Uploaded May 2018 | Updated September 2026, 2 hours ago
Bill Evans with Scott LaFaro & Paul Motian - My Foolish Heart
Photographer - © Frank Horvat
Songwriters - Victor Young/ Ned Washington
Album - Waltz for Debby (1962)
Label - Riverside Records
Sound recording - UMG/Universal Music
Personnel - Bill Evans (piano); Scott LaFaro (bass); Paul Motian (drums)
_____ Recorded at the Village Vanguard in 1961, shortly before Scott LaFaro's death, Waltz for Debby is the second album issued from that historic session, and the final one from that legendary trio that also contained drummer Paul Motian. While the Sunday at the Village Vanguard album focused on material where LaFaro soloed prominently, this is far more a portrait of the trio on those dates.
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This upload have the purpose of promoting a fine piece of music. Has no commercial purpose. Music and photography belong to the their rightful owners. Absolutely no copyright infringement intended. If any of the copyright owners find this abusive or offensive, please contact me and I will delete it asap.
Bill Evans with Scott LaFaro & Paul Motian - My Foolish Heart
Photographer - © Frank Horvat
Songwriters - Victor Young/ Ned Washington
Album - Waltz for Debby (1962)
Label - Riverside Records
Sound recording - UMG/Universal Music
Personnel - Bill Evans (piano); Scott LaFaro (bass); Paul Motian (drums)
_____ Recorded at the Village Vanguard in 1961, shortly before Scott LaFaro's death, Waltz for Debby is the second album issued from that historic session, and the final one from that legendary trio that also contained drummer Paul Motian. While the Sunday at the Village Vanguard album focused on material where LaFaro soloed prominently, this is far more a portrait of the trio on those dates.
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This upload have the purpose of promoting a fine piece of music. Has no commercial purpose. Music and photography belong to the their rightful owners. Absolutely no copyright infringement intended. If any of the copyright owners find this abusive or offensive, please contact me and I will delete it asap.


![Salvador Sobral - A Case of You [live]
Salvador Sobral - A Case of You
Songwriter - Joni Mitchell
Recorded live at the Fórum Cultural, Seixal, Portugal.
Salvador Sobral is a Portuguese singer who can transmit a unique musical sensitivity on stage.
This upload have the purpose of promoting a fine piece of music. This video is purely for entertainment and recreational purposes.
Has no commercial purpose. Music and short film belong to the their rightful owners. Absolutely no copyright infringement intended. Salvador Sobral - A Case of You [live]](https://i.ytimg.com/vi/jykUvPT6jMQ/mqdefault.jpg)
![Dustin O´Halloran - Variazione di un Tango
Dustin O´Halloran - Variazione di un Tango
Photographer - © Vadim Stein
Written-By, Recorded By, Performer – Dustin OHalloran
Album - Piano solos [2004]
Label - Bella Union
Sound recording - AdRev for Rights Holder
Dustin O’Halloran is a composer based in Berlin and Los Angeles. While studying art at Santa Monica College, he met singer Sara Lov, with whom he founded indie rock band Devics.
In 2004, O’Halloran released his first record as a solo artist, Piano Solos. He has since released three more solo records, the latest of which is Lumiere (2011), which featured contributions by Peter Broderick and Adam Wiltzie (Stars of the Lid), and was mixed by Jóhann Jóhannsson.
With A Winged Victory for the Sullen, his project with Adam Wiltzie, O’Halloran has released two albums, A Winged Victory for the Sullen (2011) and Atomos (2014). Dustin has gone on to score a number of films and TV shows, including Sofia Coppola’s Marie Antoinette (2006) and Drake Doremus’ Like Crazy (2011). Most recently, he’s worked on Transparent, a series created by Jill Soloway for Amazon Studios. In 2015, O’Halloran was awarded an Emmy Award for his original Transparent theme.
http://dustinohalloran.com/about/
...
We begin to dance
And, momentarily
We connect.
We connect.
...
Eran Braverman
This upload have the purpose of promoting a fine piece of music and © Vadim Stein photography. This video is purely for entertainment and recreational purposes. Has no commercial purpose. Music and photographs belong to the their rightful owners. Absolutely no copyright infringement intended.
If any of the copyright owners find this abusive or offensive, please contact me and I will delete it asap Dustin O´Halloran - Variazione di un Tango](https://i.ytimg.com/vi/jzsjBQmzcF4/mqdefault.jpg)
![Cyprien Katsaris - Fantaisie-Impromptu N.º4 in C Sharp Minor, Op.66
Cyprien Katsaris - Fantaisie-Impromptu N.º4 in C Sharp Minor, Op.66 [F Chopin]
Cyprien katsaris Plays Chopin Fantaisie-impromptu Op. 66, recorded in Apr 1992, by Japanese TV.
Cyprien Katsaris (born 5 May 1951) is a French-Cypriot virtuoso pianist, teacher and composer. Amongst his teachers were Monique de la Bruchollerie, a student of Emil von Sauer, who had been a pupil of Franz Liszt.
Katsaris was the first musician to record the complete Liszt transcriptions of Beethovens nine symphonies – reissued by Warner Classics in 2006 – the transcriptions are among the greatest, and most technically demanding in the pianistic repertoire. He has also recorded the music of Mozart, Chopin, Grieg, and other composers, including the rare piano version of Mahlers Das Lied von der Erde with Brigitte Fassbaender and Thomas Moser.
Frédéric Chopins Fantaisie-Impromptu in C Sharp minor Op. posth. 66 is a solo piano composition. It was composed in 1834 and published posthumously in 1855 despite Chopins instruction that none of his unpublished manuscripts be published. The Fantaisie-Impromptu is one of Chopins most frequently performed and popular compositions.
…
The melody of the Fantaisie-Impromptus middle section was used in the popular Vaudeville song Im Always Chasing Rainbows. That theme was quoted in Variation 10 of Federico Mompous Variations on a Theme of Chopin, which is otherwise based on Chopins Prelude No. 7 in A major. George Crumbs Makrokosmos, Volume 1: 11. Dream Images (Love-Death Music) (Gemini) includes three quotations from the Fantaisie-Impromptus middle section.
To my dear friend F
This upload have the purpose of promoting a fine piece of music. Has no commercial purpose. Music and photography belong to the their rightful owners. Absolutely no copyright infringement intended. If any of the copyright owners find this abusive or offensive, please contact me and I will delete it asap. Cyprien Katsaris - Fantaisie-Impromptu N.º4 in C Sharp Minor, Op.66](https://i.ytimg.com/vi/kBLB37i-doI/mqdefault.jpg)


