Uploaded January 2026 | Updated September 2026, 2 weeks ago
From '' I Love My Cat's Meow ''
Label: City Lights Records – CLS-002005
Format: CD, CD-ROM, Album, Stereo
Country: US
Released: 2005
Tracklist
01. Falling In Love
02. Wake Up Dreamer
03. Can't You See The World Through My Eyes?
04. I Think We're Alone Now
05. South Side
06. Red Lights Turn To Gray
07. I Love My Cat's Meow
08. Tear It Down
09. 'Til The End Of Time
10. Flat Tire
11. Crack A Smile
Songwriter – Donnie Barren (tracks: 1,2,3,5,6,7,8,9,10,11), Ritchie Cordell (track: 4)
© 2005 City Lights Records
℗ 2005 Donnie Barren
👤 [ARTIST INFO]
Donnie Barren played lead guitar for the Los Angeles rock band "City Lights" in the late 70's and early 80's, writing and singing songs for the group's single ("Action/Back Off Babe") and EP ("Blackout"). Some of the more fun gigs were at the Whiskey a Go-Go, Starwood, Gazzarri's, and the Troubadour, where City Lights headlined or shared the stage with bands like Dokken, RATT, Poison, Snow, X, Oingo Boingo (Danny Elfman's band), Joshua, and Dubrow (formerly Quiet Riot).
Donnie ventured out on his own in 1982, releasing the single "I Love My Cat's Meow/Falling In Love" in March 1983 (acting as musician, singer/songwriter, producer and promo-man). The tune was well received, being played on over 15 Southern California radio stations during its 1st month and garnering college radio coverage across the USA and in Germany.
"Cat's Meow" hit no.1 on LA's KXLU, entered KROQ's "Rodney on the Roq's" Top 10 in April (at no.7) and moved to no.1 for all of May and June. At the time, KROQ (FM 106.7 in Pasadena, CA) was the no.1 Album Oriented Rock (AOR) station in LA and was regarded as the new music trend-setter across the US. For perspective, Nena's "99 Balloons" (CBS Records) held the no.1 position on "Rodney on the Roq's" Top 10 the following month, July of 1983. This was long before other AOR stations added the German song to their play lists, ultimately making "99 Balloons" a national Top 40 Hit.
Unfortunately, just as Cat's Meow was climbing the charts, Donnie's distribution partner (Faulty Products, a division of IRS/A&M Records) ran out of money and stopped promoting its stable of artists (groups like the Bangles, Dead Kennedys & DOA). Looking back, it's ironic that Donnie signed up with a label called "Faulty Products", but they were considered one of the best "new music" distributors at the time. If they had put some promotion support behind the single, the song could have had a strong national showing.
Undeterred, Donnie continued to record and release original tracks throughout the 80s while gaining a deeper appreciation for the business side of music. He ultimately took a break to finish school (earning an MBA from Harvard) and then dove into the business world (albeit not the music biz), working at Procter and Gamble and Microsoft.
Years later, Donnie returned to his passion, re-releasing parts of his '80s catalog, producing a fresh collection of rock instrumentals (under his full name, Donnie Barren Holtzinger), and writing/producing songs for sync. His music now fuels TV shows, films, sports arenas, video games, and ad campaigns — with placements on HBO, Hulu, Netflix, The CW, the WNBA, Sony’s MLB The Show, and brands like Amazon and Toyota.
Some people have asked: "Donnie who?" When Donnie was younger, he thought his last name was too long for a musician, so he opted to use his middle name. Now, many years the wiser, Donnie goes by either Donnie Barren or Don Holtzinger (or Donnie Barren Holtzinger). So, for those people that knew Donnie Barren (or "dB" for short), we'd like to introduce you to Don Holtzinger.
Drop Donnie a line on Facebook (@donholtzinger) or Instagram (@donniebarren). I know he'd like to hear from you.
🎵 [SONG INFO]
"I Think We're Alone Now" is a song written and composed by Ritchie Cordell that was first recorded by Tommy James and the Shondells.
It was a major hit for the group, reaching number 4 on the US Hot 100 in April 1967. It finished at No. 12 on Billboard magazine's year-end singles chart for 1967.
The song has been covered several times by other artists, most notably by Tiffany in 1987. The Tiffany recording reached number 1 on the charts of various countries including the US, UK, Canada, and New Zealand. Other cover versions have also charted, including those by the Rubinoos (number 45 US, 1977) and Girls Aloud (number 4 UK, 2006).
~more info here: en.wikipedia.org/wiki/I_Think_We%27re_Alone_Now
🔗 [LINKS]
donniebarren.com
open.spotify.com/artist/5s72rFnWfMlfz4HlsHm4JQ
youtube.com/channel/UCtnDM74D4qaW993CgczeLuQ
facebook.com/donniebarrenholtzinger
Available on bandcamp:
donniebarrenholtzinger.bandcamp.com/album/i-love-my-cats-meow
and Spotify:
open.spotify.com/album/1b3PXrwVZ3si5lwSHca9zG
open.spotify.com/album/5J41Gc4lHQ8tItBYrXxtv8
#donniebarren
#ithinkwerealonenow
#losangelesrock
#tiffany
#tommyjamesandtheshondells
From '' I Love My Cat's Meow ''
Label: City Lights Records – CLS-002005
Format: CD, CD-ROM, Album, Stereo
Country: US
Released: 2005
Tracklist
01. Falling In Love
02. Wake Up Dreamer
03. Can't You See The World Through My Eyes?
04. I Think We're Alone Now
05. South Side
06. Red Lights Turn To Gray
07. I Love My Cat's Meow
08. Tear It Down
09. 'Til The End Of Time
10. Flat Tire
11. Crack A Smile
Songwriter – Donnie Barren (tracks: 1,2,3,5,6,7,8,9,10,11), Ritchie Cordell (track: 4)
© 2005 City Lights Records
℗ 2005 Donnie Barren
👤 [ARTIST INFO]
Donnie Barren played lead guitar for the Los Angeles rock band "City Lights" in the late 70's and early 80's, writing and singing songs for the group's single ("Action/Back Off Babe") and EP ("Blackout"). Some of the more fun gigs were at the Whiskey a Go-Go, Starwood, Gazzarri's, and the Troubadour, where City Lights headlined or shared the stage with bands like Dokken, RATT, Poison, Snow, X, Oingo Boingo (Danny Elfman's band), Joshua, and Dubrow (formerly Quiet Riot).
Donnie ventured out on his own in 1982, releasing the single "I Love My Cat's Meow/Falling In Love" in March 1983 (acting as musician, singer/songwriter, producer and promo-man). The tune was well received, being played on over 15 Southern California radio stations during its 1st month and garnering college radio coverage across the USA and in Germany.
"Cat's Meow" hit no.1 on LA's KXLU, entered KROQ's "Rodney on the Roq's" Top 10 in April (at no.7) and moved to no.1 for all of May and June. At the time, KROQ (FM 106.7 in Pasadena, CA) was the no.1 Album Oriented Rock (AOR) station in LA and was regarded as the new music trend-setter across the US. For perspective, Nena's "99 Balloons" (CBS Records) held the no.1 position on "Rodney on the Roq's" Top 10 the following month, July of 1983. This was long before other AOR stations added the German song to their play lists, ultimately making "99 Balloons" a national Top 40 Hit.
