Alan Lomax Archive | Black Encyclopedia of the Air 28: Crazy Horns (1969) @AlanLomaxArchive | Uploaded February 2021 | Updated October 2024, 1 day ago.
"Crazy Horns — the American jazz horn style that goes back to Africa."
Music by the Imperial Army Band of Ethopia (recorded by Ayelework Abebe); Albert Ayler's "Ghosts"; a Babito clan orchestra of Gwere, Uganda (recorded by Klaus Wachsmann); and the Ibibio Orchestra of Jos, Nigeria.
[We're presenting the entirety of the B.E.A. series here, conscious of the fact that some of the statements made and connections drawn have since been called into question, or outright disproved, as the spots remain fascinating documents.]
In 1968, a diverse group of historians, anthropologists, and musicians at Columbia University created the Black Identity Project. Based on the work of pioneering Africanist John Henrik Clarke, founder of the African Heritage Studies Association, and funded by the Ford Foundation, the project aimed to acquaint younger audiences, in classrooms and over the radio, with Black history and heritage. One of the outcomes of the project was the 1969 Black Encyclopedia of the Air. Designed for broadcast over Black radio networks to what contributor Alan Lomax called “the rock-and-roll audience,” it consisted of 31 “one-minute-plus” educational spots, researched by Clarke and narrated by WLIB-Harlem DJ and radio personality Jack Walker, “the Pear-Shaped Talker," who was also chairman of the National Association of Television and Radio Announcers, the Black broadcast-professional organization. Lomax, along with historian and singer Raoul Abdul (with whom he'd compile the anthology 3000 Years of Black Poetry), devised scripts that drew heavily on Alan’s Cantometrics performance style analysis, covering topics such as the diversity of Black lullaby traditions; African male choruses and “overlap” singing; and a Black history of American pop music. Non-musical entries discussed Black contributors to medicine (heart surgeon Dr. Daniel Hale Williams) and engineering (Lewis Latimer and his carbon light bulb filament). Teaching materials and reading lists were provided with the series, which Atlantic Records released on LP in 1969. John Henrik Clarke provided research for the spots, and trombonist, composer and Cantometric investigator Roswell Rudd served as musical advisor. Despite positive feedback from radio stations across the country, the Black Encyclopedia of the Air was discontinued after its first series.
"Crazy Horns — the American jazz horn style that goes back to Africa."
Music by the Imperial Army Band of Ethopia (recorded by Ayelework Abebe); Albert Ayler's "Ghosts"; a Babito clan orchestra of Gwere, Uganda (recorded by Klaus Wachsmann); and the Ibibio Orchestra of Jos, Nigeria.
[We're presenting the entirety of the B.E.A. series here, conscious of the fact that some of the statements made and connections drawn have since been called into question, or outright disproved, as the spots remain fascinating documents.]
In 1968, a diverse group of historians, anthropologists, and musicians at Columbia University created the Black Identity Project. Based on the work of pioneering Africanist John Henrik Clarke, founder of the African Heritage Studies Association, and funded by the Ford Foundation, the project aimed to acquaint younger audiences, in classrooms and over the radio, with Black history and heritage. One of the outcomes of the project was the 1969 Black Encyclopedia of the Air. Designed for broadcast over Black radio networks to what contributor Alan Lomax called “the rock-and-roll audience,” it consisted of 31 “one-minute-plus” educational spots, researched by Clarke and narrated by WLIB-Harlem DJ and radio personality Jack Walker, “the Pear-Shaped Talker," who was also chairman of the National Association of Television and Radio Announcers, the Black broadcast-professional organization. Lomax, along with historian and singer Raoul Abdul (with whom he'd compile the anthology 3000 Years of Black Poetry), devised scripts that drew heavily on Alan’s Cantometrics performance style analysis, covering topics such as the diversity of Black lullaby traditions; African male choruses and “overlap” singing; and a Black history of American pop music. Non-musical entries discussed Black contributors to medicine (heart surgeon Dr. Daniel Hale Williams) and engineering (Lewis Latimer and his carbon light bulb filament). Teaching materials and reading lists were provided with the series, which Atlantic Records released on LP in 1969. John Henrik Clarke provided research for the spots, and trombonist, composer and Cantometric investigator Roswell Rudd served as musical advisor. Despite positive feedback from radio stations across the country, the Black Encyclopedia of the Air was discontinued after its first series.
![Susan Shepherd: The [1927] Kentucky Flood (1937)](https://i.ytimg.com/vi/SVrr3GoJwtg/hqdefault.jpg "Susan Shepherd: The [1927] Kentucky Flood (1937)
*In the wake of the devastating flooding that struck Eastern Kentucky on July 27-28, 2022, please considering donating to relief efforts: https://appalshop.org/news/appalachian-flood-support-resources *
A ballad performed (and presumably composed) by Susan Shepherd concerning the May 29-30, 1927 flood in Letcher Co., Kentucky. Recorded by Alan and Elizabeth Lomax at Cumberland, Harlan Co., Kentucky, September 27, 1937. For more from the Lomaxes Kentucky recordings and Alans fieldwork collections in general, visit archive.culturalequity.org. [AFS 1433A & B1]")