![Richard Galliano - Air [J. S. Bach]
Richard Galliano - Air [Orchestral Suite No. 3 In D Major, BWV 1068]
© Mariska Karto photography
Composer - Johann Sebastian Bach
Album - Richard Galliano: Bach
Recording date - September 1, 2009 & September 2, 2009
Release date - June 29, 2010
Recording Location - Notre Dame du Liban, Paris, France
Label - Deutsche Grammophon
Personnel:
Richard Galliano - Accordion; Bandoneon
Jean-Marc Phillips-Varjabédian and Sébastien Surel - Violins
Jean-Marc Apap - Viola
Raphaël Pidoux - Cello
Stéphane Logerot - Bass
French accordionist and bandoneon player Richard Galliano has spent much of his career demonstrating that his instruments can be employed not only in the service of folk music, but also to play jazz. His long tenure on Dreyfus Records was spent in that endeavor, but with Deutsche Grammophon, the venerable classical label, he naturally takes a different tack, here adapting himself to the demands of Johann Sebastian Bach. The substitution of accordion for keyboard instruments, notably in the three-part Concerto for Harpsichord, Strings, and Continuo No. 5 in F Minor, BWV 1056 and Contrepoint 1 LArt de la Fugue en Ré Majeur, BWV 1080, is a natural, yet Galliano does not stop there. He also replaces the violin in the three-part Violin Concerto No. 1 in A Minor, BWV 1041 and the Concerto for Violin, Oboe, and Strings in D Minor, BWV 1060; the cello in the Prélude movement of the Suite for Cello Solo No. 1 in G, BWV 1007; and the flute in the Allemande section of the Partita for Solo Flute in A Minor, BWV 1013. These pieces written for strings and a reed require a fluidity of playing that Galliano succeeds in reproducing on his keys. And there are gains in his choice of instrument, notably in the slow Largo movement of the harpsichord concerto, since the accordions notes have a longer decay than those for the harpsichord, giving greater resonance to the music.
Review by William Ruhlmann
Mariska Karto is a fine art photographer, digital artist and figurative drawer. The works she produces is related to classical figurative art. Mariska has a spiritual connection with the classic art of Venice.
This influence is reflected in mystique, heavenly, dark and dreamy creatures mixed with her own contemporary influences in her life.
Mariska Karto is balancing on the border between reality and dream, the works existed in this dimension have a lucid dreamlike and often surrealistic atmosphere.
Mariska is inspired by the dark clouds of life, melancholia, love, loss, anger, vulnerability and loneliness blended together with delicacy, serenity, uneasiness, symbolism and sensuality.
...
This upload have the purpose of promoting a fine piece of music. This video is purely for entertainment and recreational purposes.
Has no commercial purpose. Music and photography belong to the their rightful owners. Absolutely no copyright infringement intended. If any of the copyright owners find this abusive or offensive, please contact me and I will delete it asap. Richard Galliano - Air [J. S. Bach]](https://i.ytimg.com/vi/lWK0fpRp3T8/mqdefault.jpg)


![Ben Webster - When I Fall In Love
Ben Webster - When I Fall In Love
Photos - Jean Harlow [from internet, on various websites]
Written by – Victor Young (music) and Edward Heyman (lyrics)
Album - The Soul of Ben Webster, recorded in July, 1958 and released in 1959.
Label - Verve Records
Ben Webster with
Personnel [this track]:
Ben Webster - Saxophone [Tenor]
Milt Hinton - bass
Dave Bailey - drums
Mundell Lowe - guitar
Jimmy Jones - piano
To me, love has always meant friendship.
Jean Harlow
There are four guys that I’ve always listened to and admired and have great respect for. I think they’re just about the greatest for what they’re doing. That’s Benny Carter, Coleman Hawkins, Johnny Hodges and Hilton Jefferson. If I have a kind of an alto approach to the tenor, I guess that’s because I like Johnny, Jeff and Benny so much. I’ve listened to them for so long, you know. I take each guy for what he does. I wouldn’t want to sound just like somebody else. But I think it’s kind of healthy to listen to these guys, because I consider all four of them bosses. They all have definitely different styles, and you know them as soon as you hear them.
Ben Webster
[Interview with Les Tomkins, 1965]
This upload have the purpose of promoting a fine piece of music and the actress Jean Harlow. Has no commercial purpose. Music and photographs belong to the their rightful owners. Absolutely no copyright infringement intended. If any of the copyright owners find this abusive or offensive, please contact me and I will delete it asap. Ben Webster - When I Fall In Love](https://i.ytimg.com/vi/mkaVfxQrd5c/mqdefault.jpg)