Unfortunately, just as Cat's Meow was climbing the charts, Donnie's distribution partner (Faulty Products, a division of IRS/A&M Records) ran out of money and stopped promoting its stable of artists (groups like the Bangles, Dead Kennedys & DOA). Looking back, it's ironic that Donnie signed up with a label called "Faulty Products", but they were considered one of the best "new music" distributors at the time. If they had put some promotion support behind the single, the song could have had a strong national showing.
Undeterred, Donnie continued to record and release original tracks throughout the 80s while gaining a deeper appreciation for the business side of music. He ultimately took a break to finish school (earning an MBA from Harvard) and then dove into the business world (albeit not the music biz), working at Procter and Gamble and Microsoft.
Years later, Donnie returned to his passion, re-releasing parts of his '80s catalog, producing a fresh collection of rock instrumentals (under his full name, Donnie Barren Holtzinger), and writing/producing songs for sync. His music now fuels TV shows, films, sports arenas, video games, and ad campaigns — with placements on HBO, Hulu, Netflix, The CW, the WNBA, Sony’s MLB The Show, and brands like Amazon and Toyota.
Some people have asked: "Donnie who?" When Donnie was younger, he thought his last name was too long for a musician, so he opted to use his middle name. Now, many years the wiser, Donnie goes by either Donnie Barren or Don Holtzinger (or Donnie Barren Holtzinger). So, for those people that knew Donnie Barren (or "dB" for short), we'd like to introduce you to Don Holtzinger.
Drop Donnie a line on Facebook (@donholtzinger) or Instagram (@donniebarren). I know he'd like to hear from you.
🎵 [SONG INFO]
"I Think We're Alone Now" is a song written and composed by Ritchie Cordell that was first recorded by Tommy James and the Shondells.
It was a major hit for the group, reaching number 4 on the US Hot 100 in April 1967. It finished at No. 12 on Billboard magazine's year-end singles chart for 1967.
The song has been covered several times by other artists, most notably by Tiffany in 1987. The Tiffany recording reached number 1 on the charts of various countries including the US, UK, Canada, and New Zealand. Other cover versions have also charted, including those by the Rubinoos (number 45 US, 1977) and Girls Aloud (number 4 UK, 2006).
~more info here: en.wikipedia.org/wiki/I_Think_We%27re_Alone_Now
🔗 [LINKS]
donniebarren.com
open.spotify.com/artist/5s72rFnWfMlfz4HlsHm4JQ
youtube.com/channel/UCtnDM74D4qaW993CgczeLuQ
facebook.com/donniebarrenholtzinger
Available on bandcamp:
donniebarrenholtzinger.bandcamp.com/album/i-love-my-cats-meow
and Spotify:
open.spotify.com/album/1b3PXrwVZ3si5lwSHca9zG
open.spotify.com/album/5J41Gc4lHQ8tItBYrXxtv8
#donniebarren
#ithinkwerealonenow
#losangelesrock
#tiffany
#tommyjamesandtheshondells
![The Frank Barber Percussion - Mah-Na Mah-Na (Piero Umiliani)
From Deep Percussion
Label: Polydor – 24-4508
Format: Vinyl, LP, Album
Country: US
Released: 1970
Tracklist
A1 Mah-Na Mah-Na
Written-By – Piero Umiliani
A2 Raindrops Keep Falling On My Head
Written-By – Bacharach And David
A3 Mendocino
Written-By – Doug Sahm
A4 Tracy
Written-By – Lee Pockriss, Paul Vance
A5 Theme 18
Written-By – Norrie Paramor
B1 Precisely Percussion
Written-By – Frank Barber
B2 Midnight Cowboy
Written-By – John Barry
B3 Big Spender
Written-By – Cy Coleman
B4 Somewhere Theres A Love For You
Written-By – Frank Barber
B5 Hare Krishna
Written-By – Galt MacDermot, Gerome Ragni, James Rado
B6 Summer Palace
Written-By – Norrie Paramor
Notes
Frank Barber Percussion Ensemble
🎵 [SONG INFO]
Mah Nà Mah Nà is a popular song by the Italian composer Piero Umiliani.
It originally appeared in the Italian film Sweden: Heaven and Hell (Svezia, inferno e paradiso). On its own it was a minor radio hit in the United States and in Britain, but it became better known internationally after it was used by the Muppets and on The Benny Hill Show.
Sesame Street producer Joan Ganz Cooney heard the track on the radio and decided it would be a perfect addition to the show. The songs first Sesame Street performance by the Muppets was performed by puppeteers Jim Henson, Frank Oz and Loretta Long (Susan) on the fourteenth episode of the show, broadcast on November 27, 1969. The following Sunday, Henson and his Muppets performed the song on The Ed Sullivan Show. Seven years later, the song was part of the premiere episode of The Muppet Show.
Starting in 1971, The Benny Hill Show—in its second incarnation at Thames Television where it launched in 1969 in colour—included Mah Nà Mah Nà as part of a background music medley during their frequent slapstick sketches. The medley became a Benny Hill Show tradition for the rest of its run.
Original version
Although Umiliani used a very similar theme in 1966 for the soundtrack of the Italian film Ring Around the World, Mah Nà Mah Nà debuted as part of Umilianis soundtrack for the Italian mondo film Sweden: Heaven and Hell (1968), an exploitation documentary film about wild sexual activity and other behaviour in Sweden. The song accompanied a scene in the film set in a sauna which gave its original title Viva la Sauna Svedese (Hooray for the Swedish Sauna). It was performed by a band called Marc 4 (four session musicians from the RAI orchestra), and the lead part was sung by Italian singer/composer Alessandro Alessandroni and his wife Giulia. The song also appeared on the 1968 U.S. soundtrack album released for the film.
Mah Nà Mah Nà was a hit in many countries in 1968–1969. In the United States, it peaked at No. 55 in the Billboard Hot 100 singles chart and No. 44 on the Cash Box magazine chart in October 1969. It also reached No. 12 on the United States Adult Contemporary chart. In Canada, the song reached No. 22 in the RPM magazine top singles charts, October 11, 1969, and No. 5 on the AC Chart a week later. The original UK single release, on the Pye International label (7N 25499), left the artists name uncredited on the label, and a cover version by Giorgio Moroder, pseudonymously credited to The Great Unknowns and released the same year on the Major Minor label (MM 658), featured Moroders Doo-be-doo-be-do on the B side (also sometimes featured in The Benny Hill Show). Umilianis original version, now credited to Umiliani on the label, was reissued by EMI Records in the UK in 1977 and reached No. 8 in the charts. During its 1–15 September 1969 run on the WLS 890 Hit Parade, the surveys erroneously credited the record to someone named Pete Howard. WPTR did much the same, except that the credit was given to the stations disc jockey, J.W. Wagner.
Other famous versions
A heavy metal version was recorded by the UK band Skin in 1996, for the Perfect Day single which was a minor hit in the UK at No. 33. This version is titled The Muppet Song (Mah Na Mah Na).
