friend Steve Tyrell, a singer and James manager.
James was hired by early 1968 to write for Momans publishing company, which led to him writing songs for many artists, including his childhood friend B.J. Thomas.
One of these songs was Hooked on a Feeling, which James wrote about the thrills of being in love, inspired by his feelings for his childhood sweetheart.
It was recorded at the American Sound Studio in Memphis, Tennessee in 1968, with musicians Tommy Cogbill (guitar) Reggie Young (guitar), Mike Leech (bass) and Gene Chrisman (drums).
It was first released on October 29 of that year.
Cover versions
The band Mercy included a version on their first album in 1968.
In 1971, British musician Jonathan King recorded a cover version of the song, also with ooga chaka chants. King described it as a reggae rhythm by male voices. His version reached No. 23 on the UK Singles Chart in November 1971.
Country artists Louise Mandrell and RC Bannon recorded and released this song in 1979.
Blue Swede version
In 1973, the Swedish pop rock group Blue Swede released a cover version, which included the ooga chaka introduction from the 1971 cover by Jonathan King. It is commonly claimed that King had heard Johnny Prestons Running Bear, which was the inspiration for the ooga chaka chant, but King said, the chant had nothing to do with Running Bear — it was my idea to use the reggae rhythm in an unusual way, thats all.
The Blue Swede version of the song also tweaked the lyrics to avoid any possible interpretation of a drug reference. The original song included the lines:
I got it bad for you girl,
But I dont need a cure
Ill just stay addicted,
And hope I can endure
In place of that, Blue Swede sang:
Got a bug from you girl,
But I dont need no cure
I just stay a victim,
If I can for sure
Blue Swedes version reached No. 1 on the US Billboard Hot 100 chart in April 1974; Billboard ranked it as the No. 20 song for 1974.
There is a popular misconception in Sweden that it reached number one the same day ABBA won the Eurovision Song Contest with Waterloo.
Hooked on a Feeling also entered the top 10 in Australia, Canada, and New Zealand.
In 1992, the song appeared on the soundtrack to the American crime film Reservoir Dogs. Following that appearance, the song charted in Iceland, reaching No. 2 in March 1993.
In August 2014, the song charted in the United Kingdom for the first time, reaching No. 90.
Record World said that the opening hook will have buyers crying for the oogah chugga record.
In popular culture
In 1992, Blue Swedes recording was featured on the soundtrack of Quentin Tarantinos debut feature, Reservoir Dogs.
In 1998, during an episode of the legal comedy-drama series Ally McBeal, Cro-Magnon, the main characters neurosis about being able to conceive a child before her biological clock runs out, is illustrated by her imagining a computer-generated baby dancing into her bedroom to Blue Swedes recording of Hooked on a Feeling. A website featuring the dancing baby and the Blue Swede recording became an internet meme.
The 2014 film Guardians of the Galaxy, which featured the brass fanfare and title lyrics of Blue Swedes version prominently in its trailers and theatrical release, resulted in a significant spike in sales for the recording; the films soundtrack topped the Billboard 200 chart in August 2014. The song was also featured in the teaser trailer for the 2017 sequel, Guardians of the Galaxy Vol. 2.
The song was performed by Blue Swedes lead vocalist Björn Skifs as the opening act of the final of the Eurovision Song Contest 2024 in Malmö.
#raypeterson
#hookedonafeeling
#bjthomas Ray Peterson - Hooked On A Feeling (B. J. Thomas Cover)](https://i.ytimg.com/vi/G-tLlYx5kjw/mqdefault.jpg)
![The Plugz - La Bamba
From A Drink For Sue Ellen
Label: Schrott – SCHROTT 010
Format: Cassette, Compilation, Unofficial Release, C60
Country: Germany
Released: 1983
Tracklist
A1 Darby Crash / Government Issue - Intro / Religious Ripp Off
A2 Black Flag - White Minority
A3 Angry Samoans - Hot Cars
A4 Circle Jerks - Wasted
A5 Dead Kennedys - Short Songs
A6 Nubs - Little Billy`s Burning
A7 Middle Class - You Belong
A8 The Deadbeats - Kill The Hippies
A9 Fear - Lets Have A War
A10 No Alternative - Make Guns Not Love
A11 Misfits - London Dungeon
A12 Gun Club - Black Train
A13 T.S.O.L. - Funeral March
A14 Wurm - Were Off
A15 Germs - Lions Share
A16 Minutemen - The Maze
A17 Angry Samoans - Stupid Jack
A18 Replacements - Dope Smokin Moron
A19 Eyes - Dont Talk To Me
A20 The Plugz - La Bamba
A21 Zero Boys - Outta Style
A22 Rhino 39 - No Compromise
B1 The Little Girl - Intro
B2 T.S.O.L. - 80 Times
B3 Policeband - Q & A
B4 Big Boys - Fun Fun Fun
B5 The Eyes - Disneyland
B6 Red Asphalt - Red Asphalt
B7 Misfits - Halloween
B8 Descendents - Global Probing
B9 Meat Puppets - Big House
B10 Lewd - Dressed In Black
B11 Middle Class - Situations
B12 Bags - We Dont Need The English
B13 Zero Boys - High Time
B14 Controllers - Jezebel
B15 V.S. - Magnetic Heat
B16 Rubber Rodeo - Dont Fall In Love With The Rider
B17 The Flesh Eaters - Dominoes
Compiled By [Uncredited] – Mike Just
Notes
A bootleg compilation of US hardcore 7 releases.
Released with red, green, yellow and b/w sleeve.
This version of La Bamba is shorter than the one on their 7 release. (Fatima Recordz – FTM 79, 1981)
It seems like they have cut the intro.
La Bamba is a Mexican folk song, originally from the state of Veracruz, best known from a 1958 adaptation by Ritchie Valens, a top 40 hit in the U.S. charts and one of early rock and rolls best-known songs.
Valens version of La Bamba is ranked number 354 on Rolling Stone magazine′s list of the 500 Greatest Songs of All Time, and is the only song on the list sung in a language other than English.
La Bamba has been covered by numerous artists, most notably by Los Lobos, whose version was the title track of the 1987 film La Bamba and reached No.1 in the U.S. and UK singles charts in the same year.
