Uploaded January 2016 | Updated September 2026, 2 weeks ago
- Composer: Egon Joseph Wellesz (21 October 1885 -- 9 November 1974)
- Performers: Artis Quartett Wien
- Year of recording: 2008
String Quartet No. 4 (Streichquartett No. 4) Op. 28, written in 1920.
00:00 - I. Sehr gehalten
03:33 - II. Mäßig bewegt
05:41 - III. Sehr langsam
08:46 - IV. Allmählich in ein rasches Zeitmaß übergehen
13:06 - V. Getragen
Wellesz' concise, moody Quartet No. 4 (1920) was first performed by the Kolisch Quartet in 1922, and proved an immediate hit. Superficially, it's rather like some of the slower parts of Berg's Lyric Suite meets the black and white music of Bernard Herrmann's soundtrack music for Psycho, except that neither of these works had been written yet. In retrospect, Wellesz's Quartet No. 4 isn't as effective as the Berg, however it stands as compelling in its own right; there is a serious, but calm and authoritative sense of resolve that keeps it on track and stylistically distinct.
The work is dedicated: "Herrn DUDOK van HEEL freundschaftlich zugeeignet."
- Composer: Egon Joseph Wellesz (21 October 1885 -- 9 November 1974)
- Performers: Artis Quartett Wien
- Year of recording: 2008
String Quartet No. 4 (Streichquartett No. 4) Op. 28, written in 1920.
00:00 - I. Sehr gehalten
03:33 - II. Mäßig bewegt
05:41 - III. Sehr langsam
08:46 - IV. Allmählich in ein rasches Zeitmaß übergehen
13:06 - V. Getragen
Wellesz' concise, moody Quartet No. 4 (1920) was first performed by the Kolisch Quartet in 1922, and proved an immediate hit. Superficially, it's rather like some of the slower parts of Berg's Lyric Suite meets the black and white music of Bernard Herrmann's soundtrack music for Psycho, except that neither of these works had been written yet. In retrospect, Wellesz's Quartet No. 4 isn't as effective as the Berg, however it stands as compelling in its own right; there is a serious, but calm and authoritative sense of resolve that keeps it on track and stylistically distinct.
The work is dedicated: "Herrn DUDOK van HEEL freundschaftlich zugeeignet."

![Sergei Prokofiev - Flourish, Mighty Land
- Composer: Sergei Sergeyevich Prokofiev (23 April 1891 5 March 1953)
- Orchestra: Russian State Symphony Orchestra
- Choir: Russian State Symphony Capella
- Conductor: Valeri Polyansky
- Year of recording: 2003
Translation of text on the poster: to raise our happiness and peace!
Flourish, Mighty [Home]land, cantata for chorus & orchestra, Op. 114, written in 1947.
This composition was written in celebration of the 30th anniversary of the October 1917 Russian Revolution. Soviet composers were routinely expected to satisfy the demands of state occasions, and Prokofiev did so several times. but hardly with enthusiasm. Flourish, Mighty Homeland lasts less than ten minutes in performance and is a relatively modest work, especially when compared with the composers Cantata for the 20th Anniversary of the October Revolution (1936 - 1937), a massive work requiring five hundred performers and containing veiled satire. Finished during Stalins first reign of terror, Prokofiev wisely withdrew it and the work was never heard in his lifetime. In this Op. 114 choral piece he deliberately kept the music simple, refusing to give it the grandiosity Soviet arts commissars wanted.
Using a text by Evgeni Dolmatovsky, Prokofiev opens the work with a charming march played on the trumpet. The mixed chorus then enters to introduce a rather solemn but attractive theme a cappella. For the remainder of the work the chorus dominates the proceedings, with the orchestra relegated to an accompanimental role and brief musical commentary between choral passages, although it does reprise the opening march at the close. This is a charming but minor effort whose greatest strengths are its contrasting, memorable themes and subdued character. Sergei Prokofiev - Flourish, Mighty Land](https://i.ytimg.com/vi/vvmmQ8qbhP8/mqdefault.jpg)
![Dirk Schäfer - Piano Quintet Op. 5
- Composer: Dirk Schäfer (25 November 1873 16 February 1931)
- Performers: Jacob Bogaart (piano) & Orpheus String Quartet
- Year of recording: 1992
Quintet for 2 violins, viola, cello & piano, Op. 5, written in 1901.
00:00 - I. Allegro non troppo e molto maestoso
15:29 - II. Adagio patetico
24:29 - III. Allegro vivo e scherzando
30:42 - IV. Finale - allegro non troppo e molto maestoso
The piano quintet by Dutch composer-pianist Schäfer, with its startling opening and virtuoso treatment of the instruments, has much in common with the quintets of Schumann and Brahms [both uploaded on this channel]. The town-musician-like character of the first movement and the pizzicato passages in the scherzando call Dvoraks 2nd piano quintet to mind. With the sweeping melody in the adagio, Schäfer engraves his personal mark on the memory. Although his style may be somewhat eclectic, Schäfers music has a clarity and lightness that sets it apart, distinguishing it particularly from the weightier Brahms style.
The quintet was premiered in 1904 at a music festival in Frankfurt, but despite the wildly enthusiastic reception it met with on this occasion, three-quarters of a century were to pass before it was to be performed with any regularity.
Schäfer wrote two years before his death: All of my works seem to be almost entirely neglected. As far as the clavier compositions are concerned, the performance of these is left entirely to myself; but I dislike making propaganda for my creations. I much prefer this done through the WORK itself, rather than by me.
The Piano Quintet is dedicated to: Herrn Dr. Baron van Zuylen van Nijevelt. Dirk Schäfer - Piano Quintet Op. 5](https://i.ytimg.com/vi/w9egj5tO5e4/mqdefault.jpg)







