Uploaded April 2018 | Updated September 2026, 2 weeks ago
The faculty of Design | Media Arts represent the diversity of interests along with the interdisciplinary tendencies and innovative hybridity that the department promotes and nurtures in their students. The Fall seminar will focus on their most current creative research that is either at the beginning conceptual phase or in the midst of production. This gives the audience a rare glimpse into the creative process at an early stage along with all the considerations and issues that have to be addressed in order to produce a successful project.
Professor Erkki Huhtamo's recent work has dealt with media archaeology, an approach he has contributed to developing during a number of years. Media archaeology excavates forgotten, neglected or suppressed media-cultural phenomena, providing us a powerful "tool" for assessing the phenomena underlying media history and contributing to its unfolding. He pays particular attention to the "life" of topoi, or cliched, commonplace elements that provide "moulds" for experience. What is "new" in media culture can,
paradoxically, best discovered by excuvating what is - seemingly - cliched and obsolete. Professor Huhtamo has applied this approach to phenomena like "peep media", the notion of the "screen" and mobile media. Recently he gave an invited lecture at REFRESH! The First International Conference on Media Art Histories, Science and Technology (Banff, Canada), focusing on ways media artists have applied media-archaeological approaches. Professor Huhtamo is currently working on two books, one on the moving panorama as a forgotten mass medium of the 19th century and the other on the "archaeology of interactivity."
Recorded Oct 11, 2005
The faculty of Design | Media Arts represent the diversity of interests along with the interdisciplinary tendencies and innovative hybridity that the department promotes and nurtures in their students. The Fall seminar will focus on their most current creative research that is either at the beginning conceptual phase or in the midst of production. This gives the audience a rare glimpse into the creative process at an early stage along with all the considerations and issues that have to be addressed in order to produce a successful project.
Professor Erkki Huhtamo's recent work has dealt with media archaeology, an approach he has contributed to developing during a number of years. Media archaeology excavates forgotten, neglected or suppressed media-cultural phenomena, providing us a powerful "tool" for assessing the phenomena underlying media history and contributing to its unfolding. He pays particular attention to the "life" of topoi, or cliched, commonplace elements that provide "moulds" for experience. What is "new" in media culture can,
paradoxically, best discovered by excuvating what is - seemingly - cliched and obsolete. Professor Huhtamo has applied this approach to phenomena like "peep media", the notion of the "screen" and mobile media. Recently he gave an invited lecture at REFRESH! The First International Conference on Media Art Histories, Science and Technology (Banff, Canada), focusing on ways media artists have applied media-archaeological approaches. Professor Huhtamo is currently working on two books, one on the moving panorama as a forgotten mass medium of the 19th century and the other on the "archaeology of interactivity."
Recorded Oct 11, 2005






![Harmen Liemburg: Offshore
A talk about creative developments, collaborations, do it yourself projects, asian influences, kawaii culture, vintage french posters, papercuts and lots of printed matter.
From 1999 to 2002 the Golden Masters–a collaboration between graphic designers Harmen Liemburg and Richard Niessen–held audiencescaptive with their idiosyncratic and refreshing additions to the Dutch design landscape. The designers created dense maps, combining updated ‘60s psychedelics with poppy Japanese illustrations and Arabic typography in layers and layers of luscious print. In art school, Liemburg first studied cartography, then went on to fall in love with silk-screen printing under the auspices of teacher Kees Maas–a process he continuous to master. Nowadays Liemburgs work is not only printed on paper but also in huge patterns on the new tax building in Apeldoorn (the Netherlands) and on the dresses of Dutch fashion designer Alexander van Slobbe for his new Orson & Bodil collection. At the moment Liemburg is an artist in residence at the North Eastern University in Boston and teaching a workshop at Calarts. The latest issue (M) of Beautiful Decay features an interview with him and a port folio of his work.
[ text partly taken from the book False Flat, Why Dutch Design Is so Good by Adam Eeuwens ]
Recorded Feb 01, 2006 Harmen Liemburg: Offshore](https://i.ytimg.com/vi/XrDJvupCIMc/mqdefault.jpg)



