Uploaded June 2019 | Updated September 2026, 3 weeks ago
Colin Marston (born September 13, 1982) is an American musician and recording engineer residing in New York City. He runs Menegroth, The Thousand Caves Recording Studio in Woodhaven, Queens while not on tour with one of his four active bands: Behold The Arctopus, Dysrhythmia, Krallice, and the 2008 reunion lineup of Gorguts. He is also involved in the more experimental projects: Indricothere, Byla, Hathenter, Encenathrakh, Glyptoglossio, Containor, Catatonic Effigy, and sometimes Mossenek, and Overishins. Marston has recorded, mixed, and mastered music for artists such as Mivos Quartet, Anthony Braxton, Lydia Lunch, Mary Halvorson, Jon Irabagon, Judith Berkson, Oneida/People of the North, Rhys Chatham, Elliott Sharp, Weasel Walter, Peter Evans, John Zorn, Brian Chase, Kid Millions, Mick Barr, M Lamar, Kelly Moran, No Neck Blues Band, Defeated Sanity, Yo La Tengo, Orthrelm, Revenge, Kayo Dot, Jarboe, Origin, Panopticon, Liturgy, Artificial Brain, Pyrrhon, and Unearthly Trance as well as for his own bands.
Mario Diaz de Leon is a composer, performer and educator, whose creative work encompasses modern classical music, experimental electronic music, extreme metal, and improvised music. Noted for their bold combination of acoustic instruments and electronics, his classical compositions have been documented on several recordings, often produced in collaboration with the International Contemporary Ensemble (ICE). A debut album, “Enter Houses Of” was released in 2009 on John Zorn’s Tzadik label, and praised by the New York Times for its “hallucinatory intensity”. A second album, entitled “The Soul is the Arena”, was released in 2015 on Denovali, and was named a notable recording of 2015 by New Yorker Magazine. Pitchfork wrote that the album “combined his interests seamlessly into music that throbs with snarling exuberance.” 2017 saw the release of Sanctuary, his album length work created in collaboration with TAK ensemble, which received favorable reviews in the New York Times
22 Boerum Place, Brooklyn
Saturday May 25, 2019
Edited by Scott Tatsuta
Colin Marston (born September 13, 1982) is an American musician and recording engineer residing in New York City. He runs Menegroth, The Thousand Caves Recording Studio in Woodhaven, Queens while not on tour with one of his four active bands: Behold The Arctopus, Dysrhythmia, Krallice, and the 2008 reunion lineup of Gorguts. He is also involved in the more experimental projects: Indricothere, Byla, Hathenter, Encenathrakh, Glyptoglossio, Containor, Catatonic Effigy, and sometimes Mossenek, and Overishins. Marston has recorded, mixed, and mastered music for artists such as Mivos Quartet, Anthony Braxton, Lydia Lunch, Mary Halvorson, Jon Irabagon, Judith Berkson, Oneida/People of the North, Rhys Chatham, Elliott Sharp, Weasel Walter, Peter Evans, John Zorn, Brian Chase, Kid Millions, Mick Barr, M Lamar, Kelly Moran, No Neck Blues Band, Defeated Sanity, Yo La Tengo, Orthrelm, Revenge, Kayo Dot, Jarboe, Origin, Panopticon, Liturgy, Artificial Brain, Pyrrhon, and Unearthly Trance as well as for his own bands.
Mario Diaz de Leon is a composer, performer and educator, whose creative work encompasses modern classical music, experimental electronic music, extreme metal, and improvised music. Noted for their bold combination of acoustic instruments and electronics, his classical compositions have been documented on several recordings, often produced in collaboration with the International Contemporary Ensemble (ICE). A debut album, “Enter Houses Of” was released in 2009 on John Zorn’s Tzadik label, and praised by the New York Times for its “hallucinatory intensity”. A second album, entitled “The Soul is the Arena”, was released in 2015 on Denovali, and was named a notable recording of 2015 by New Yorker Magazine. Pitchfork wrote that the album “combined his interests seamlessly into music that throbs with snarling exuberance.” 2017 saw the release of Sanctuary, his album length work created in collaboration with TAK ensemble, which received favorable reviews in the New York Times
22 Boerum Place, Brooklyn
Saturday May 25, 2019
Edited by Scott Tatsuta