The music video for Los Lobos version, directed by Sherman Halsey, won the 1988 MTV Video Music Award for Best Video from a Film.
Traditional versions
La Bamba is a classic example of the Son Jarocho musical style which originated in the Mexican state of Veracruz and combines Spanish, indigenous, and African musical elements.
The song is typically played on one or two arpas jarochas (harps) along with guitar relatives the jarana jarocha and the requinto jarocho.
Lyrics to the song vary greatly, as performers often improvise verses while performing.
However, versions such as those by musical groups Mariachi Vargas de Tecalitlan and Los Pregoneros del Puerto have survived because of the artists popularity.
The traditional aspect of La Bamba lies in the tune itself, which remains almost the same through most versions.
The name of the dance, which has no direct English translation, is presumably connected with the Spanish verb bambolear, meaning to shake or perhaps to stomp.
The traditional La Bamba is often played during weddings in Veracruz, where the bride and groom perform the accompanying dance.
The arriba (literally up) part of the song suggests the nature of the dance, in which the footwork, called zapateado, is done faster and faster as the music tempo accelerates.
Valens version
The traditional song inspired Ritchie Valens rock and roll version La Bamba in 1958.
Valens La Bamba infused the traditional tune with a rock drive, in part provided by session drummer Earl Palmer and session guitarist Carol Kaye, making the song accessible to a much wider record audience and earning it (and Valens) a place in rock history (inducted into the Rock & Roll Hall of Fame in 2001).
The musicians on that session were Buddy Clark: string bass, Ernie Freeman: piano, Carol Kaye: rhythm guitar, Rene Hall: Danelectro guitar (six-string baritone guitar), Earl Palmer: drums, Ritchie Valens: vocals, lead guitar.
The song ranked No.98 in VH1s 100 Greatest Songs of Rock and Roll and No.59 in VH1s 100 Greatest Dance Songs of Rock and Roll, both done in 2000.
Valenss recording of the song was inducted into the Latin Grammy Hall of Fame.
Other versions
Harry Belafonte
Dusty Springfield
The Plugz
Antonia Rodriguez
Joanie Bartels.
Super Dave Osborne
Half Japanese
The Kingston Trio
Dragon Ash
Alvin and the Chipmunks
Bobby Darin
Trini Lopez
Nashville Teens
Trio Los Machucambos
Los Paraguayos
Los Diablos del Paraguay
Nana Mouskouri
The Sandpipers
Selena
Safri Duo
Leon Thomas III
The Ventures
Clay Walker
Wyclef Jean
Johnny Rivers
Jose Feliciano
Khalil Fong
Neil Diamond
and Deer Tick.
#punkcover
#punkcovers The Plugz - La Bamba](https://i.ytimg.com/vi/GFcK2AEHgMY/mqdefault.jpg)
![Tennessee Cats - Viva Las Vegas (Rockabilly, Elvis Presley Cover)
From Get The Tennessee Rhythm
Label: Thousands Records – 1000CD-021
Format: CD, Album
Country: Japan
Released: 2007
Tracklist
01. Headin’ For The Train
02. Wash Machine Boogie
Written-By – Echo Valley Boys
03. Big Mouth John
04. Ubangi Stomp
Written-By – Charles Underwood
05. Folsom Prison Blues
Written-By – Johnny Cash
06. My Baby Left Me
Written-By – Arthur Crudup*
07. Fireball No.5
08. Friday Night Girl
09. Tennessee Border
Written-By – Hank Williams
10. Lonesome Tears In My Eyes
Written-By – The Johnny Burnette Trio
11. Do What I Do
Written-By – Ronnie Hesselbein, Slim Rhodes
12. Rock House Rock
13. Viva Las Vegas
Written-By – Pomus-Shuman
Lead Vocals, Lead Guitar – Ritchie Sugihara
Double Bass – Osamu Inoshita
Drums – Boo (Keisuke Takagi)
© 2007 Tennessee Cats
℗ 2007 Thousands Records
🎵 [SONG INFO]
Viva Las Vegas is a 1964 song recorded by Elvis Presley written by Doc Pomus and Mort Shuman for his film of the same name, which along with the song was set for general release the year after.
Although Elvis Presley never performed the song live, it has since become popular and often performed by others. The RIAA certified the single disc Viva Las Vegas/Whatd I Say gold on March 27, 1992, having sold 500,000 copies in the United States.
History
The song was recorded on July 10, 1963. Released as a single in 1964 with the B-side Whatd I Say from the same film, Viva Las Vegas charted separately from its B-side, reaching No. 29 on the Billboard Hot 100 pop singles chart. The Elvis version of Whatd I Say peaked at No. 21, the two sides having equivalent appeal in the marketplace. Viva Las Vegas reached No. 17 on the UK Singles Chart, improving to No. 15 after a reissue in 2007. The single reached No. 20 on the Record World chart in the U.S. and No. 14 in Canada. The song was published by Elvis Presley Music, Inc.
In the years since, the song has become popular. In 2002, the city of Las Vegas requested Elvis Presley Enterprises, the company that handles Elvis-related music rights, to allow it to be the official song of the city. Negotiations stalled over the price. EPE had not controlled the copyright to the song since 1993, at which time it became the property of the families of the songwriters Doc Pomus and Mort Shuman.
Use in other media
The song was featured in the 2010 video game Just Dance 2.
The song is featured in the film The Big Lebowski 2 times.
During the car accident in the fountain a version by Big Johnson and then Shawn Colvin performs it as a folk ballad during the closing credits.
The song has been adopted as the victory theme for the National Hockey League (NHL)s Vegas Golden Knights when they win games at T-Mobile Arena, and was played during their victory parade following the 2023 Stanley Cup Finals.
During the trophy ceremony of Super Bowl LVIII at Allegiant Stadium, Travis Kelce, a tight end for the victorious Kansas City Chiefs, belted out an impromptu, raggedy chorus of the song.
The 2003 Scooby-Doo movie Scooby-Doo and the Monster of Mexico featured a variation of the song entitled Viva Mexico, done in a Latin beat.
The song was recorded for a Viagra commercial with lyrics changed to Viva Viagra.
The song served as the theme tune for NBCs short-lived animation series, Father of the Pride.
