Uploaded November 2023 | Updated September 2026, 2 weeks ago
New remaster and slight DES (Digitally Extracted Stereo)
"Return to Sender" is a song recorded by American singer Elvis Presley and featured in the film Girls! Girls! Girls!. The song was written by Winfield Scott and Otis Blackwell to suit Presley's rock and roll musical style. The singer laments his relationship with a spiteful partner. Released on October 2, 1962, and published by Elvis Presley Music, the song became a commercial hit and received praise for its lyricism and melody.
The song peaked at number one on the UK Singles Chart, and was the UK Christmas number one in 1962. It was also the first Christmas number one in the Irish Singles Chart. In the United States, "Return to Sender" reached No. 2 on the American Billboard singles chart, kept out of the top spot by The Four Seasons' "Big Girls Don't Cry." However, the song reached No. 1 on the rival Cash Box and Music Vendor singles charts. "Return to Sender" also went to No. 5 on the R&B charts. The single was certified platinum by the RIAA for sales in excess of one million units in the US.
"Return to Sender" was written especially for the soundtrack Girls! Girls! Girls! (1962), which aimed to serve as a comeback for Elvis Presley.
Songwriter Otis Blackwell had already written several of Presley’s biggest hits, including "Don't Be Cruel" (1956) and "All Shook Up" (1957). Winfield Scott (songwriter) was a frequent collaborator with Blackwell, and writer of the hit song “Tweedle Dee” (1954). So it was logical for Freddy Bienstock, vice president of the record company Hill & Range, to turn to Blackwell and Scott to write songs for Presley's films, and for the Presley vehicle Girls! Girls! Girls! (1962) specifically. Following the commercial disappointment of Presley's pop ballad "She's Not You" (1962), the record company wanted him to return to the rock and roll genre without alienating fans who enjoyed his crooning.
Scripts for Presley films would note places where a song was to be inserted into the film as well as suggested titles and genres for the songs. While other songwriters would adhere to those notes, Blackwell and Scott would not, because they were used to the creative freedom of the rhythm and blues field. They decided to write a great song without any concern about whether fitted into the film's storyline. After penning a track about fishing, entitled "Coming in Loaded", as well as other material they disliked, the two gave up on writing other songs until they found inspiration in a returned piece of mail. A demo that they had sent to a record company was returned to them with the words "Return to sender! No such person! No such zone!" stamped onto it. Blackwell and Scott decided to use those phrases as lyrics in a song about a failing relationship between "a spiteful woman and a heartbroken man". Ironically, within only nine months of its release, it was the use of the word "zone" that became an anachronism when the USPOD or United States Post Office Department (the forerunner of the United States Postal Service) replaced all zones in 1963 with the nationwide rollout of ZIP Codes, thus making the song seem dated before its time.
On March 27, 1962, Presley was handed the task of recording all thirteen songs on the Girls! Girls! Girls! soundtrack. He was unenthusiastic about the material and went through the recording process at a quickened pace. The Jordanaires, Dudley Brooks, D. J. Fontana, and Scotty Moore were in the studio, and other instrumentation on the album was provided by Boots Randolph on saxophone, Ray Siegel on bass guitar, Barney Kessel and Tiny Timbrell on guitar, and Hal Blaine and Bernie Mattinson on specialty drums. When he began singing "Return to Sender," Presley became more energetic. He found the song easy to perform and recorded it in just two takes, modelling his vocal stylings on Blackwell's. While watching Presley perform the track, Moore and Fontana felt that the "old magic" of the singer's earlier work had returned.
New remaster and slight DES (Digitally Extracted Stereo)
"Return to Sender" is a song recorded by American singer Elvis Presley and featured in the film Girls! Girls! Girls!. The song was written by Winfield Scott and Otis Blackwell to suit Presley's rock and roll musical style. The singer laments his relationship with a spiteful partner. Released on October 2, 1962, and published by Elvis Presley Music, the song became a commercial hit and received praise for its lyricism and melody.
The song peaked at number one on the UK Singles Chart, and was the UK Christmas number one in 1962. It was also the first Christmas number one in the Irish Singles Chart. In the United States, "Return to Sender" reached No. 2 on the American Billboard singles chart, kept out of the top spot by The Four Seasons' "Big Girls Don't Cry." However, the song reached No. 1 on the rival Cash Box and Music Vendor singles charts. "Return to Sender" also went to No. 5 on the R&B charts. The single was certified platinum by the RIAA for sales in excess of one million units in the US.
"Return to Sender" was written especially for the soundtrack Girls! Girls! Girls! (1962), which aimed to serve as a comeback for Elvis Presley.
Songwriter Otis Blackwell had already written several of Presley’s biggest hits, including "Don't Be Cruel" (1956) and "All Shook Up" (1957). Winfield Scott (songwriter) was a frequent collaborator with Blackwell, and writer of the hit song “Tweedle Dee” (1954). So it was logical for Freddy Bienstock, vice president of the record company Hill & Range, to turn to Blackwell and Scott to write songs for Presley's films, and for the Presley vehicle Girls! Girls! Girls! (1962) specifically. Following the commercial disappointment of Presley's pop ballad "She's Not You" (1962), the record company wanted him to return to the rock and roll genre without alienating fans who enjoyed his crooning.