In 2011, the alternative rock band the Fray released a cover of the song on Muppets: The Green Album, though a remaster of the original version from The Muppet Show performance appears on the soundtrack from the 2011 film The Muppets.
The Mexican rock band Maná sang the song on Jimmy Kimmel Live! in 2016.
~more info here: https://en.wikipedia.org/wiki/Mah_N%C3%A0_Mah_N%C3%A0
#thefrankbarberpercussion
#mahnamahna
#pieroumiliani The Frank Barber Percussion - Mah-Na Mah-Na (Piero Umiliani)](https://i.ytimg.com/vi/pyIWtqlEY_s/mqdefault.jpg)
![Split Genes - Somebody To Love (New Wave/Power Pop/Post-Punk, The Great Society Cover)
From Somebody To Love
Label: Sara Bee – BN 124
Format: Vinyl, 7, 45 RPM, Single
Country: UK
Released: 1980
Tracklist
A Somebody To Love
Written-By – Darby Slick
B Submarine City
Written-By – Band Of Joy
Published By – Rondor Music (London) Ltd.
Published By – Band Of Joy Music Ltd.
Lacquer Cut At – Tape One
Pressed By – Damont
Distributed By – Pye Records
Manufactured By – Pye Records
Lacquer Cut By – BilBo
Notes
(Walton-on-Thames(98) 42689)
Manufactured and Distributed by Pye Records
℗ 1980
© 2007 Sarabee
℗ 2007 Sarabee
🎵 [SONG INFO]
Somebody to Love (originally titled Someone to Love) is a rock song that was written by Darby Slick.
It was originally recorded by The Great Society, and later by Jefferson Airplane.
Rolling Stone magazine ranked Jefferson Airplanes version No. 274 on their list of the 500 Greatest Songs of All Time.
Background
Written by The Great Society guitarist Darby Slick after realizing his girlfriend had left him, and first performed by that band, which included his then-sister-in-law Grace Slick on vocals, the song made little impact outside of the club circuit in the Bay Area.
The song was recorded on December 4, 1965, and released in February 1966 as a single with the B-side another Darby Slick composition titled Free Advice on the Northbeach label (Northbeach 1001) and received minimal circulation outside of San Francisco.
San Francisco in the mid-1960s was the center of free love, but Darby Slick saw a downside to this ethos, as it could lead to jealousy and disconnect.
This song champions loyalty and monogamy, as the singer implores us to find that one true love that will nurture us and get us through the tough times.
However, the lyrics do not treat love as something that randomly happens to a person, but rather as an action that a person, male or female, may choose to take.
This subtle but profound difference in philosophy places this song in opposition to songs that speak of falling in love as if love is something that happens to a person outside of their conscious intention.
Re-recording
When Grace Slick departed to join Jefferson Airplane, she took this song with her, bringing it to the Surrealistic Pillow sessions, along with her own composition White Rabbit.
Subsequently, the Airplanes more ferocious rock and roll version became the bands first and biggest success, reaching No. 5 on the Billboard Hot 100.
The groups first hit song, Somebody To Love was also one of the first big hits to come out of the US West Coast and San Francisco Bay area counterculture scene, to which numerous artists and musicians would be drawn over the following few years.
Slicks original performance of the song with The Great Society is more subdued, with the Jefferson Airplane version sounding far more accusatory and menacing on lines such as Your mind is so full of red and Your friends, baby, they treat you like a guest.
The lyrics are in the second person, with each two-line verse setting a scene of alienation and despair, and the chorus repeating the title of the song, with slight variations such as: ... / Dont you need somebody to love? / Wouldnt you love somebody to love? / ... Like the album on which it appeared, this song was instrumental in publicizing the existence of the Haight-Ashbury counterculture to the rest of the United States.
Here are some notable uses in movies and television:
A Serious Man (2009): The Coen brothers film uses the studio release of the song at the beginning of the main story, helping to transition the setting to St. Louis Park, Minnesota, in 1967.
The Cable Guy (1996): Features a memorable and humorous karaoke performance of the song by Jim Carreys character.
Fear and Loathing in Las Vegas (1998): This movie, which delves into 1960s drug culture and paranoia, includes the song on its soundtrack, fitting its aesthetic.
Apollo 13 (1995): Used in the film to evoke the time period.
Gimme Shelter (1970): The documentary about the Rolling Stones 1969 U.S. tour, culminating in the Altamont Free Concert, features Jefferson Airplane performing the song during their set at Altamont.
Four Brothers (2005)
Parenthood (TV Series): Appeared in an episode of the show.
American Pop (1981): An animated film with a multi-generational storyline using rock music.
Cover versions / Remixes
Boogie Pimps
A German electronic music duo who released a popular house/electronic remix of the song in 2003.
Their version became a worldwide hit, notably reaching No. 3 on the UK Singles Chart.
The duo reportedly decided to cover the song after watching it in the movie Fear and Loathing in Las Vegas.
Mothers Finest covered the song in 1979, giving it a funk/disco arrangement.
Great White
The Ramones included a cover on their 1994 album Acid Eaters.
W.A.S.P.
Rez Band (Resurrection Band)
🔗 [LINKS]
Available on Spotify:
https://open.spotify.com/album/5vk2J8HRtmrTGgNJyUObxP
#splitgenes
#somebodytolove
#newwave
#postpunk
#newwave Split Genes - Somebody To Love (New Wave/Power Pop/Post-Punk, The Great Society Cover)](https://i.ytimg.com/vi/q6LEA_5ksFU/mqdefault.jpg)
![Albert Ginés - Ginchy (Bert Weedon Cover)
From The First Monkey In Space
Label: Topaz Hit Label – Top3
Format: Vinyl, LP
Country: Spain
Released: Oct 16, 2019
Tracklist
A1 The First Monkey In Space
A2 Oceánica
A3 El Tren De La Jungla
A4 Turmal
A5 El Fotógrafo Del Surf
A6 Saudade Surf
B1 La Huida
B2 Mr Vlady
B3 Reverb Swing
B4 Cato Fong Theme
B5 Waponi Woo
B6 Ginchy
Composed By – Bert Weedon
Arranged By, Performer, Recorded By, Mixed By – Albert Ginés
Composed By – Albert Ginés (tracks: A1 to B5)
Notes
Recording and mixing by Albert Ginés.
Tracks A2 & B4 from Oceánica 7, Roctopus Tea Party, 2017
Tracks A3 to A6 & B2 from Saudade Surf 7, Roctopus Tea Party, 2018
© 2019 Albert Ginés
℗ 2019 Albert Ginés
🎵 [SONG INFO]
Ginchy was officially released in January 1961 as a 7-inch vinyl single on the Top Rank International label, with Yearning as its B-side.
It entered the UK Singles Chart on February 8, 1961, and spent five weeks on the chart, peaking at number 35.
Cover versions
The Ventures, an incredibly prolific and influential American surf rock and instrumental rock band, released their cover of Ginchy in March 31, 1961.
It appeared on their album Another Smash!!! which was released in June 1961.
They also released it as a single with Lullaby of the Leaves as the B-side.
The Brazilian instrumental band The Jet Blacks also recorded a cover of Ginchy in 1962. This was part of their early output, as they were formed in 1961 and quickly became known for their covers of popular instrumental tracks.
