Uploaded May 2020 | Updated September 2026, 1 week ago
A little weird as far as my covers go, since I don't even really listen to Foreigner, but I thought it would be fun. The original doesn't even have a proper ending (it just lamely fades out) so I created one for this cover.
If you enjoy this, please like the video and subscribe to follow my channel, and hit the bell icon to get notified of my future uploads! :) It would be a big help and I appreciate it.
A little weird as far as my covers go, since I don't even really listen to Foreigner, but I thought it would be fun. The original doesn't even have a proper ending (it just lamely fades out) so I created one for this cover.
If you enjoy this, please like the video and subscribe to follow my channel, and hit the bell icon to get notified of my future uploads! :) It would be a big help and I appreciate it.
![STILT VILLAGE - DONKEY KONG COUNTRY 3 [GBA] || Prog Rock/Post-Rock](https://i.ytimg.com/vi/GRQjN9FpJHw/mqdefault.jpg "STILT VILLAGE - DONKEY KONG COUNTRY 3 [GBA] || Prog Rock/Post-Rock
Originally composed by: David Wise
Arranged by: Triple B Music
All Guitars/Bass/Keyboards/Vocals/Snaps Performed by: Triple B Music
Hey yall, I got another long arrangement for you! This was for David Wise month over at Dwelling of Duels this November. No video performance this time; I felt like because of the length and the fairly long sections with not much going on, a visualizer was best for this one.
Im really proud of this one, not just because of how good I feel I did, but because it also represents another shift in my usual sound. The arrangement is fairly similar to other longer tracks Ive done, with starting pretty low-key, developing into a bigger-ish section, dropping back down, coming back in for the heaviest section, and then dropping off again at the end to send it off. But I did a lot to customize my guitar/bass tones and especially the drum sound this time around to better suit what I had in mind for the track, rather than just going with my usual presets and only tweaking them slightly. The drum part I also wrote pretty differently, going for a much less metally, double-kicky kind of approach and going for more of a heavy post-rock kind of sound. With listening to a lot more music this year thats different from what I used to for a long time, I wanted to incorporate some of that into my music more, and while that showed up a bit in my recent covers, this one shows it a lot more.
I also did a lot of work on production during the arranging phase this time around rather than saving for right before mixing, and I think it really affected the vibe of the track and how I recorded more parts later. I did things like using water sounds in the intro, middle and end (referencing the water sounds in the original of course! :D ), utilizing the cutoff/resonance filters on my synth sound, among other parameters, and doing a weird unintelligible whispered thing in the middle. Dont ask me how I thought of that, it just came to me and decided its what the part needed lol.
With all that to say, I hope you enjoy this one! I think its best enjoyed on headphones because of the extremes in dynamics. Btw, I left some intentional Deftones and Big Wreck references in the music, let me know if/when you catch them! ;P
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Instruments/Tunings used:
Ibanez GS205 Bass (A D A D G)
Ibanez RGMS8 (E A D A D G B E)
Sterling JP100 (D G C F A D)
M-Audio Keystation 88 (its a keyboard)
Gear used:
Focusrite Scarlett 2i2 (3rd Gen) Audio Interface
Gruv Gear Fret Wraps
MXL 440 Mic
MXL 441 Mic
Software/Plugins Used:
Cubase 12 Artist
EZ Drummer 2 (Drumkit From Hell extension)
Halion Sonic SE
Retrologue 2
AmpliTube 4
IVG2 (Saturation)
Melodyne 5
Waves C6 Multi-band Compressor
Scheps 73 EQ
MAGIX Movie Edit Pro
Pixlr
MusicVid.Org (visualizer)")