In the 2003 movie Looney Tunes: Back in Action the song is played on the radio of the spy car Bugs Bunny and Kate Houghton are driving in on their way to Las Vegas with Bugs singing along to the song till Kate takes his guitar and throws it out of the car.
Dwayne The Rock Johnson sang a portion of the song during his WWE stint with the chorus changed to Viva Rock Vegas
Presleys version serves as the opening number in the first episode of the BBC One series Blackpool, with the various members of the Holden family singing along.
Cover versions
Dead Kennedys recorded a version of Viva Las Vegas on their 1980 debut album Fresh Fruit for Rotting Vegetables.
This version can also be found in Terry Gilliams 1998 Fear and Loathing in Las Vegas.
ZZ Top recorded a version of Viva Las Vegas as one of two new tracks on their Greatest Hits album (1992). It was released as a single and reached the Top 10 in both the UK (No. 10) and Ireland (No. 8).
This version appeared in a 1993 episode of Beavis and Butt-head.
In 1992, Bruce Springsteen recorded a version of the song that appeared in the movie Honeymoon in Vegas, which featured many Elvis Presley songs covered by famous artists. However, Springsteens version was not included on the soundtrack album.
🔗 [LINKS]
https://www.facebook.com/tennesseerhythm/
Available on Spotify:
https://open.spotify.com/album/5GZiB6ifcgfa8uR0M4TotO
Apple Music:
https://music.apple.com/us/album/get-the-tennessee-rhythm/1478035595
Deezer:
https://www.deezer.com/us/album/108991842
and Amazon Music:
https://www.amazon.com/Get-Tennessee-Rhythm-Cats/dp/B0CYDGFPT7
#elvispresleycover
#rockabilly
#vivalasvegas
#rockabillycover Tennessee Cats - Viva Las Vegas (Rockabilly, Elvis Presley Cover)](https://i.ytimg.com/vi/GpHOY9Jo47A/mqdefault.jpg)
![George Duffy & Sons of Jet - Sloopy Hang On (The Vibrations Cover)
From George Duffy / Sons Of Jet – Funny How Love Can Be / Sloopy Hang On
Label: Lincoln Recording Studio – none
Format: Vinyl, 7, 45 RPM, Single
Country: UK
Released: 1988
Tracklist
A George Duffy - Funny How Love Can Be
B George Duffy & Sons of Jet - Sloopy Hang On
Guitar, Vocals, Arranged By, Artwork – George Duffy
Drums, Vocals – Richard Starr Laws
Bass, Vocals – Paul James
Photography – M. Curtis
Recorded At – Paradise Studio
Engineer – P. Devlin, S. Walker
Notes
Sleeve and centre labels appear DIY - rear sleeve is pasted on and wonky text on centre labels probably created using letraset
🎵 [SONG INFO]
Hang On Sloopy (originally My Girl Sloopy) is a 1964 song written by Wes Farrell and Bert Berns.
Rhythm and blues vocal group the Vibrations were the first to record the tune in 1964.
Atlantic Records released it as a single, which reached number 26 on the Billboard Hot 100 chart.
According to Rick Derringer, the original version of Sloopy was written by a high school kid in St. Louis and sold to Bert Russell, also known as Bert Berns.
The inspiration for the song is said to be Dorothy Sloop, a jazz singer from Steubenville, Ohio, and a student at Ohio University.
McCoys version
In early 1965, the Strangeloves, a New York City rock band, wanted to make the song the follow-up to their hit single I Want Candy and began performing it in concert.
However, the Dave Clark Five, with whom they were touring, told the Strangeloves that they were going to record their own version when they returned to England, copying the Strangeloves arrangement.
The Strangeloves realized that the Dave Clark Fives cut would likely be a hit, but they were not yet ready to release a new single because they were still enjoying the success of I Want Candy from a few months earlier.
The answer presented itself when a young rock group named Rick and the Raiders opened (and provided backing) for the Strangeloves in July in Dayton, Ohio.
The Strangeloves, three writer-producers from Brooklyn, New York City, recruited Rick and the Raiders to record the song under their name.
Their 16-year-old leader, Rick Zehringer, was flown to New York to record his lead vocal over the Strangeloves already-recorded backing tracks.
It was decided to change the name of Ricks group to the McCoys to avoid confusion with another popular band at the time, Paul Revere & the Raiders, and Rick began using the stage name Rick Derringer.
The single was issued on Bang Records and entered the chart on August 14, 1965, effectively beating the Dave Clark Five to the charts. It reached the top position on October 2.
Originally written and recorded with three verses, the retitled Hang On Sloopy was edited down to two verses for the single and for the Hang On Sloopy album.
The unedited three-verse version, at 3 minutes, 50 seconds, first appeared on Bangs 1970 various artists compilation, Bang & Shout Super Hits (BLPS-220).
Other charting versions
Little Caesar and the Consuls released a version of the song in 1965 that reached No. 50 on the Billboard pop chart and No. 3 in Canada.
The Ramsey Lewis Trio recorded the song for their 1965 live album Hang On Ramsey!; it reached No. 6 on the US R&B chart, No. 11 on the US pop chart, No. 18 on the US adult contemporary chart, and No. 37 in Canada.
Es Lupe, a Spanish-language cover version by Los Johnny Jets, was released in 1965.
It topped the Mexican charts for 13 weeks.
Leno e Lílian released a cover version in Portuguese (“Pobre Menina”) in January 1966 that topped the Brazilian charts.
The Lettermen released a version of the song in 1970 that reached No. 18 on the US adult contemporary chart and No. 93 on the Billboard Hot 100.
Rick Derringer released a version of the song in 1975 that reached No. 94 on the Billboard Hot 100 and No. 81 in Canada.
The Sandpipers released a version of the song in 1976 that reached No. 32 on the UK Singles Chart.
