Uploaded April 2019 | Updated September 2026, 2 hours ago
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Trailer for Dynamic Abstraction by Paul Fletcher artfilms-digital.com/item/dynamic-abstraction
Subscribe to Artfilms Streaming for only AU$15 per month and take masterclasses, watch documentaries, performances, installations, feature films and more. Learn, grow, get inspired, get involved! Flexible contract to access 1000+ films from everywhere at any time on all devices!
Dynamic Abstraction: Animation can be seen in the intersections between art and commerce, narrative and abstraction, motiongraphics, story, movement, stasis, consciousness and gestalt, public, shared and private contexts, large-scale projections, handheld, wristwatch, t-shirt screens, active, passive, interactive, audience as artist, singular visions, collaborative and relational processes, good oldfashioned distributed authorship and more. It is these “tensions between elements of narrative and abstraction, stillness and movement, sonic melody and texture, between the wish to shake or disturb the senses and to relax or calm the mind that I feel animation is primed for exploring. (Paul Fletcher)
The Drive to Work from this collection was Awarded “Best Site Specific Artwork” in Animafest 2017
More from the website artfilms-digital.com/item/dynamic-abstraction
Subscribe to Artfilms Streaming: artfilms-digital.com/members
Trailer for Dynamic Abstraction by Paul Fletcher artfilms-digital.com/item/dynamic-abstraction
Subscribe to Artfilms Streaming for only AU$15 per month and take masterclasses, watch documentaries, performances, installations, feature films and more. Learn, grow, get inspired, get involved! Flexible contract to access 1000+ films from everywhere at any time on all devices!
Dynamic Abstraction: Animation can be seen in the intersections between art and commerce, narrative and abstraction, motiongraphics, story, movement, stasis, consciousness and gestalt, public, shared and private contexts, large-scale projections, handheld, wristwatch, t-shirt screens, active, passive, interactive, audience as artist, singular visions, collaborative and relational processes, good oldfashioned distributed authorship and more. It is these “tensions between elements of narrative and abstraction, stillness and movement, sonic melody and texture, between the wish to shake or disturb the senses and to relax or calm the mind that I feel animation is primed for exploring. (Paul Fletcher)
The Drive to Work from this collection was Awarded “Best Site Specific Artwork” in Animafest 2017
More from the website artfilms-digital.com/item/dynamic-abstraction