Scripts for Presley films would note places where a song was to be inserted into the film as well as suggested titles and genres for the songs. While other songwriters would adhere to those notes, Blackwell and Scott would not, because they were used to the creative freedom of the rhythm and blues field. They decided to write a great song without any concern about whether fitted into the film's storyline. After penning a track about fishing, entitled "Coming in Loaded", as well as other material they disliked, the two gave up on writing other songs until they found inspiration in a returned piece of mail. A demo that they had sent to a record company was returned to them with the words "Return to sender! No such person! No such zone!" stamped onto it. Blackwell and Scott decided to use those phrases as lyrics in a song about a failing relationship between "a spiteful woman and a heartbroken man". Ironically, within only nine months of its release, it was the use of the word "zone" that became an anachronism when the USPOD or United States Post Office Department (the forerunner of the United States Postal Service) replaced all zones in 1963 with the nationwide rollout of ZIP Codes, thus making the song seem dated before its time.
On March 27, 1962, Presley was handed the task of recording all thirteen songs on the Girls! Girls! Girls! soundtrack. He was unenthusiastic about the material and went through the recording process at a quickened pace. The Jordanaires, Dudley Brooks, D. J. Fontana, and Scotty Moore were in the studio, and other instrumentation on the album was provided by Boots Randolph on saxophone, Ray Siegel on bass guitar, Barney Kessel and Tiny Timbrell on guitar, and Hal Blaine and Bernie Mattinson on specialty drums. When he began singing "Return to Sender," Presley became more energetic. He found the song easy to perform and recorded it in just two takes, modelling his vocal stylings on Blackwell's. While watching Presley perform the track, Moore and Fontana felt that the "old magic" of the singer's earlier work had returned.




![Simon & Garfunkel - The Sound of Silence (2023 Stereo Mix)
The Sound of Silence, originally The Sounds of Silence, is a song by the American music duo Simon & Garfunkel, written by Paul Simon. The duos studio audition of the song led to a record deal with Columbia Records, and the original acoustic version was recorded in March 1964 at Columbia Studios in New York City for their debut album, Wednesday Morning, 3 A.M. Released on October 19, 1964, the album was a commercial failure and led to the duo disbanding; Simon returned to England, and Art Garfunkel to his studies at Columbia University.
In 1965, the song began to attract airplay at radio stations in Boston and throughout Florida. The growing airplay led Tom Wilson, the songs producer, to remix the track, overdubbing electric instruments and drums. This remixed version was released as a single in September 1965. Simon & Garfunkel were not informed of the songs remix until after its release. The remix hit No. 1 on the Billboard Hot 100 for the week ending January 1, 1966, leading the duo to reunite and hastily record their second album, which Columbia titled Sounds of Silence in an attempt to capitalize on the songs success.
Simon and Garfunkel had become interested in folk music and the growing counterculture movement separately in the early 1960s. Having performed together previously under the name Tom and Jerry in the late 1950s, their partnership had since dissolved when they began attending college. In 1963, they regrouped and began performing Simons original compositions locally in Queens. They billed themselves Kane & Garr, after old recording pseudonyms, and signed up for Gerdes Folk City, a Greenwich Village club that hosted Monday night performances. In September 1963, the duo performed three new songs, among them The Sound of Silence, getting the attention of Columbia Records producer Tom Wilson, a young African-American jazz musician who was also helping to guide Bob Dylans transition from folk to rock. Simon convinced Wilson to let him and his partner have a studio audition; their performance of The Sound of Silence got the duo signed to Columbia.
Simon wrote The Sound of Silence when he was 21 years old, with Simon explaining that the song was written in his bathroom, where he turned off the lights to better concentrate. The main thing about playing the guitar, though, was that I was able to sit by myself and play and dream. And I was always happy doing that. I used to go off in the bathroom, because the bathroom had tiles, so it was a slight echo chamber. Id turn on the faucet so that water would run (I like that sound, its very soothing to me) and Id play. In the dark. Hello darkness, my old friend / Ive come to talk with you again.
Wednesday Morning, 3 A.M. had been a commercial failure before producer Tom Wilson was alerted that radio stations had begun to play The Sound of Silence in spring 1965. A late-night disc jockey at WBZ in Boston began to spin The Sound of Silence, where it found a college demographic. Students at Harvard and Tufts University responded well, and the song made its way down the east coast pretty much overnight, all the way to Cocoa Beach, Florida, where it caught the students coming down for spring break. A promotional executive for Columbia went to give away free albums of new artists, and beach-goers were interested only in the artists behind The Sound of Silence. He phoned the home office in New York, alerting them of its appeal.
Wilson listened to the song several times, considering it too soft for a wide release. Wilson had strong feeling about editing the song with explicit rock overtones. As stated by Geoffrey Himes, If Columbia Records producer Tom Wilson hadnt taken the initiative, without the singers knowledge, to dub a rock rhythm section over their folk rendition, the song never would have become a cultural touchstone—a generations shorthand for alienation.
The single was first serviced to college FM rock stations, and a commercial single release followed on September 13, 1965. The lack of consultation with Simon and Garfunkel on the remix was because, although the duo was still contracted to Columbia Records, the duo was no longer a working entity. It was not unusual for producers to add instruments or vocals to previous releases and re-release them as new products.
In the fall of 1965, Simon was in Denmark, performing at small clubs, and picked up a copy of Billboard, as he had routinely done for several years. Upon seeing The Sound of Silence in the Billboard Hot 100, he bought a copy of Cashbox and saw the same thing. Several days later, Garfunkel excitedly called Simon to inform him of the singles growing success. A copy of the 7-inch single arrived in the mail the next day, and according to friend Al Stewart, Paul was horrified when he first heard it ... [when the] rhythm section slowed down at one point so that Paul and Arties voices could catch up.
Re-balance of my 2021 Mix Simon & Garfunkel - The Sound of Silence (2023 Stereo Mix)](https://i.ytimg.com/vi/UrRLBUsGCfA/mqdefault.jpg)