Other versions
1964
Dino, Desi & Billy
1965
Someones
Johnny Cole Unlimited
Les Surfs (Reviens Sloupy)
The Rainbows
Peter Welch
The Debs
The Gloomy Moon Singers
The Gentrys
1966
The Supremes
Dora Hall
Arsenio Rodriguez
Marquee All Stars
Erkut Taçkın & Durul Gence 5
The Blue Cats
Los Jovenes (Vuelve Sloopy)
Los 5 Del Este (Sloopy)
Jan & Dean
1967
Count Basie And Orchestra
1968
The X-Citers Unlimited
Henry Stephen
1971
David Porter
Sakkarin
The Brooks Arthur Ensemble
1973
Johnny Rivers
Ramble Tamble
1974
Foster Sylvers Featuring Patricia Sylvers & Angie Sylvers
1976
The Twinkle Stars
1979
J.J. Mack
1981
The Domino Theory
1982
Sherry Jones
1983
The Mighty Guys
Barcode
1986
Late Final
1988
Trouble Boys & The Sireens
2021
The Georgetown Orbits
Unknown release date
Ohio State University Marching Band
Byron Lee And The Deagonaires
Junior Brammer
Trez Trezo
The Roamers
Owen Gray
Julian Bert (Hey Lupe)
Javan Wells Combo
Barry McGuire
Tymepiece George Duffy & Sons of Jet - Sloopy Hang On (The Vibrations Cover)](https://i.ytimg.com/vi/HH8_wqPslUE/mqdefault.jpg)
![Lonnie Walker - I Slipped, I Stumbled, I Fell (Elvis Presley Cover)
From I Slipped, I Stumbled, I Fell / Lets Talk About Us
Label: Cuca Records – J-1111
Format: Vinyl, 7, 45 RPM, Single
Country: US
Released: Nov 1962
Tracklist
A I Slipped, I Stumbled, I Fell
B Lets Talk About Us
Vocal backing by The Esquires
Accompanied by The Ambassadors
🎵 [SONG INFO]
I Slipped, I Stumbled, I Fell is a song performed by Elvis Presley with a notable history tied to his film career.
The song was recorded for Elviss seventh motion picture, Wild in the Country (1961).
It was recorded on November 7 and 8, 1960, at Radio Recorders in Hollywood, California anf the background Vocals were provided by The Jordanaires.
While five songs were recorded for the film, only three made it into the final cut, and I Slipped, I Stumbled, I Fell was one of them, prominently featured early in the movie.
It was written by Fred Wise and Ben Weisman.
Ben Weisman was a prolific songwriter for Elvis, composing or co-composing over 50 songs for him, many for his movie soundtracks.
It was first released on the album Something for Everybody in June 1961.
It also appeared on the compilation album Separate Ways, released on December 1, 1972, which featured older Elvis recordings paired with a recent hit.
#rockandroll
#rockandrollmusic Lonnie Walker - I Slipped, I Stumbled, I Fell (Elvis Presley Cover)](https://i.ytimg.com/vi/HdtLul5hGbk/mqdefault.jpg)
![Nightair - Love The One Youre With (Stephen Stills Cover)
From Nightair
Label: SRT – SRTZ 76372
Format: Vinyl, LP, Album
Country: UK
Released: 1976
Tracklist
A1 In The Meantime
A2 Youve Lost That Loving Feeling
Written-By – Barry Mann, Cynthia Weil, Phil Spector
A3 The Wonderful World Of The Young
Written-By – Tepper-Bennett
A4 Jambalaya
Written-By – Hank Williams
A5 Without You
Written-By – Pete Ham, Tom Evans
A6a Mr. Postman
Written-By – Lennon-McCartney
A6b She Loves You
Written-By – Lennon-McCartney
B1 Love The One Youre With
Written-By – Stephen Stills
B2 The Way We Were
Written-By – Alan & Marilyn Bergman, Marvin Hamlisch
B3 Its For You
Written-By – Lennon-McCartney
B4 After The Goldrush
Written-By – Neil Young
B5a Ive Got The Music In Me
Written-By – Bias Boshell
B5b I Believe In Music
Written-By – Mac Davis
B6 Bridge Over Troubled Water
Written-By – Paul Simon
Featuring, Lead Guitar, Synthesizer [Double], Guitar [Double] – Danny Wood
Featuring, Piano – Keith Herd
Rhythm Guitar, Vocals – Dave Knight
Drums, Vocals – Kevin Airey
Bass [Bass Machine], Vocals [Double] – Lynda Airey
Engineer – Keith Herd
Recorded At – Fairview Recording Studio
Phonographic Copyright ℗ – SRT Productions Ltd.
🎵 [SONG INFO]
Love the One Youre With is a song by American folk rock musician Stephen Stills. It was released in November 1970 as the lead single from his debut self-titled studio album (1970). The song, inspired by a remark Stills heard from musician Billy Preston, became his biggest hit single, peaking at No. 14 on the US Billboard Hot 100 in early 1971.
David Crosby and Graham Nash, Stillss fellow members of Crosby, Stills & Nash, provided background vocals on the song. Rita Coolidge, her sister Priscilla Jones, and John Sebastian also provided background vocals. The song was later recorded by various artists including the Isley Brothers, The Meters, Bucks Fizz, Luther Vandross, Firefall, and Bob Seger.
Background
Stills wrote the song after being inspired by the tag line — If you cant be with the one you love, love the one youre with which was a frequent remark by musician Billy Preston. Stills explained in 1991: This song has been very good to me. The title came from a party with Billy Preston. Then I asked him if I could pinch this line he had, and he said, Sure. So I took the phrase and wrote a song around it. Its a good times song, just a bit of fun. My favorite part is the steel drums. I played them before a little bit but I just kept diddling around till I found the right notes. Billy Preston may have been familiar with the song When Im Not Near the Girl I Love from the 1947 musical Finians Rainbow which has the line When I cant be with the girl I love, I love the girl Im with. Like the majority of the album, Stills recorded the song over the previous summer. Former CSNY bandmate Graham Nash recalled in his book Wild Tales: Stephen called and said, You remember that song of mine, Love the One You’re With, that I cut in London? Well, Ive brought the track back and were in Wally Heiders with it. I need voices for the choruses. Any chance you and David would come down?.
Cover versions
Several acts have since recorded the song, most notably, in 1971, the Isley Brothers as the lead single from their ninth studio album Givin It Back, whose unique gospel-driven rendering of the song sent it to the charts again reaching number three R&B and number 18 pop, giving the group their fifth US top 40 pop single. It also reached number 10 on the US Cash Box chart. On the Canadian charts, their version reached No. 41.
British pop group Bucks Fizz covered the song as the fourth and penultimate single of their 1986 album Writing on the Wall.