While The Ventures and The Jet Blacks are arguably the most well-known bands to cover Ginchy from that era, the song has been covered by other groups over the years, though perhaps not with the same widespread recognition. For example, The Golden Guitars released a version in 1974.
The continued existence of these covers highlights the enduring appeal of Ginchy as a strong instrumental piece. Its a song that lends itself well to interpretation by guitar-focused bands, allowing them to showcase their own style while paying homage to Bert Weedons original composition.
The fact that a British instrumental (Weedons original) was picked up by major American and Brazilian instrumental groups underscores the international exchange and influence within the instrumental rock genre during the late 1950s and early 1960s. These bands were often listening to each others work and adapting popular tunes for their own audiences.
Ginchy, through Bert Weedons original and these subsequent covers, remains a recognized and respected piece in the history of instrumental rock and roll.
🔗 [LINKS]
Available on bandcamp:
https://albertgines.bandcamp.com/album/the-first-monkey-in-space
Spotify:
https://open.spotify.com/album/4AoIMDhEb1SSZek0EEgYoo
Apple Music:
https://music.apple.com/us/album/the-first-monkey-in-space/1471149796
and Deezer:
https://www.deezer.com/us/album/102209962
Albert Ginés on Instagram:
https://www.instagram.com/albert_gines/
and YouTube:
https://www.youtube.com/channel/UCOEzg5b6ttRG9rEwSN1Okew
#surfinstrumental
#instrumentalsurf Albert Ginés - Ginchy (Bert Weedon Cover)](https://i.ytimg.com/vi/qXrIj6G-t20/mqdefault.jpg)
![The Hot Rod Gang - Personal Jesus (Rockabilly, Depeche Mode Cover)
From Can U Dig It?
Label: Beste! Unterhaltung – BU096LP
Format: Vinyl, LP, Album
Country: Germany
Released: Mar 7, 2025
Tracklist
A1 Can U Dig It?
A2 Two Hearts
A3 The Man He Used To be
A4 Boogie Woogie Country Girl
A5 One After 909
A6 Slinger Speedway
B1 Town Called Malice
B2 Personal Jesus
B3 King Of The Club
B4 The Race Is On
B5 Get Out
B6 Can U Dig It? (Reprise)
Notes
40th Anniversary
© 2025 Beste! Unterhaltung
℗ 2025 Beste! Unterhaltung
🎵 [SONG INFO]
Personal Jesus is a song by the English electronic music band Depeche Mode.
It was released as the lead single from their seventh studio album, Violator (1990), in 1989.
It reached No. 13 on the UK Singles Chart and No. 28 on the US Billboard Hot 100.
The single was their first to enter the US top 40 since 1984s People Are People and was their first gold-certified single in the US.
In Germany, Personal Jesus is one of the bands longest-charting songs, staying on the West German Singles Chart for 23 weeks.
In 2004, Personal Jesus was ranked No. 368 in Rolling Stones list of The 500 Greatest Songs of All Time, and in September 2006 it was voted as one of the 100 Greatest Songs Ever in Q magazine.
Personal Jesus was rereleased as a single on 30 May 2011 for the Depeche Mode remix album Remixes 2: 81–11, with the leading remix by the production team Stargate.
The song has been covered by numerous artists, including Johnny Cash, Marilyn Manson, Def Leppard, Iggy Pop and Mindless Self Indulgence.
Background and composition
In mid-1989, the band began recording in Milan with record producer Flood. The result of this session was the single Personal Jesus, which featured a catchy bluesy riff and drum-based sound, radically different from anything the band had released thus far. Although not the first Depeche Mode song to feature guitar parts (Behind the Wheel and their cover of Route 66 featured a guitar; Love, in Itself and And Then... from Construction Time Again and Here is the House from Black Celebration featured an acoustic guitar), it was the first time a guitar was used as a dominant instrument in a Depeche Mode song. The song was inspired by the book Elvis and Me by Priscilla Presley.
According to songwriter Martin Gore:
Its a song about being a Jesus for somebody else, someone to give you hope and care. Its about how Elvis Presley was her man and her mentor and how often that happens in love relationships; how everybodys heart is like a god in some way. We play these god-like parts for people but no one is perfect, and thats not a very balanced view of someone, is it?
Personal Jesus is written in the key of F♯ minor with a tempo of 130 beats per minute in 12
8 time.
Impact and legacy
In 2011, Slant Magazine listed the song at number 81 in their ranking of The 100 Best Singles of the 1990s.
In 2017, Billboard ranked Personal Jesus second behind only Enjoy the Silence on a list of their 20 Best Depeche Mode Songs.
Robert Smith listed Personal Jesus as one of his 30 favourite songs from the 1980s.
John Lydon commented on the track: its a serious problem for me, all this technology. The people whove used it best would be Depeche Mode. Your own Personal Jesus! Bloody ell mate, they got it! They were using the Casiotone effect and they wrapped a song around it, but they didnt let it dictate to the song. Thats another tune I just absolutely love – I was so impressed with the bravery of attempting such a subject matter.
Cover versions
In 2002, American country singer Johnny Cash covered Personal Jesus for his album American IV: The Man Comes Around.
The idea to cover the song was suggested by record producer Rick Rubin.
For the song, Rubin asked Red Hot Chili Peppers guitarist John Frusciante to re-work an acoustic version of the song, which featured a simple acoustic riff that stripped down the song to a blues style. “That’s probably the most evangelical song [I’ve] ever recorded,” said Cash, “I don’t know that the writer ever meant it to be that, but that’s what it is.”
Marilyn Manson released their cover version of the track as the only previously unreleased recording included on their 2004 greatest hits album Lest We Forget: The Best Of.
In 2013, former Van Halen frontman Sammy Hagar covered the song on his twelfth studio album Sammy Hagar & Friends.
In 2018, British rock band Def Leppard released their own version of the song.
Gravity Kills,
Jerry Williams,
Lollipop Lust Kill,
Nina Hagen,
Richard Cheese,
Mindless Self Indulgence.
🔗 [LINKS]
https://besteunterhaltung.biz/
https://www.facebook.com/the.hot.rod.gang
Available on Spotify:
https://open.spotify.com/album/2TtGlJeyEWpaOIbIMW2PKq
Apple Music:
https://music.apple.com/us/album/can-u-dig-it-40th-anniversary/1782876051
Amazon Music:
https://www.amazon.com/Can-U-Dig-40th-Anniversary/dp/B0DPG5HS2X
and Deezer:
https://www.deezer.com/us/album/678326841
#thehotrodgang
#personaljesus
#rockabilly
#depechemodecover The Hot Rod Gang - Personal Jesus (Rockabilly, Depeche Mode Cover)](https://i.ytimg.com/vi/qbFjCsrQ0uk/mqdefault.jpg)
![Suicide Romeo - Needles In The Camels Eye (Brian Eno Cover)
From Pictures
Label: ZE Records – ILPS 17010, Island Records – ILPS 17010
Format: Vinyl, LP
Country: Italy
Released: 1980
Tracklist
A1 Suicide Romeo
A2 Grey
A3 Snapshot
A4 Treble Chord
A5 Modern Romance
B1 Vision
B2 Pictures
B3 Ching Chang
B4 Needles In The Camels Eye
Written By – Brian Eno
Producer – Alex Sadkin
Co-producer – Michel Esteban
© 2013 ZE Records
🎵 [SONG INFO]
Needles in the Camels Eye is a song by Brian Eno, and its history is tied to his career-defining solo debut album, Here Come the Warm Jets.
