Uploaded December 2023 | Updated September 2026, 3 weeks ago
During the opening weekend of María Magdalena Campos-Pons: Behold, the artist debuted this new immersive performance titled, “A Mother’s River of Tears.”
Drawing on ancestral rituals from the Yoruba people, the performance is a manifestation of many healing themes mirrored in the exhibition. Specifically, this performance commemorates Black men and women, like George Floyd and Breonna Taylor, whose lives were taken as a result of systemic racism or police brutality.
Watch highlights from this performance and hear from Campos-Pons as well as her composer and sound architect, Kamaal Malak, to learn more about the meaning and making of this special performance.
*Closed captions for this video are available in both English and Spanish.
Learn more about the exhibition: bit.ly/BeholdBkM
Shop the exhibition: shop.brooklynmuseum.org/collections/maria-magdalena-campos-pons-behold
During the opening weekend of María Magdalena Campos-Pons: Behold, the artist debuted this new immersive performance titled, “A Mother’s River of Tears.”
Drawing on ancestral rituals from the Yoruba people, the performance is a manifestation of many healing themes mirrored in the exhibition. Specifically, this performance commemorates Black men and women, like George Floyd and Breonna Taylor, whose lives were taken as a result of systemic racism or police brutality.
Watch highlights from this performance and hear from Campos-Pons as well as her composer and sound architect, Kamaal Malak, to learn more about the meaning and making of this special performance.
*Closed captions for this video are available in both English and Spanish.
Learn more about the exhibition: bit.ly/BeholdBkM
Shop the exhibition: shop.brooklynmuseum.org/collections/maria-magdalena-campos-pons-behold


![Give Me a Minute with Nico Williams | Part 2 of 2
What are those cone-like objects hanging from the stairs and retaining wall in front of the Museum?
Well, they’re called jingles. Originally, small jingles were made from tobacco tins and adorned dresses worn during healing practices.
In this [bonus] episode of Give Me a Minute with Nico Williams (@odehmin), he shares the story behind the kaleidoscopic versions, which embossed with a pattern from an Anishinaabe sugar mold in the Museum’s collection (also on view in the galleries through August 18).
Give Me a Minute is a series of conversations with artists, collaborators, staff, and other people integral to the exhibitions and programming offered at the Brooklyn Museum.
Learn more about the exhibition: https://bit.ly/4aDwWpk
Watch more episodes of Give Me a Minute: https://bit.ly/3QNmcO8 Give Me a Minute with Nico Williams | Part 2 of 2](https://i.ytimg.com/vi/kGb9ASVoyPg/mqdefault.jpg)