Ultimately the song peaked at a low No.47 in the UK Singles Chart during a three-week run.
Australian pop group the Chantoozies released a version in February 1991.
The song was the third and final single from the groups second studio album, Gild the Lily (1991). The song peaked at number 21 on the Australian charts.
American singer-songwriter Luther Vandross released a version of the song on his ninth album, Songs (1994). It peaked within the top 30 of the US Billboard Hot R&B Singles chart, reached number 33 on the Billboard Hot Adult Contemporary Tracks chart, and earned Vandross a 1995 Grammy nomination for Best Male Pop Vocal Performance.
Gino Soccio reached number 79 in Canada with a 1988 recording of the song.
Dutch duo Pep & Rash sampled this song in their song of the same name in 2016, which was a minor hit at Number 79 in French Belgium.
In culture
In 2012, the song was featured in Ridley Scotts science fiction movie Prometheus. Idris Elba, playing Janek, sings a short phrase from the song after claiming his squeezebox once belonged to Stephen Stills.
In 2022 the song featured in the season finale of BBC series Blue Lights.
#nightair
#lovetheoneyourewith
#stephenstills Nightair - Love The One Youre With (Stephen Stills Cover)](https://i.ytimg.com/vi/HjpoGVTA2Lk/mqdefault.jpg)
![Sinkhole - You Got Another Thing Coming (Judas Priest Cover)
From The Spandex Experiment
Label: Double Deuce Records – DDR 11 / Double Deuce 11
Format: CD, Compilation
Country: US
Released: 1996
Tracklist
01. Ludwig Klopfer - Sweet Child Of Mine
02. Snuka - Round & Round
03. Jugheads Revenge - The Trooper
04. No Fraud - Rock You Like A Hurricane
05. Weston - She Dont Know Me
06. Pet UFO - Hot For Teacher
Recorded By – Scott Waters
07. Nobodys - You Shook Me All Night Long
08. Ff - Makes Me Wanna Sing
09. Farside - Metal Man
10. Dahlia Seed - Missing Sequences
11. Sinkhole - You Got Another Thing Coming
12. Halcion - Photograph
13. Walleye - Over The Mountain
14. Norman Mayer Group - Letting Go
Design, Layout – Amy Demas
Photography By [All Other Photos] – Mike ODonnell
Photography By [Cover] – Nina Rich
Liner Notes – Rudy Sarzo
Copyright © – Double Deuce Records
Glass Mastered At – Disctronics USA – 146430
Notes
Compilation of present-day punk and hardcore bands covering 80s metal hits.
Youve Got Another Thing Comin is a song by English heavy metal band Judas Priest.
It was originally released on their 1982 album Screaming for Vengeance and released as a single later that year.
In May 2006, VH1 ranked it fifth on their list of the 40 Greatest Metal Songs.
It became one of Judas Priests signature songs along with Electric Eye and Breaking the Law, and a staple of the bands live performances. Youve Got Another Thing Comin was first performed on the opening concert of the Vengeance World Tour at the Stabler Center in Bethlehem, Pennsylvania, on 26 August 1982 and had been played a total of 673 times through the 2012 Epitaph Tour.
The song reached No. 67 on the Billboard Hot 100 chart, making it Judas Priests only song to make that chart.
Background
Singer Rob Halford said the lyrics were about Just this attitude that weve always had in Priest. And I dare say, weve always had in our personal way of dealing with issues that are sent to challenge us. ... Its also wrapped up in the heavy metal community culture of the way we support each other with our metal. Its very much a song of hope and rising above the issues or difficulties that come your way. Its a song of resilience, as well.
Charting
Youve Got Another Thing Comin has charted in two countries in the United Kingdom and in the United States.
In the United Kingdom it peaked at No. 66 in the UK Singles Chart and in the US, it reached No. 4 on the Billboard rock chart and No. 67 on the Billboard Hot 100.
Music video
The music video was directed by Julien Temple, and filmed at the Kempton Park Water Works. It features the band performing outside the pumping station among a background of lasers and smoke. Meanwhile, a higher authority figure arrives to shut the group down due to the noise level only to have his head blown off and their pants fall off towards the end of the video as a result of the exceeding force of Halford.
Reception
Wayne Parry of the Associated Press called it, along with Hell Bent for Leather and Living After Midnight, one of the standards against which other metal tracks are measured.
Greg Prato of AllMusic wrote that the song was what finally broke Judas Priest into the mainstream in the United States.
In 2012, Loudwire ranked the song number nine on its list of the 10 greatest Judas Priest songs, and in 2019, Louder Sound ranked the song number four on its list of the 50 greatest Judas Priest songs.
In other media
The song shows up on several video games, for example, it is featured on the jukebox of the first level of Prey; in Grand Theft Auto: Vice Citys radio station V-Rock; as downloadable content for Rock Band series (alongside the rest of the 1982 album Screaming for Vengeance), Rock Band Track Pack Volume 2; and a cover version is featured in Guitar Hero. It is also featured in 2K Sports Major League Baseball 2K9 and EA Sports NHL 12.
The original song is also featured in the 2011 comedy film, Bad Teacher.
The song was featured in a 2013 episode Hell Bent for Leather of Californication and in the 2020 season eleven episode The Orpheus Gambit of Archer.
The song is playing in Wayne Potts (Jeb Kreager)s house in episode 5 Illusions of Mare of Easttown (2021).