The song was the opening track on Enos first solo album, Here Come the Warm Jets, which was released on February 8, 1974.
Following his departure from the glam-rock band Roxy Music, Eno began his solo career as an avant-garde artist, composer, and producer.
The album was recorded in just twelve days in September 1973.
The song is notable for its unique sound, which is a mix of glam rock and proto-punk. It features a relentless drum beat and a distorted, snake-like guitar riff. The song was co-written by Eno and guitarist Phil Manzanera, who was also a member of Roxy Music. A famous detail about the recording is that Eno would hit Manzaneras whammy bar in rhythm to create a rippling guitar sound.
Eno has stated that the lyrics to Needles in the Camels Eye and other songs on the album were created using a free-associative method. He would sing nonsense syllables over the backing tracks and then form those sounds into actual words and phrases. This is why the lyrics are often described as macabre and without a specific, intended meaning.
The song, and the album as a whole, was highly acclaimed and has been described as a landmark in art-rock. Its considered one of Enos best pop efforts, capturing a sick and sinister glam-rock sound that was ahead of its time.
The songs title is a reference to the famous biblical proverb about a camel passing through the eye of a needle. The proverb is used in religious texts to denote a task that is difficult or impossible. However, Eno has said that his lyrics for the song were written so quickly that it would be a wasted effort to look for meaning in them.
🎤 [LYRICS]
Those who know
They dont let it show
They just give you one long glance
And you go, oh oh, oh oh.
Goes to show
How winds blow
The weathers fine
And I feel so so-so, so.
Birds of prey
With too much to say
Oh what could be my destiny
Another rainy day.
Why ask why?
For by the by and by
All mysteries are just more
Needles in the camels eye.
Those who know
They dont let it show
They just give you one long lance
And you go, oh oh, oh oh.
Why ask why?
For by the by and by
All mysteries are just more
Needles in the camels eye.
🔗 [LINKS]
Available on Spotify:
https://open.spotify.com/album/6P18E8gM1fhXJhyjcHEnLj
Apple Music:
https://music.apple.com/us/album/images/718866953
Deezer:
https://www.deezer.com/en/album/7427062
and Amazon:
https://www.amazon.com/Images-Suicide-Romeo/dp/B00FMRUVSW Suicide Romeo - Needles In The Camels Eye (Brian Eno Cover)](https://i.ytimg.com/vi/qj4p5ddGCR4/mqdefault.jpg)
![Genuine John - Medley: As Tears Go By / (I Cant Get No) Satisfaction (The Rolling Stones)
From Genuine John
Label: Capitol Records – ST-566
Format: Vinyl, LP, Album, Stereo
Country: US
Released: 1970
Tracklist
A1 Tupelo Mississippi Flash
Written-By – Jerry R. Hubbard
A2 Medley: As Tears Go By / (I Cant Get No) Satisfaction
Written-By – Mick Jagger & Keith Richard
A3 Thought She Was A Good Woman
Written-By – Curtis Willis
A4 Comin Home
Written-By – Curtis Willis
A5 I Want Your Love
Written By – Day
B1 I Think You Love Him
Written-By – Curtis Willis
B2 Puppy Dog Song
Written-By – Chuck Rainey
B3 Inside Out
Written-By – Hugh McCracken, Richard Tee
B4 Goin Down Easy
Written-By – Genuine John
Arranged By – Genuine John
Arranged By [Horn Arrangements By] – Richard Tee
Vocals – Chuck Rainey (tracks: A1, B2), Curtis Willis (tracks: A3, A5, B1)
Vocals, Guest [Guest Vocalist] – Curtis Willis
Guitar [Guitars], Harmonica, Shaker [Shakers] – Hugh McCracken
Piano, Organ, Harpsichord – Paul Harris
Electric Bass, Vocals – Chuck Rainey
Drums, Percussion – Herbie Lovelle
Liner Notes – Michael Thomas
Design [Cover Design], Artwork [Art] – Fred Marcellino
Engineer [Recording And Mixing Engineer] – Brooks Arthur
Mastered By [Mastering] – Bob Ludwig
Mastered At – Sterling Sound
Producer [Produced By] – Arthur Gorson
Notes
Manufactured By – Capitol Records, Inc.
An Oracle Records Production
As Tears Go By is a song written by Mick Jagger, Keith Richards and Rolling Stones manager Andrew Loog Oldham.
Marianne Faithfull recorded and released it as a single in the United Kingdom in 1964.
Her song peaked at number nine on both the UK and Irish singles charts.
Later, the Rolling Stones recorded their own version, which was included on the American album Decembers Children (And Everybodys).
London Records released it as a single, which reached number six in the Billboard Hot 100 singles chart.
History
As Tears Go By was one of the early compositions by Jagger and Richards; previously the Rolling Stones had chiefly been performing American blues and R&B tunes. By one account, Rolling Stones manager Andrew Loog Oldham locked Jagger and Richards in a kitchen in order to force them to write a song together, even suggesting what type of song he wanted: I want a song with brick walls all around it, high windows and no sex. The result initially was named As Time Goes By, the title of the song Dooley Wilson sings in the film Casablanca. It was Oldham who replaced Time with Tears.
According to Jagger biographer Philip Norman, the song was mainly created by Jagger, in co-operation with session guitarist Big Jim Sullivan, although Jagger claims he was responsible for the lyrics while Richards wrote the melody. Oldham subsequently gave the ballad (a format that the Stones were not yet known for) to Faithfull, then 17, for her to record as a B-side. Oldham played a demo for her with Jagger singing and Big Jim Sullivan on acoustic guitar. He handed me a scrawled lyric sheet and I went back into the studio and did it. As soon as I heard the cor anglais playing the opening bars I knew it was going to work. After a couple of takes it was done. Andrew came and gave me a big hug. Congratulations darling. Youve got yourself a number six, he said.
The success of the recording caused Decca Records to switch the song to an A-side, where it became a popular single.
The melody features a distinctive english horn line.
It reached number nine in the UK Singles Chart and launched Faithfulls career as a major singer. The song entered the Billboard Hot 100 the week ending 28 November 1964, where it stayed for nine weeks peaking at number 22. In Canada, it peaked at number two on the RPM chart.
(I Cant Get No) Satisfaction is a song by the English rock band the Rolling Stones. A product of Mick Jagger and Keith Richards songwriting partnership, it features a guitar riff by Richards that opens and drives the song. The riff is widely considered one of the greatest hooks of all time. The songs lyrics refer to sexual frustration and commercialism.
The song was first released as a single in the United States in June 1965 and was also featured on the American version of the Rolling Stones fourth studio album, Out of Our Heads, released that July. Satisfaction was a hit, giving the Stones their first number one in the US. In the UK, the song initially was played only on pirate radio stations, because its lyrics were considered too sexually suggestive. It later became the Rolling Stones fourth number one in the United Kingdom.
