Uploaded July 2024 | Updated September 2026, 2 weeks ago
"Joy to the World" is a song written by Hoyt Axton and made famous by the band Three Dog Night. The song is also popularly known by its opening lyric, "Jeremiah was a bullfrog". Three Dog Night originally released the song on their fourth studio album, Naturally, in November 1970, and subsequently released an edited version of the song as a single in February 1971.
The song, which has been described by members of Three Dog Night as a "kid's song" and a "silly song", topped the singles charts in North America, was certified gold by the RIAA, and has since been covered by multiple artists.
Some of the words are nonsensical. Axton wanted to persuade his record producers to record a new melody he had written, and the producers asked him to sing any words to the tune. A member of Three Dog Night said that the original lyrics to the song were "Jeremiah was a prophet" but no one liked it.
When Hoyt Axton performed the song to the group, two of the three main vocalists – Danny Hutton and Cory Wells – rejected the song, but Chuck Negron felt that the band needed a "silly song" to help bring the band back together as a working unit. Negron also felt that the song "wasn't even close to our best record, but it might have been one of our most honest."
The song was recorded by Three Dog Night at American Recording Company, produced by Richard Podolor, and engineered by Bill Cooper. Unlike most Three Dog Night songs recorded at that point, instead of having just the three main vocalists singing harmony, the song was recorded with all seven members of the band singing. Drummer Floyd Sneed sings the low-pitched lyric "I wanna tell you" towards the end of the song.
When the song hit number one on the US Billboard Hot 100 in 1971, Axton and his mother, Mae Axton, became the first mother and son to each have written a number one pop single in the rock era. Mae Axton co-wrote "Heartbreak Hotel", which was the first number one hit for Elvis Presley.
"Joy to the World" is a song written by Hoyt Axton and made famous by the band Three Dog Night. The song is also popularly known by its opening lyric, "Jeremiah was a bullfrog". Three Dog Night originally released the song on their fourth studio album, Naturally, in November 1970, and subsequently released an edited version of the song as a single in February 1971.
The song, which has been described by members of Three Dog Night as a "kid's song" and a "silly song", topped the singles charts in North America, was certified gold by the RIAA, and has since been covered by multiple artists.
Some of the words are nonsensical. Axton wanted to persuade his record producers to record a new melody he had written, and the producers asked him to sing any words to the tune. A member of Three Dog Night said that the original lyrics to the song were "Jeremiah was a prophet" but no one liked it.
When Hoyt Axton performed the song to the group, two of the three main vocalists – Danny Hutton and Cory Wells – rejected the song, but Chuck Negron felt that the band needed a "silly song" to help bring the band back together as a working unit. Negron also felt that the song "wasn't even close to our best record, but it might have been one of our most honest."
The song was recorded by Three Dog Night at American Recording Company, produced by Richard Podolor, and engineered by Bill Cooper. Unlike most Three Dog Night songs recorded at that point, instead of having just the three main vocalists singing harmony, the song was recorded with all seven members of the band singing. Drummer Floyd Sneed sings the low-pitched lyric "I wanna tell you" towards the end of the song.
When the song hit number one on the US Billboard Hot 100 in 1971, Axton and his mother, Mae Axton, became the first mother and son to each have written a number one pop single in the rock era. Mae Axton co-wrote "Heartbreak Hotel", which was the first number one hit for Elvis Presley.


![Simon & Garfunkel - The Sound of Silence (2023 Stereo Mix)
The Sound of Silence, originally The Sounds of Silence, is a song by the American music duo Simon & Garfunkel, written by Paul Simon. The duos studio audition of the song led to a record deal with Columbia Records, and the original acoustic version was recorded in March 1964 at Columbia Studios in New York City for their debut album, Wednesday Morning, 3 A.M. Released on October 19, 1964, the album was a commercial failure and led to the duo disbanding; Simon returned to England, and Art Garfunkel to his studies at Columbia University.
In 1965, the song began to attract airplay at radio stations in Boston and throughout Florida. The growing airplay led Tom Wilson, the songs producer, to remix the track, overdubbing electric instruments and drums. This remixed version was released as a single in September 1965. Simon & Garfunkel were not informed of the songs remix until after its release. The remix hit No. 1 on the Billboard Hot 100 for the week ending January 1, 1966, leading the duo to reunite and hastily record their second album, which Columbia titled Sounds of Silence in an attempt to capitalize on the songs success.
Simon and Garfunkel had become interested in folk music and the growing counterculture movement separately in the early 1960s. Having performed together previously under the name Tom and Jerry in the late 1950s, their partnership had since dissolved when they began attending college. In 1963, they regrouped and began performing Simons original compositions locally in Queens. They billed themselves Kane & Garr, after old recording pseudonyms, and signed up for Gerdes Folk City, a Greenwich Village club that hosted Monday night performances. In September 1963, the duo performed three new songs, among them The Sound of Silence, getting the attention of Columbia Records producer Tom Wilson, a young African-American jazz musician who was also helping to guide Bob Dylans transition from folk to rock. Simon convinced Wilson to let him and his partner have a studio audition; their performance of The Sound of Silence got the duo signed to Columbia.
Simon wrote The Sound of Silence when he was 21 years old, with Simon explaining that the song was written in his bathroom, where he turned off the lights to better concentrate. The main thing about playing the guitar, though, was that I was able to sit by myself and play and dream. And I was always happy doing that. I used to go off in the bathroom, because the bathroom had tiles, so it was a slight echo chamber. Id turn on the faucet so that water would run (I like that sound, its very soothing to me) and Id play. In the dark. Hello darkness, my old friend / Ive come to talk with you again.
Wednesday Morning, 3 A.M. had been a commercial failure before producer Tom Wilson was alerted that radio stations had begun to play The Sound of Silence in spring 1965. A late-night disc jockey at WBZ in Boston began to spin The Sound of Silence, where it found a college demographic. Students at Harvard and Tufts University responded well, and the song made its way down the east coast pretty much overnight, all the way to Cocoa Beach, Florida, where it caught the students coming down for spring break. A promotional executive for Columbia went to give away free albums of new artists, and beach-goers were interested only in the artists behind The Sound of Silence. He phoned the home office in New York, alerting them of its appeal.
Wilson listened to the song several times, considering it too soft for a wide release. Wilson had strong feeling about editing the song with explicit rock overtones. As stated by Geoffrey Himes, If Columbia Records producer Tom Wilson hadnt taken the initiative, without the singers knowledge, to dub a rock rhythm section over their folk rendition, the song never would have become a cultural touchstone—a generations shorthand for alienation.
The single was first serviced to college FM rock stations, and a commercial single release followed on September 13, 1965. The lack of consultation with Simon and Garfunkel on the remix was because, although the duo was still contracted to Columbia Records, the duo was no longer a working entity. It was not unusual for producers to add instruments or vocals to previous releases and re-release them as new products.
In the fall of 1965, Simon was in Denmark, performing at small clubs, and picked up a copy of Billboard, as he had routinely done for several years. Upon seeing The Sound of Silence in the Billboard Hot 100, he bought a copy of Cashbox and saw the same thing. Several days later, Garfunkel excitedly called Simon to inform him of the singles growing success. A copy of the 7-inch single arrived in the mail the next day, and according to friend Al Stewart, Paul was horrified when he first heard it ... [when the] rhythm section slowed down at one point so that Paul and Arties voices could catch up.
Re-balance of my 2021 Mix Simon & Garfunkel - The Sound of Silence (2023 Stereo Mix)](https://i.ytimg.com/vi/UrRLBUsGCfA/mqdefault.jpg)