Personnel
Rob Halford – Vocals
Glenn Tipton – Lead Guitar
K. K. Downing – Rhythm Guitar
Ian Hill – Bass
Dave Holland – Drums
Charts
Chart (1982) / Peak position
UK Singles (OCC) / 66
US Billboard Hot 100 / 67
US Mainstream Rock (Billboard) / 4
Cover versions
1985
Metalmorphose
1996
Saxon
Pierrot
1997
Pat Boone
1998
Holy Mother
2001
Sergei Abolõmov
2003
Hot Rod Crüe
2004
Panik
2005
Stephen Pearcy
2006
The Harden Garden
2007
Silent Force
2008
The Believers
2009
Hanker
Mechanika in Czech titled Karel
2010
The String Tribute Players
2011
Maziora The Band
2014
Three Quarter Stone
gov holocaustal
2016
Doro
2020
David Luning
2022
Hudu Akil
Cobra
#heavymetal Sinkhole - You Got Another Thing Coming (Judas Priest Cover)](https://i.ytimg.com/vi/HsCSFmozejY/mqdefault.jpg)
![The Merry Singers & Orchestra - Yankee Doodle
From Kindergarten Funtime
Label: Merry Records – MR-6010
Format: Vinyl, LP, Album, Stereo
Country: US
Released: 1980
Tracklist
A1 Yankee Doodle
A2 Dixie
A3 Oh Susanna
A4 Clementine
A5 Row, Row Your Boat
A6 Turkey In The Straw
A7 Erie Canal
A8 Ive Been Working On The Railroad
A9 One More River
B1 Blue Tail Fly
B2 Green Grass Grew All Around
B3 School Days
B4 49 Pirates
B5 Home On The Range
B6 Barn Dance
B7 Polly Wolly Doodle
B8 In The Good Old Summertime
B9 Big Rock Candy Mountain
Mastered By – Nutone
Notes
Originally released in 1972
RE 1980
🎵 [SONG INFO]
Yankee Doodle is a traditional song and nursery rhyme, the early versions of which predate the Seven Years War and American Revolutionary War.
It is often sung patriotically in the United States today.
It is the state song of the U.S. state of Connecticut.
Its Roud Folk Song Index number is 4501.
Origin
The tune of Yankee Doodle is thought to be much older than the lyrics, being well known across western Europe, including England, France, the Netherlands, Hungary, and Spain.
The melody of the song may have originated from an Irish tune All the way to Galway, in which the second strain is identical to Yankee Doodle.
There are rumors that the earliest words of Yankee Doodle came from a Middle Dutch harvest song which is thought to have followed the same tune, supposedly dating back as far as 15th-century Holland.
It supposedly contained mostly nonsense words in English and Dutch: Yanker, didel, doodle down, Diddle, dudel, lanther, Yanke viver, voover vown, Botermilk und tanther.
Farm laborers in Holland were paid as much buttermilk (Botermelk) as they could drink, and a tenth (tanther) of the grain.
The term Doodle first appeared in English in the early 17th century and is thought to be derived from the Low German dudel, meaning playing music badly, or Dödel, meaning fool or simpleton. The Macaroni wig was an extreme fashion in the 1770s and became slang for being a fop.
Dandies were men who placed particular importance upon physical appearance, refined language, and leisure hobbies. A self-made dandy was a British middle-class man who impersonated an aristocratic lifestyle. They notably wore silk strip cloth, stuck feathers in their hats, and carried two pocket watches with chains—one to tell what time it was and the other to tell what time it was not.
The macaroni wig was an example of such Rococo dandy fashion, popular in elite circles in Western Europe and much-mocked in the London press. The term macaroni was used to describe a fashionable man who dressed and spoke in an outlandishly affected and effeminate manner. The term pejoratively referred to a man who exceeded the ordinary bounds of fashion in terms of clothes, fastidious eating, and gambling.
In British conversation, the term Yankee doodle dandy implied unsophisticated misappropriation of upper-class fashion, as though simply sticking a feather in ones cap would transform the wearer into a noble. Peter McNeil, a professor of fashion studies, claims that the British were insinuating that the colonists were lower-class men who lacked masculinity, emphasizing that the American men were womanly.
Early versions
The song was a pre-Revolutionary War song originally sung by British military officers to mock the disheveled, disorganized colonial Yankees with whom they served in the French and Indian War.
It was written at Fort Crailo around 1755 by British Army surgeon Richard Shuckburgh while campaigning in Rensselaer, New York.
The British troops sang it to mock American soldiers as simpletons who thought that they were stylish simply by sticking a feather in their hats.
It was also embraced by American troops, who added verses to it that mocked the British and hailed George Washington. By 1781, Yankee Doodle had become a song of national pride among Americans.
According to one account, Shuckburgh wrote the original lyrics after seeing the appearance of Colonial troops under Colonel Thomas Fitch, the son of Connecticut Governor Thomas Fitch.
According to the Online Etymology Dictionary, the current version seems to have been written in 1776 by Edward Bangs, a Harvard sophomore who also was a Minuteman.
He wrote a ballad with 15 verses which circulated in Boston and surrounding towns in 1775 or 1776.
A bill was introduced to the House of Representatives on July 25, 1999, recognizing Billerica, Massachusetts, as Americas Yankee Doodle Town. After the Battle of Lexington and Concord, a Boston newspaper reported: Upon their return to Boston [pursued by the Minutemen], one [Briton] asked his brother officer how he liked the tune now, – Dang them, returned he, they made us dance it till we were tired – since which Yankee Doodle sounds less sweet to their ears.
~more info about the song here: https://en.wikipedia.org/wiki/Yankee_Doodle
#childrensongs
#childrensmusic
#childrenssongs
#nurseryrhymes
#nurseryrhyme The Merry Singers & Orchestra - Yankee Doodle](https://i.ytimg.com/vi/HwWl0gIlCQY/mqdefault.jpg)
![Florence Warner - Take Good Care Of My Baby (Carole King, Gerry Goffin)
From Another Hot Night
Label: Mercury – SRM-1-4019
Format: Vinyl, LP, Album, Stereo, 18 Pressing
Country: US
Released: 1981
Tracklist
A1 You Cant Win em All
A2 All In One Night
A3 Easy
A4 Love On A Shoestring
A5 Hold Me Once
B1 I Miss Your Heartbeat
B2 Drawing Pictures
B3 Love Gone By
B4 Take Good Care Of My Baby
Written-By – Goffin And King
B5 Staying With It
B6 Why Do You Pick (The People You Pick)
Piano, Electric Piano [Fender Rhodes] – Graham Todd
Keyboards [All Others] – Barrie Guard
Percussion – Barrie Guard, Barry Morgan
Guitar – Geoff Whitehorn, Teddy Irwin, Tim Renwick
Alto Saxophone, Soprano Saxophone – Ron Aspery
Backing Vocals – Florence Warner, Joe Fagin, Linda Taylor, Simon Bell
Bass – Dave Wintour
Drums – Stuart Elliott
Lyricon – Barrie Guard
Producer, Engineer – David Mackay
Take Good Care of My Baby is a song written by Carole King and Gerry Goffin.
