Uploaded March 2025 | Updated September 2026, 1 week ago
From healing the body to poisoning plantation owners — this is a story of plants and power.
Plantations are large pieces of land for agriculture work, and were first established in the early 16th century by Portuguese and Spanish settlers on the island of São Tomé, off the west coast of Africa. What started on this small island soon spread across the world, and European settlers established many plantations as they colonised the Americas and beyond.
To provide labour for plantations around the world, colonial powers forcibly brought enslaved people to work for them — often from Africa. This work had a serious, lasting impact on their health, often leading to injuries. Plus, the crowded and unhealthy living conditions made it easier for illnesses and infections to spread.
But buried in this history is another chapter. A tale about enslaved people’s fight for control over their lives, bodies and health — one in which plants became a source of healing and resistance against unhealthy and oppressive environments.
0:00 - Intro
0:20 - Plants and work
01:27 - Plants and escape
02:11 - Plants and freedom
03:00 - Plants and resistance
03:57 - Plants and healing
04:57 - Plants and capitalism
This video is inspired by Wellcome Collection's exhibition 'Hard Graft: Work, Health and Rights' which looks at the impact of physical work on health and the body. See these works in person at Wellcome Collection until 27 April 2025: wellcomecollection.org/exhibitions/hard-graft-work-health-and-rights
#WellcomeCollection #HardGraft #health #work #rights #workersrights #botany #herbalmedicine #herbalmedicines #history #medicalhistory #JacobLawrence #harriettubman #CharmaineWatkiss #ForensicArchitecture
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From healing the body to poisoning plantation owners — this is a story of plants and power.
Plantations are large pieces of land for agriculture work, and were first established in the early 16th century by Portuguese and Spanish settlers on the island of São Tomé, off the west coast of Africa. What started on this small island soon spread across the world, and European settlers established many plantations as they colonised the Americas and beyond.
To provide labour for plantations around the world, colonial powers forcibly brought enslaved people to work for them — often from Africa. This work had a serious, lasting impact on their health, often leading to injuries. Plus, the crowded and unhealthy living conditions made it easier for illnesses and infections to spread.
But buried in this history is another chapter. A tale about enslaved people’s fight for control over their lives, bodies and health — one in which plants became a source of healing and resistance against unhealthy and oppressive environments.
0:00 - Intro
0:20 - Plants and work
01:27 - Plants and escape
02:11 - Plants and freedom
03:00 - Plants and resistance
03:57 - Plants and healing
04:57 - Plants and capitalism
This video is inspired by Wellcome Collection's exhibition 'Hard Graft: Work, Health and Rights' which looks at the impact of physical work on health and the body. See these works in person at Wellcome Collection until 27 April 2025: wellcomecollection.org/exhibitions/hard-graft-work-health-and-rights
#WellcomeCollection #HardGraft #health #work #rights #workersrights #botany #herbalmedicine #herbalmedicines #history #medicalhistory #JacobLawrence #harriettubman #CharmaineWatkiss #ForensicArchitecture
Subscribe on YouTube: youtube.com/user/wellcomecollection
Follow us on Instagram: instagram.com/wellcomecollection
Find us on TikTok: tiktok.com/@wellcomecollection
Catch us on Facebook: facebook.com/wellcomecollection




![Artist Martin OBrien on making make sense of life when you thought it would end at 30
Artist Martin O’Brien recently performed his piece, ‘This Unending (again, again, again)’ at our Thursday Late. We caught up with him to find out more about his life, art and the concept of ‘Zombie time’ 🧟
[Alt text: This video features Martin OBrien speaking to camera in front of a red wall. Its interspersed with images from his performance at Wellcome Collection of ‘This Unending (again, again, again)’ which is set in a dark room and shows OBrien performing amidst an audience who stand and sit in the middle of the room]. Artist Martin OBrien on making make sense of life when you thought it would end at 30](https://i.ytimg.com/vi/pHUoqQ2nuxo/mqdefault.jpg)



![Khairani Barokka in Conversation with Bárbara Rodríguez Muñoz
Join poet and artist Khairani Barokka and curator Bárbara Rodríguez Muñoz for this conversation about Khairani’s new work ‘[Molekuler]’.
This new work consists of poetry and images that weave together narratives from headlines, histories and personal experiences during the pandemic. ‘[Molekuler]’ critiques the notion of what was ‘hidden’ during the Covid-19 pandemic. Accessibility is creatively woven into the work, with the poems describing the images.
Bárbara and Khairani will talk about the making of the work and will explore intertwined stories, from colonial legacies to today’s health inequities. Khairani will also read extracts from the work alongside sharing some of the images. The speakers will self-describe and describe visual elements of the event.
‘[Molekuler]’ was commissioned by Wellcome Collection as part of a programme of new artworks for the collection interrogating the impact of the UK government Covid-19 campaign ‘Stay at Home, Protect the NHS, Save Lives’.
About your contributors
Khairani Barokka
Speaker
Khairani Barokka (b. Jakarta, 1985) is a writer, poet and artist in London. She’s a practice-based researcher, whose work centres disability justice as anti-colonial praxis. Among her honours, she was an NYU Tisch Departmental Fellow for her Masters at ITP (Interactive Telecommunications Program), and Indonesia’s first Writer-In-Residence at Vermont Studio Center. She was Modern Poetry in Translation’s Inaugural Poet-in-Residence, and is currently Research Fellow at University of the Arts London’s Decolonising Arts Institute, Associate Artist at the National Centre for Writing (Norwich, UK) and Associate Artist at Delfina Foundation.
Bárbara Rodríguez Muñoz
Host
Bárbara Rodríguez Muñoz is a curator at Wellcome Collection, London. Her exhibitions include ‘This is a Voice’ (2016), ‘Bedlam’ (co-curated with Mike Jay, 2016), ‘Ayurvedic Man’ (2018), ‘Jo Spence and Oreet Ashery: Misbehaving Bodies’ (co-curated with George Vasey, 2019 –20) and ‘Un encuentro vegetal’/‘Rooted Beings’ (forthcoming: La Casa Encendida/Wellcome Collection). Bárbara is Guest Editor of the anthology ‘Documents of Contemporary Art: HEALTH’ (2020). She has written for Afterall, Concreta, Les Laboratoires d’Aubervilliers, MARG and Mousse Publishing. She holds a Masters in Curating Contemporary Art from the Royal College of Art, London.
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Follow us on Twitter: http://twitter.com/explorewellcome
See us on Instagram: http://instagram.com/wellcomecollection Khairani Barokka in Conversation with Bárbara Rodríguez Muñoz](https://i.ytimg.com/vi/q98oPDk4PD0/mqdefault.jpg)