It is one of the worlds most popular songs, and was No. 31 on Rolling Stone magazines The 500 Greatest Songs of All Time list in 2021. It was inducted into the Grammy Hall of Fame in 1998. The song was added to the National Recording Registry of the Library of Congress in 2006, the first and so far only Rolling Stones recording to be included in the Registry.
#progrock
#instrumentalcover Genuine John - Medley: As Tears Go By / (I Cant Get No) Satisfaction (The Rolling Stones)](https://i.ytimg.com/vi/qkzhq_E5q5I/mqdefault.jpg)
![Donnie Barren - Greensleeves (What Child Is This) (Rock version)
From Freedom
Label: dB Productions Inc – DB552013
Format: CD, CD-ROM, Album, Stereo
Country: USA, Canada & Europe
Released: 2013
Tracklist
01. Missed Opportunity
02. Freedom
03. Open Road
04. Liquid Glass
05. Trouble In Paradise
06. Rocking Chair
07. Malibu Canyon
08. Rebecca (She Said Yes)
09. Rainy Sunday
10. Family
11. Greensleeves (What Child Is This)
Songwriter – Donnie Barren
© 2013 Donnie Barren Holtzinger
℗ 2013 Donnie Barren Holtzinger
👤 [ARTIST INFO]
Donnie Barren played lead guitar for the Los Angeles rock band City Lights in the late 70s and early 80s, writing and singing songs for the groups single (Action/Back Off Babe) and EP (Blackout). Some of the more fun gigs were at the Whiskey a Go-Go, Starwood, Gazzarris, and the Troubadour, where City Lights headlined or shared the stage with bands like Dokken, RATT, Poison, Snow, X, Oingo Boingo (Danny Elfmans band), Joshua, and Dubrow (formerly Quiet Riot).
Donnie ventured out on his own in 1982, releasing the single I Love My Cats Meow/Falling In Love in March 1983 (acting as musician, singer/songwriter, producer and promo-man). The tune was well received, being played on over 15 Southern California radio stations during its 1st month and garnering college radio coverage across the USA and in Germany.
Cats Meow hit no.1 on LAs KXLU, entered KROQs Rodney on the Roqs Top 10 in April (at no.7) and moved to no.1 for all of May and June. At the time, KROQ (FM 106.7 in Pasadena, CA) was the no.1 Album Oriented Rock (AOR) station in LA and was regarded as the new music trend-setter across the US. For perspective, Nenas 99 Balloons (CBS Records) held the no.1 position on Rodney on the Roqs Top 10 the following month, July of 1983. This was long before other AOR stations added the German song to their play lists, ultimately making 99 Balloons a national Top 40 Hit.
Unfortunately, just as Cats Meow was climbing the charts, Donnies distribution partner (Faulty Products, a division of IRS/A&M Records) ran out of money and stopped promoting its stable of artists (groups like the Bangles, Dead Kennedys & DOA). Looking back, its ironic that Donnie signed up with a label called Faulty Products, but they were considered one of the best new music distributors at the time. If they had put some promotion support behind the single, the song could have had a strong national showing.
Undeterred, Donnie continued to record and release original tracks throughout the 80s while gaining a deeper appreciation for the business side of music. He ultimately took a break to finish school (earning an MBA from Harvard) and then dove into the business world (albeit not the music biz), working at Procter and Gamble and Microsoft.
Years later, Donnie returned to his passion, re-releasing parts of his 80s catalog, producing a fresh collection of rock instrumentals (under his full name, Donnie Barren Holtzinger), and writing/producing songs for sync. His music now fuels TV shows, films, sports arenas, video games, and ad campaigns — with placements on HBO, Hulu, Netflix, The CW, the WNBA, Sony’s MLB The Show, and brands like Amazon and Toyota.
Some people have asked: Donnie who? When Donnie was younger, he thought his last name was too long for a musician, so he opted to use his middle name. Now, many years the wiser, Donnie goes by either Donnie Barren or Don Holtzinger (or Donnie Barren Holtzinger). So, for those people that knew Donnie Barren (or dB for short), wed like to introduce you to Don Holtzinger.
Drop Donnie a line on Facebook (@donholtzinger) or Instagram (@donniebarren). I know hed like to hear from you.
🎵 [SONG INFO]
Greensleeves/What Child is This? has an odd origin.
While they have the same melody, lyrically Greensleeves is a love song and What Child is This? is a song about the birth of Christ.
Greensleeves is a traditional English folk song. A broadside ballad by the name A Newe Northen Dittye of ye Ladye Greene Sleves was registered by Richard Jones at the London Stationers Company in September 1580, and the tune is found in several late 16th-century and early 17th-century sources.
What Child Is This? is a Christmas carol with lyrics written by William Chatterton Dix in 1865 and set to the tune of Greensleeves in 1871. Although written in Great Britain, the carol today is more popular in the United States than its country of origin.
~more info here: https://en.wikipedia.org/wiki/Greensleeves and https://en.wikipedia.org/wiki/What_Child_Is_This%3F
🔗 [LINKS]
https://donniebarren.com/
https://open.spotify.com/artist/5s72rFnWfMlfz4HlsHm4JQ
https://www.youtube.com/channel/UCtnDM74D4qaW993CgczeLuQ
https://www.facebook.com/donniebarrenholtzinger
Available on bandcamp:
https://donniebarrenholtzinger.bandcamp.com/album/freedom
and Apple Music:
https://music.apple.com/us/album/freedom/751944146
#donniebarren
#greensleeves
#whatchildisthis
#rockversion Donnie Barren - Greensleeves (What Child Is This) (Rock version)](https://i.ytimg.com/vi/rRWWjlKKqv8/mqdefault.jpg)
![Los Estudiantes - Woo-Hoo (The Rock-A-Teens Cover)
From El Rock And Roll De Los Estudiantes
Label: Philips – 428 230 PE
Format: Vinyl, 7, 45 RPM, EP
Country: Spain
Released: 1960
Tracklist
A1 Woo - Hoo
Lead Vocals – José Barranco
Written-By – George Donald McGraw
A2 La Bamba
Lead Vocals – José Barranco
Written-By – Traditional
B1 Ready Teddy
Lead Vocals – José Barranco
Written-By – John Marascalco, Robert Blackwell
B2 Me Enamore De Un Angel
Arranged By – Fernando Arbex, Luis Arbex
Lead Vocals – José Luis Palacios
Written-By – Anonymous
Lead Vocals – José Barranco
Electric Guitar [Primera] – Luis Arbex
Electric Guitar [Segunda] – José Luis Palacios
Drums – Fernando Arbex
Contrabass – Alberto Gosalvez
Record Company – Departamento De Discos Philips
Manufactured By – S.E.L.E.Z.
Printed By – ALG - Madrid
© 2012 Rama Lama Music, S. L.
℗ 2012 Rama Lama, S.L. (De las Presentes Remasterizaciones)
© 2017 TWIST-O-RAMA
℗ 2017 TWIST-O-RAMA
© Muneta Producciones S.L.
℗ Muneta Producciones S.L.
💿 [SONG INFO]
Woo-Hoo is a classic rockabilly song by the American group The Rock-A-Teens, best known for its distinctive, largely instrumental sound with the repeated Woo-Hoo vocalizations.