The song was made famous by American singer Bobby Vee, when it was released in 1961.
Bobby Vee versions
While searching for material for Bobby Vee to record, Vees producer Snuff Garrett heard a demo of Carole King singing Take Good Care of My Baby.
Garrett told publisher Don Kirshner that he wanted the song for Vee, but he believed the song needed an introductory verse. Garrett met with Carole King, and the introductory verse of Vees version was written.
Among the musicians on the record were Barney Kessel, Tommy Allsup, and Howard Roberts on guitar, Clifford Hills on bass, Robert Florence on piano, and Earl Palmer on drums, while Sid Sharp did the string arrangements. The Johnny Mann Singers sang backup.
Bobby Vee released Take Good Care of My Baby as a single on July 20, 1961, and it was reviewed by Billboard in its issue dated July 31, 1961.
Vees recording quickly became popular, spending 15 weeks on the US Billboard Hot 100, reaching No. 1 on September 18, 1961, and spending three weeks in that position.
The song became a major hit internationally as well, reaching No. 1 in Canada, New Zealand, and the United Kingdom.
The song was ranked No. 12 on Billboards Hot 100 for 1961 – Top Sides of the Year and No. 23 on Cash Boxs Top 100 Chart Hits of 1961.
The song was the lead track on Bobby Vees album, Take Good Care of My Baby, which was released in 1962.
Vee re-recorded the song as a ballad in 1972.
He released under his real name, Robert Thomas Velline, on his 1972 album Aint Nothing Like a Sunny Day, and as a single in 1973.
However, it is his original version, along with Bobby Vintons, that remain as staples of oldies radio stations.
Bobby Vinton version
In 1968, the song was released by American singer Bobby Vinton as a single and on his seventeenth album, Take Good Care of My Baby (1968).
Vintons version became a hit, spending 8 weeks on the US Billboard Hot 100, reaching No. 33, while reaching No. 14 on Billboards Easy Listening chart, No. 19 on Record Worlds 100 Top Pops, No. 12 on Record Worlds Top Non-Rock chart, No. 36 on Canadas RPM 100, and No. 16 on Canadas CHUM Hit Parade.
Vintons version omitted the introduction, plus the first two lines of the repeated refrain.
Smokie version
In 1980, English rock band Smokie released a version of the song, which spent seven weeks on the UK Singles Chart, reaching No. 34, while reaching No. 10 on Austrias Ö3 Hit wähl mit chart, No. 15 on the Irish Singles Chart, and No. 18 in West Germany.
It was later released on their 1981 album Solid Ground.
Other versions
Dion recorded a version of the song, which was released on his November 1961 album Runaround Sue.
Although Dions version was released after Bobby Vees version, Dions was the first version to be recorded.
The song was performed by the Beatles during their audition at Decca Records on January 1, 1962, with George Harrison on lead vocals.
The version has never been released officially, but can be found easily through bootlegs.
Gary Lewis & the Playboys recorded the song for their 1966 album, Shes Just My Style.
Donny Osmond released a version of the song on his 1972 album Too Young.
Shaun Cassidy included his rendition of the song on his 1977 debut self-titled album.
Neil Innes included an excerpt of the song in the Re-Cycled Vinyl Blues medley, the title track from his 1994 eponymous album.
As Dick Brave and the Backbeats, German pop star Sasha released a version in 2003, which reached No. 21 in Germany and No. 52 on the Ö3 Austria Top 40.
In 2007, Frankie Valli sang the song on his album Romancing The 60s.
Answer songs
An answer song, titled Ill Take Good Care of Your Baby, was recorded by Ralph Emery.
It was released as a single on Liberty F-55383, in 1961.
Another answer song, titled You Should Know Im Still Your Baby, was recorded by Sammi Lynn.
It was released as a single on Sue Records 45-752, in 1961.
#lovesong
#poprock Florence Warner - Take Good Care Of My Baby (Carole King, Gerry Goffin)](https://i.ytimg.com/vi/I3ey1PtteLg/mqdefault.jpg)
![Eddie Bond & The Stompers - Ive Got A Woman (Rockabilly, Ray Charles Cover)
From Ive Got A Woman / Rockin Daddy
Label: Mercury – 70826X45
Format: Vinyl, 7, 45 RPM
Country: US
Released: 1956
Tracklist
A Ive Got A Woman
Written-By – Ray Charles
B Rockin Daddy
Written-By – Sonny Fisher
Vocals – Eddie Bond
Record Company – Mercury Record Corporation
© 2011 Tsk Music
℗ 2011 Tsk Music
💿 [SONG INFO]
I Got a Woman (originally titled Ive Got a Woman) is a song co-written and recorded by American R&B/soul musician Ray Charles and released as a single in December 1954 on the Atlantic label as Atlantic 45-1050 b/w Come Back Baby. Both sides later appeared on his 1957 album Ray Charles (subsequently reissued as Hallelujah I Love Her So).
Origin
The song builds on It Must Be Jesus by the Southern Tones, that Ray Charles was listening to on the radio while on the road with his band in the summer of 1954.
He and a member of his band, trumpeter Renald Richard, penned a song that was built along a gospel-frenetic pace with secular lyrics and a jazz-inspired rhythm and blues (R&B) background.
The song would be one of the prototypes for what later became termed as soul music after Charles released Whatd I Say nearly five years later.
Recording
The song was recorded late 1954 in the Atlanta studios of Georgia Tech radio station WGST. It was a hit—Charles first—climbing quickly to No.1 R&B in January 1955.
Charles told the Pop Chronicles that he performed this song for about a year before he recorded in on November 18, 1954.
The song would lead to more hits for Charles during this period when he was on Atlantic.
It was later ranked No.235 on Rolling Stones list of the 500 Greatest Songs of All Time, one of Charles five songs on the list.
A re-recorded version by Ray Charles, entitled I Gotta Woman (ABC-Paramount 10649) reached No.79 on the Billboard pop chart in 1965.
Cover versions
Other versions that have made the pop or R&B charts in the US are those by:
Jimmy McGriff (No.20 pop, No.5 R&B, 1962),
Freddie Scott (No.48 pop, 1963)
and Rick Nelson (No.49 pop, 1963).
