Uploaded April 2025 | Updated September 2026, 1 week ago
What secrets do paintings keep? In this picture from our collection, Queen Elizabeth I watches John Dee— magician, Renaissance scientist, angel-summoner —conduct an 'experiment'. But the painting is hiding something. What was too unsettling to show, and what does it tell us about how Dee has been seen by history?
Alt text: This reel shows details of a 19th century oil painting. The painting depicts Dee - a bearded man in a black Elizabethan gown and cap - pouring liquid from a small vial into a cauldron on the floor of a stately room. The liquid ignites into a spectrum of chemically coloured flame, and a crowd of aristocratic onlookers watch with reactions ranging from fascination to dismay. Among them sits a young Queen Elizabeth I, in a royal golden robe, impassively observing the scene. Close-ups show an x-ray image of the painting, revealing that a ring of white human skulls arranged in a circle around the magician were painted over.
#art #history #magic #painting #alchemy
Credit: John Dee performing an experiment before Queen Elizabeth I.
Glindoni, Henry Gillard, 1852-1913.
Reference:
47369i
See us on Instagram: instagram.com/wellcomecollection
What secrets do paintings keep? In this picture from our collection, Queen Elizabeth I watches John Dee— magician, Renaissance scientist, angel-summoner —conduct an 'experiment'. But the painting is hiding something. What was too unsettling to show, and what does it tell us about how Dee has been seen by history?
Alt text: This reel shows details of a 19th century oil painting. The painting depicts Dee - a bearded man in a black Elizabethan gown and cap - pouring liquid from a small vial into a cauldron on the floor of a stately room. The liquid ignites into a spectrum of chemically coloured flame, and a crowd of aristocratic onlookers watch with reactions ranging from fascination to dismay. Among them sits a young Queen Elizabeth I, in a royal golden robe, impassively observing the scene. Close-ups show an x-ray image of the painting, revealing that a ring of white human skulls arranged in a circle around the magician were painted over.
#art #history #magic #painting #alchemy
Credit: John Dee performing an experiment before Queen Elizabeth I.
Glindoni, Henry Gillard, 1852-1913.
Reference:
47369i
See us on Instagram: instagram.com/wellcomecollection


![Artist Martin OBrien on making make sense of life when you thought it would end at 30
Artist Martin O’Brien recently performed his piece, ‘This Unending (again, again, again)’ at our Thursday Late. We caught up with him to find out more about his life, art and the concept of ‘Zombie time’ 🧟
[Alt text: This video features Martin OBrien speaking to camera in front of a red wall. Its interspersed with images from his performance at Wellcome Collection of ‘This Unending (again, again, again)’ which is set in a dark room and shows OBrien performing amidst an audience who stand and sit in the middle of the room]. Artist Martin OBrien on making make sense of life when you thought it would end at 30](https://i.ytimg.com/vi/pHUoqQ2nuxo/mqdefault.jpg)



![Khairani Barokka in Conversation with Bárbara Rodríguez Muñoz
Join poet and artist Khairani Barokka and curator Bárbara Rodríguez Muñoz for this conversation about Khairani’s new work ‘[Molekuler]’.
This new work consists of poetry and images that weave together narratives from headlines, histories and personal experiences during the pandemic. ‘[Molekuler]’ critiques the notion of what was ‘hidden’ during the Covid-19 pandemic. Accessibility is creatively woven into the work, with the poems describing the images.
Bárbara and Khairani will talk about the making of the work and will explore intertwined stories, from colonial legacies to today’s health inequities. Khairani will also read extracts from the work alongside sharing some of the images. The speakers will self-describe and describe visual elements of the event.
‘[Molekuler]’ was commissioned by Wellcome Collection as part of a programme of new artworks for the collection interrogating the impact of the UK government Covid-19 campaign ‘Stay at Home, Protect the NHS, Save Lives’.
About your contributors
Khairani Barokka
Speaker
Khairani Barokka (b. Jakarta, 1985) is a writer, poet and artist in London. She’s a practice-based researcher, whose work centres disability justice as anti-colonial praxis. Among her honours, she was an NYU Tisch Departmental Fellow for her Masters at ITP (Interactive Telecommunications Program), and Indonesia’s first Writer-In-Residence at Vermont Studio Center. She was Modern Poetry in Translation’s Inaugural Poet-in-Residence, and is currently Research Fellow at University of the Arts London’s Decolonising Arts Institute, Associate Artist at the National Centre for Writing (Norwich, UK) and Associate Artist at Delfina Foundation.
Bárbara Rodríguez Muñoz
Host
Bárbara Rodríguez Muñoz is a curator at Wellcome Collection, London. Her exhibitions include ‘This is a Voice’ (2016), ‘Bedlam’ (co-curated with Mike Jay, 2016), ‘Ayurvedic Man’ (2018), ‘Jo Spence and Oreet Ashery: Misbehaving Bodies’ (co-curated with George Vasey, 2019 –20) and ‘Un encuentro vegetal’/‘Rooted Beings’ (forthcoming: La Casa Encendida/Wellcome Collection). Bárbara is Guest Editor of the anthology ‘Documents of Contemporary Art: HEALTH’ (2020). She has written for Afterall, Concreta, Les Laboratoires d’Aubervilliers, MARG and Mousse Publishing. She holds a Masters in Curating Contemporary Art from the Royal College of Art, London.
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See us on Instagram: http://instagram.com/wellcomecollection Khairani Barokka in Conversation with Bárbara Rodríguez Muñoz](https://i.ytimg.com/vi/q98oPDk4PD0/mqdefault.jpg)


![POV: Its 1955 and youre taking a visit to Wellcome #shorts
POV: Its 1955 and youre taking a visit to Wellcome*
See the Coronation banners along Euston Road, take in views over Bloomsbury, relax in the verdant Euston Square Gardens.
*(Known then a bit more formally as Wellcome Historical Medical Museum and Library)
Watch the full video The Story of Wellcome Foundation Ltd here: https://wellcome.info/1950s
[Alt text: We open on London’s Euston Road in the 1950s. Bright red routemaster buses race past the fronts of Friend’s House and Wellcome. Banners on lamp posts read “ERII” for the nation’s new monarch whose seven decade reign has only just begun.
Followed by footage of the neo-classical facade of 183 Euston Road where Union flags and the flags of the Commonwealth billow from the roof. The sky is clear and blue, a good day to be off work.
We then are transported to the roof of Wellcome where you can see Euston Road from above: we see what would later be the Cider Tap pub, the now sadly reduced London Plane trees of Euston Square gardens and in the distance are the magnificent Italian Gothic revival towers of St Pancras station.
Then a panning shot of Bloomsbury: Euston Church, the austere tower of Senate House Library that inspired Orwell’s Ministry of Love and the dome of UCL which doubled for the British Museum in 1990s classic “The Mummy” (but thats still 40 years away).
A shot of Big Ben and then we are on street level again. Cars speed down the road while pedestrians amble and our trip to a Wellcome which is both familiar and foreign is over.] POV: Its 1955 and youre taking a visit to Wellcome #shorts](https://i.ytimg.com/vi/rvlQpy0RiYU/mqdefault.jpg)
