Uploaded January 2022 | Updated September 2026, 3 weeks ago
King Ashur-nasir-pal II (883–859 B.C.E.) was the first Assyrian king to decorate his palace with carved stone reliefs. The palace was built at a site called “Kalhu” (in modern Nimrud, slightly north of Baghdad, Iraq). The decorations of this vast palace were meant to overwhelm the ancient visitor with the king’s power and to reveal the supernatural world where the king existed. The twelve reliefs on view at the Brooklyn Museum were carved with majestic images of kings, divinities, sacred trees, and magical beings called apkallu. The Assyrians believed that apkallu, portrayed as winged creatures with either human- or eagle-heads, survived the primordial flood to serve the king.
Funding for the conservation of six of these reliefs was generously provided through a grant from the Bank of America Art Conservation Project. Thanks to this grant, the Brooklyn Museum team completed documentation, cleaning, structural treatment, and remounting of the reliefs, reinstalling them paired as they would have been in their original architectural setting. We are deeply grateful for the partnership and generosity of Bank of America.
brooklynmuseum.org/exhibitions/assyrian_reliefs
King Ashur-nasir-pal II (883–859 B.C.E.) was the first Assyrian king to decorate his palace with carved stone reliefs. The palace was built at a site called “Kalhu” (in modern Nimrud, slightly north of Baghdad, Iraq). The decorations of this vast palace were meant to overwhelm the ancient visitor with the king’s power and to reveal the supernatural world where the king existed. The twelve reliefs on view at the Brooklyn Museum were carved with majestic images of kings, divinities, sacred trees, and magical beings called apkallu. The Assyrians believed that apkallu, portrayed as winged creatures with either human- or eagle-heads, survived the primordial flood to serve the king.
Funding for the conservation of six of these reliefs was generously provided through a grant from the Bank of America Art Conservation Project. Thanks to this grant, the Brooklyn Museum team completed documentation, cleaning, structural treatment, and remounting of the reliefs, reinstalling them paired as they would have been in their original architectural setting. We are deeply grateful for the partnership and generosity of Bank of America.
brooklynmuseum.org/exhibitions/assyrian_reliefs







![Give Me a Minute with Nico Williams | Part 2 of 2
What are those cone-like objects hanging from the stairs and retaining wall in front of the Museum?
Well, they’re called jingles. Originally, small jingles were made from tobacco tins and adorned dresses worn during healing practices.
In this [bonus] episode of Give Me a Minute with Nico Williams (@odehmin), he shares the story behind the kaleidoscopic versions, which embossed with a pattern from an Anishinaabe sugar mold in the Museum’s collection (also on view in the galleries through August 18).
Give Me a Minute is a series of conversations with artists, collaborators, staff, and other people integral to the exhibitions and programming offered at the Brooklyn Museum.
Learn more about the exhibition: https://bit.ly/4aDwWpk
Watch more episodes of Give Me a Minute: https://bit.ly/3QNmcO8 Give Me a Minute with Nico Williams | Part 2 of 2](https://i.ytimg.com/vi/kGb9ASVoyPg/mqdefault.jpg)