The song has also been covered by many other artists, including:
Elvis Presley - Elvis Presley (1956)
The Beatles - Live at the BBC
Bill Cosby
Bill Wymans Rhythm Kings
The Barbarians
Anneke van Giersbergen
Baby Face Willette
Fred McDowell
Jo Stafford (rewritten and recorded as I Got a Sweetie)
Bobby Darin
Adam Faith
Booker T. & the M.G.s
Roy Orbison
Al Kooper
The Honeydrippers
The Monkees
Stevie Wonder
Snooks Eaglin
Johnny Cash and June Carter
John Mayer Trio
Jerry Lee Lewis
Them
John Hammond
Bill Haley & His Comets
Jamie Cullum
Sonny Terry & Brownie McGhee
Jayson Slack
Tom Petty and the Heartbreakers
Gibson Brothers
Andrew Wild
Kermit Ruffins & Rebirth Brass Band
Bryan Adams
Ramblin Jack Elliott
Sammy Davis Jr.
Toots & the Maytals
Jimmy Smith
Pink Anderson
Paolo Nutini
Alonzo Pennington
Johnny Hallyday
John Scofield
John Mayer
The Routers
Johnny Rivers (1964)
Martin Solveig
Lightnin Hopkins
The band Dire Straits mentions the song in their song Walk of Life, from their 1985 album Brothers in Arms in 2:44.
Kanye Wests song Gold Digger contains samples (as well as an interpolation during the introduction) of the song.
🔗 [LINKS]
Available on Spotify:
https://open.spotify.com/track/4driHU9TACuvlpzObNsdBu
Deezer:
https://www.deezer.com/us/track/145476084
#rockabillycover
#rockabilly Eddie Bond & The Stompers - Ive Got A Woman (Rockabilly, Ray Charles Cover)](https://i.ytimg.com/vi/ILsiLJBL8No/mqdefault.jpg)
![Annie Lewis - The Lass With The Delicate Air (Michael Arne)
From The Lass With The Delicate Air
Label: Button Records – BTN 109
Format: Vinyl, 7, 45 RPM, Single, Stereo
Country: UK
Released: 1983
Tracklist
A The Lass With The Delicate Air
Arranged By – H. Wright, Peter Durrent
B I Sowed The Seeds
Written By – J. MacAlpine
Written-By – Peter Durrent
Producer – Roger Holt, Peter Durrent (track: A), Martin Allcock (track: B)
Phonographic Copyright ℗ – Musical Characters Ltd.
Copyright © – Button Music
🎵 [SONG INFO]
The Lass With The Delicate Air is a well-known English song with a history dating back to the 18th century.
Origin and Composer
The song was composed by Michael Arne, the son of the famous composer Thomas Arne.
It was first published in 1762 in the Universal Magazine.
The lyrics, which describe a beautiful and graceful woman named Molly, were written by an anonymous author.
The songs full title is often given as Young Molly who Lived at the Foot of the Hill.
Musical Style and Popularity
The Lass With The Delicate Air is considered a classical piece, fitting into the vocal art song or ballad genres.
It was a popular piece for singers in Londons pleasure gardens in its time.
The tune has a light, charming quality, and its lyrics paint a picture of an admired and enchanting young woman.
Notable Recordings and Adaptations
Throughout the 20th century, the song was recorded by various artists, including classical and folk singers.
One of the most famous recordings is by Julie Andrews, who included it as the title track on her debut solo album in 1957. Andrews, at the time a rising star on Broadway, chose a collection of traditional English folk and art songs for the album, showcasing her vocal talent beyond the show tunes for which she was becoming known.
The melody of The Lass With The Delicate Air has also been used in other contexts, including a jingle for Mission Bell wine.
Other recordings
Beyond the famous recording by Julie Andrews, The Lass With The Delicate Air has been a favorite of classical and folk singers for centuries. Its simple, elegant melody and charming lyrics have led to various interpretations and arrangements over the years.
Here are some notable versions and adaptations
Classical Soprano Recordings: The song is a staple of the classical soprano repertoire.
Alma Gluck (1913): This early recording by the Romanian-born American soprano is a significant historical document. It showcases the song as it would have been performed by a classical artist in the early 20th century.
Mimi Coertse (1959): The South African soprano also recorded a well-regarded version, demonstrating the songs continued place in the classical concert hall.
Folk and Traditional Versions: The songs ballad-like structure and folk-like themes have made it a favorite for folk singers.
Evelyn Knight: This American vocalist recorded her own version of the song in the mid-20th century. She was known as the Lass with the Delicate Air, and her version is a blend of traditional pop and light vocal music.
Josh White: The renowned American blues and folk singer included a version on his album The Best of Josh White (1951), showing how the song could be adapted to a different genre.
Modern Interpretations and Arrangements: The melodys enduring appeal has also led to new arrangements for different instruments and ensembles.
Choral Arrangements: The song has also been arranged for choirs, such as a version for female voices (SSA - Soprano, Soprano, Alto). This allows for a more layered and harmonic interpretation of the classic tune.
The variety of recordings, from classical to folk and beyond, demonstrates the songs lasting influence and adaptability. While Julie Andrews version may be the most famous to modern audiences, it is just one chapter in the songs long and rich history.
🎤 [LYRICS]
Young Molly who lived at the foot of the hill,
Whose fame every virgin with envy doth fill,
Of beauty is blessed with and so ample a share
They call her the lass with the delicate air.
With the delicate air,
Men call her the lass with the delicate air.
One evening last May as I traversed the grove
In thoughtless retirement, not dreaming of love.
I chanced to espy the gay nymph, I declare
And really she had a most delicate air,
A most delicate air,
She really did have a most delicate air.
By a murmuring brook on a green mossy bed
A chaplet composing, the fair one was laid.
Surprised and transported I could not forbear
With rapture to gaze on her delicate air,
On her delicate air,
With rapture to gaze on her delicate air.
A thousand times oer I repeated my suit
But still the tormentor affects to be mute.
Then tell me ye swains who have conquered the fair
How to win the dear lass with the delicate air,
With the delicate air,
How to win the dear lass with the delicate air.
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#artfolk Annie Lewis - The Lass With The Delicate Air (Michael Arne)](https://i.ytimg.com/vi/IP9I76LlQG0/mqdefault.jpg)