Origin and Release
The song is credited to Roanoke, Virginia country music DJ Dick Moran and the music store DORAN records.
It was later acquired and released by George Donald McGraw and The Rock-A-Teens in September 1959.
It was initially released on McGraws Doran label before being picked up by Roulette Records for wider distribution.
The Rock-A-Teens
The band, formed in 1956 in Richmond, Virginia, was originally known as Boo Walke & the Rockets.
Their lineup for Woo-Hoo included Vic Mizelle (vocals, guitar), Bobby Boo Walke (guitar), Bill Cook (guitar), Eddie Robinson (sax), Paul Dixon (bass), and Bill Smith (drums).
Copyright and Authorship
While the Rock-A-Teens were initially listed as writers, the songs authorship became a point of contention.
George Donald McGraw, who owned Doran Records, acquired the copyright for a few hundred dollars after another musician, Arthur Guitar Boogie Smith, claimed similarities to his own work.
Eventually, the songwriting credit was given to George Donald McGraw.
Commercial Success
Woo-Hoo was the bands only major hit, reaching No. 16 on the Billboard Hot 100 and charting in various regions across the U.S. and Canada.
Its success led Roulette Records to record an album with the band, but neither the album nor subsequent singles were as successful, and the group disbanded around 1960.
Cover versions
Woo Hoo was covered by the Scottish rock band, The Revillos, (under the name Yeah Yeah), under the same title by the French psychobilly (or as they say themselves, yé-yé-punk) band Les Wampas on their 1988 album, Chauds, sales et humides, by the Japanese girl band The 5.6.7.8s on their 1996 album Bomb the Twist and as a dance/electronica track in 2005 by the American act The Daltronics.
It was also covered by Showaddywaddy. The Replacements have also performed it in concert on several occasions.
The 5.6.7.8s version gained cult popularity when they performed it in Quentin Tarantinos 2003 film Kill Bill: Vol. 1; it also appears on its soundtrack. Additionally, it appears in the film Glory Road.
In 2004, after appearing in Kill Bill: Vol. 1 and an advertisement for Carling beer, the cover peaked at No. 28 on the UK Singles Chart, a rare Western singles chart appearance for a Japanese band.
The song is also used, in part, in a Vonage advertising campaign in the United States. Gloo Gloo, a cover of the 5.6.7.8s version of the song, was created by Christophe Héral for the 2013 video game Rayman Legends.
🔗 [LINKS]
Available on Spotify:
https://open.spotify.com/track/2CuzbDc3DuQIFxLhG1Jqdj
https://open.spotify.com/track/7H59Q5oJULbmjK0NcMt4UW
and Deezer:
https://www.deezer.com/us/album/442155647
#instrumentalsurf
#surfinstrumental Los Estudiantes - Woo-Hoo (The Rock-A-Teens Cover)](https://i.ytimg.com/vi/raOP_RjIKW0/mqdefault.jpg)
![Richard Barone / James Mastro - Dizzy (New Wave/Power Pop, Tommy Roe Cover)
From Nuts And Bolts
Label: Closer Records – CL 0014
Format: Vinyl, LP, Album
Country: France
Released: 1983
Tracklist
Richards Side
A1 Ive Got A Secret
A2 Flew A Falcon
A3 My Sin
A4 Five Years Old
A5 Lost Like Me
A6 Jacobs Ladder
James Side
B1 Time Will Tell
B2 Dizzy
Written-By – Freddy Weller, Tommy Roe
B3 Angel In My Pocket
B4 Jamais
B5 No One Has To Know
Written-By – James Mastro (tracks: A1, B1, B3 to B5), Richard Barone (tracks: A1 to A6)
Art Direction, Design – Murray Brenman
Photography, Cover [Art] – Phil Marino
Mastered By – Greg Calbi
Producer [With], Performer [With] – Mitch Easter
Producer, Performer [Performed By] – James Mastro, Richard Barone
Phonographic Copyright ℗ – Passport Records, Inc.
Copyright © – Passport Records, Inc.
🎵 [SONG INFO]
Dizzy is a song originally recorded by Tommy Roe that became an international hit single in 1969. Instrumental backing was provided by the Los Angeles session musicians known as the Wrecking Crew.
Cowritten by Roe and Freddy Weller, Dizzy was a major hit on both sides of the Atlantic, reaching number one on the U.S. Billboard Hot 100 for four weeks in March 1969, number one for one week on the UK Singles Chart in June 1969 and number one in Canada in March 1969.
The song was later recorded by artists such as Boney M, Wreckless Eric and Billy J. Kramer.
A 1991 cover version by Vic Reeves and the Wonder Stuff reached number one in the UK.
The song has also been covered by Bob the Builder (voiced by Neil Morrisey) on the characters debut album in 2001 changing the lyrics to be about the character Dizzy.
Charts
Weekly charts
Chart (1969) / Peak position
Australia (Go-Set National Top 40) / 2
Canadian Singles Chart / 1
Ireland (IRMA) / 2
Norwegian VG-lista Singles Charts / 4
UK Singles Chart / 1
U.S. Billboard Hot 100 / 1
West Germany (GfK) / 4
All-time charts
Chart (1958–2018) / Position
U.S. Billboard Hot 100 / 427
Vic Reeves version
On October 14, 1991, a cover of Dizzy recorded by English comedian Vic Reeves and alternative-rock band the Wonder Stuff was released in the United Kingdom.
It reached number one on the UK Singles Chart and remained there for two weeks.
It was a number three hit in Australia and also charted in Austria, Ireland and New Zealand.
This version added another key change to the 11 that already existed (from F major to G major).
The music video features Reeves and the band performing on stage with a row of washing machines and microwave ovens in the background instead of amplifiers. Reeves comedy partner Bob Mortimer appears in the background with the Wonder Stuffs Miles Hunt playing a tambourine and singing backing vocals.
Reeves and the band, together with Mortimer, performed the song on BBCs Top of the Pops on October 24, 1991.
Charts
Chart (1991–1992) / Peak position
Australia (ARIA) / 3
Austria (Ö3 Austria Top 40) / 14
Europe (Eurochart Hot 100) / 6
Ireland (IRMA) / 2
New Zealand (Recorded Music NZ) / 28
UK Singles (OCC) / 1
Year-end charts
Chart (1991) / Position
UK Singles (OCC) / 8
Chart (1992) / Position
Australia (ARIA) / 49
🔗 [LINKS]
Richard Barone
https://www.richardbarone.com/Home.html
https://richardbarone.bandcamp.com/music
https://music.apple.com/us/artist/richard-barone/4070650
https://www.facebook.com/RichardBaroneOfficial
https://www.instagram.com/RichardBarone/
https://linktr.ee/richardbarone
James Mastro
https://www.jamesmastro.net/
https://www.facebook.com/jamesmastro007/
#richardbarone
#jamesmastro
#dizzy
#newwave
#powerpop Richard Barone / James Mastro - Dizzy (New Wave/Power Pop, Tommy Roe Cover)](https://i.ytimg.com/vi/rlRDUz8L8kY/mqdefault.jpg)
![The Accents - Searchin (The Coasters Cover)
From You Dont Love Me
Label: Bangar – BA 00629
Format: Vinyl, 7, 45 RPM
Country: US
Released: 1964
Tracklist
A You Dont Love Me
Written-By – Tom Nystrom
B Searchin
Written-By – Leiber & Stoller
Producer – George Garrett (track: A)
Pressed By – Kaybank Recording Corp. – K 4466
Published By – Willong
Published By – Tiger
Notes
Minneapolis (Minnesota) R&B and rock/pop band, active 1963-74.
The bands biggest local hit was Lonnie Macks Why, sung by Tom Nystrom.
Members: Ken Sand, Tom Zippy Caplan, Tom Nystrom
🎵 [SONG INFO]
Searchin is a song written by Jerry Leiber and Mike Stoller specifically for the Coasters.
Atco Records released it as a single in March 1957, which topped the R&B Chart for twelve weeks.
It also reached number three on the Billboard singles chart.
Although the Coasters had previously done well on the R&B charts, it was Searchin (along with Young Blood on the flip side) that sparked the groups rock and roll fame.
Composition
The lyrics, written by Leiber, use vernacular phrasing. The plot revolves around the singers determination to find his love wherever she may be, even if he must resort to detective work. The songs gimmick was to cite law-enforcement figures from popular culture such as Sherlock Holmes, Charlie Chan, Joe Friday, Sam Spade, Boston Blackie, Bulldog Drummond, and the North-West Mounted Police (the Mounties). The vocals of the Coasters lead singer Billy Guy are raw and insistent. Driving the song is a pounding piano rhythm of two bass notes alternating on every second beat.
The theme of the song is searching for love: Well, Im searching, Yeah Im gonna find her. The refrain is simple variations of this phrase, Gonna find her, yeah ah, gonna find her.
Personnel
The song was recorded in Los Angeles on February 15, 1957.
Mike Stoller: Piano
Gil Bernal: Saxophone
Barney Kessel: Guitar/Mandolin
Adolph Jacobs: Guitar
Ralph Hamilton: Bass
Jesse Sailes: Drums
A.L. “Abe” Stoller: Drums
Joe Oliveria: Congas
Other versions
Otis Blackwell released a version of this song on his 1977 album titled These are my songs!. Blackwell attributed the track to Lieber/Stoller, however the album brought to light many tracks that Blackwell was the original composer for. This was the only song on the album that was not a Blackwell composition
Johnny Rivers released a version of the song as a medley with So Fine which reached number 113 on the U.S. pop chart in 1973.
Singer/songwriter Paul McCartney chose Searchin as one of his Desert Island Discs in 1982. McCartney performed the song with the Beatles during their audition for Decca Records on January 1, 1962 (with somewhat mangled lyrics that included a mention of Peter Gunn).
The song was performed by Floyd Pepper in an episode of The Muppet Show. It was famously used in Brad Birds 1999 animated film, The Iron Giant.
The song was also recorded and performed by Sharon, Lois & Bram for both of their childrens television series Sharon, Lois & Brams Elephant Show (1987) and Skinnamarink TV (1997). The Accents - Searchin (The Coasters Cover)](https://i.ytimg.com/vi/sW_4GHTv4Z4/mqdefault.jpg)
![Los Astros - Tu Amor De Ayer (Yesterday Man in Spanish, Chris Andrews)
From Alta Y Delgada
Label: Discos Tempo S.A. – T6E - 010
Format: Vinyl, 7
Country: Spain
Released: 1966
Tracklist
A1 Alta Y Delgada
Written-By – Popular
A2 Tanto (Tant)
Written-By – Barriere, Kaps
B1 Tu Amor De Ayer (Yesterday Man)
Written-By – Andrews, Clavero
B2 Es Mejor (Thats The Way) (The Honeycombs)
Written-By – Howard Blaikley, Clavero
Arranged By – Greg Segura
Directed By – Greg Segura
Yesterday Man is a song written by Chris Andrews and was his first single as a solo singer, released on 17 September 1965.
It climbed to No. 3 in the UK Singles Chart, and No. 1 in Ireland, New Zealand, Germany and Austria. In England it sold 20,000 copies in its first day.
After a visit to England in September 1965, Jerry Wexler made a deal for Atco Records to release the single in the United States. In the US, it reached No. 94 in 1966.
The Cash Box trade paper reported in its 5 February 1966 issue that it had passed 300,000 sales in Germany alone, and later over 800,000 as a final tally in that country (28 May 1966). Additionally, Andrews was awarded a silver disc for 250,000 sales of the single in the UK.
In a contemporary review of the song, the Evening Sentinel wrote how: Why write hits for Adam and Sandie all the time? says Andrews and sounds quite good on his own, further deeming it to be Blue-beatish and good.
In 2014, Spin included the song in their list of 25 Major Moments in White Reggae History; in the accompanying write-up, writer Chris Martins deemed it the birth of White Reggae and highlighted how the song made [Andrews] heart pitter and patter to an island riddim.
Mario Villanueva of The Greenville News included the song in a list of twelve exemplary cod-reggae songs.
Reggae Mint of UDiscover Music wrote that the ska-styled solo hit was a musical predecessor to the Beatles song Ob-La-Di, Ob-La-Da (1968).
Andrews brass-heavy hit was also a partial inspiration for the oom-pah arrangement written by Johnny Marr for the Smiths song Frankly Mr. Shankly (1986).
A German-language version was also recorded.
Named Alles tu Ich Fuer Dich, it was released on the label Deutsche Vogue.
Chart history
Chart (1965–66) / Peak position
Australia / 12
Austria / 1
Canada RPM Top Singles / 1
Ireland (IRMA) /1
Germany / 1
New Zealand / 1
South Africa (Springbok) / 1
UK (OCC) / 3
US Billboard Hot 100 / 94
US Cash Box Top 100 / 85
Robert Wyatt version
In 1974, the song was covered by Robert Wyatt (with production by Nick Mason) as the follow-up to his hit with Neil Diamonds Im a Believer (released on Virgin Records).
However, it was never officially released, due to Virgin head Richard Branson deeming the version a bit too gloomy.
In 1992, Wyatt recalled: I did Yesterday Man, a major-key, upbeat, jolly pseudo-reggae thing. I bent all the chords out of shape and did the whole thing kind of sideways. And I was so happy with that. They said, Were not putting this out. Its too lugubrious. I thought, That must be good, but I got a dictionary, and its not.
According to Wyatt in an interview with Uncut, We never pretended to be reggae but it was obviously influenced by that feel, which was very much the heartbeat of London around that time.
Richard Cook of Mojo deemed the Wyatt version to be heartbreakingly desolate and a complete antithesis to Chris Andrews original.
Charles Shaar Murray of NME wrote: Where Andrews original was aggressively petulant, Wyatts is wistfully surreal, noting that the musician performs the song on assorted bits of percussion (including a bass-drum whomped by hand) and what sounds like a harmonium, but plays around the beat while the main rhythmic push comes from Windo and Feza.
#whitereggae Los Astros - Tu Amor De Ayer (Yesterday Man in Spanish, Chris Andrews)](https://i.ytimg.com/vi/sgDa2dnDNFQ/mqdefault.jpg)