Uploaded December 2016 | Updated September 2026, 2 hours ago
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Natalie Cole - Darling, Je Vous Aime Beaucoup
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![Richard Galliano - Air [J. S. Bach]](https://i.ytimg.com/vi/lWK0fpRp3T8/mqdefault.jpg "Richard Galliano - Air [J. S. Bach]
Richard Galliano - Air [Orchestral Suite No. 3 In D Major, BWV 1068]
© Mariska Karto photography
Composer - Johann Sebastian Bach
Album - Richard Galliano: Bach
Recording date - September 1, 2009 & September 2, 2009
Release date - June 29, 2010
Recording Location - Notre Dame du Liban, Paris, France
Label - Deutsche Grammophon
Personnel:
Richard Galliano - Accordion; Bandoneon
Jean-Marc Phillips-Varjabédian and Sébastien Surel - Violins
Jean-Marc Apap - Viola
Raphaël Pidoux - Cello
Stéphane Logerot - Bass
French accordionist and bandoneon player Richard Galliano has spent much of his career demonstrating that his instruments can be employed not only in the service of folk music, but also to play jazz. His long tenure on Dreyfus Records was spent in that endeavor, but with Deutsche Grammophon, the venerable classical label, he naturally takes a different tack, here adapting himself to the demands of Johann Sebastian Bach. The substitution of accordion for keyboard instruments, notably in the three-part Concerto for Harpsichord, Strings, and Continuo No. 5 in F Minor, BWV 1056 and Contrepoint 1 LArt de la Fugue en Ré Majeur, BWV 1080, is a natural, yet Galliano does not stop there. He also replaces the violin in the three-part Violin Concerto No. 1 in A Minor, BWV 1041 and the Concerto for Violin, Oboe, and Strings in D Minor, BWV 1060; the cello in the Prélude movement of the Suite for Cello Solo No. 1 in G, BWV 1007; and the flute in the Allemande section of the Partita for Solo Flute in A Minor, BWV 1013. These pieces written for strings and a reed require a fluidity of playing that Galliano succeeds in reproducing on his keys. And there are gains in his choice of instrument, notably in the slow Largo movement of the harpsichord concerto, since the accordions notes have a longer decay than those for the harpsichord, giving greater resonance to the music.
Review by William Ruhlmann
Mariska Karto is a fine art photographer, digital artist and figurative drawer. The works she produces is related to classical figurative art. Mariska has a spiritual connection with the classic art of Venice.
This influence is reflected in mystique, heavenly, dark and dreamy creatures mixed with her own contemporary influences in her life.
Mariska Karto is balancing on the border between reality and dream, the works existed in this dimension have a lucid dreamlike and often surrealistic atmosphere.
Mariska is inspired by the dark clouds of life, melancholia, love, loss, anger, vulnerability and loneliness blended together with delicacy, serenity, uneasiness, symbolism and sensuality.
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This upload have the purpose of promoting a fine piece of music. This video is purely for entertainment and recreational purposes.
Has no commercial purpose. Music and photography belong to the their rightful owners. Absolutely no copyright infringement intended. If any of the copyright owners find this abusive or offensive, please contact me and I will delete it asap.")
![The Walkabouts – Train Leaves At Eight [To Treno Fevgui Stis Okto]](https://i.ytimg.com/vi/nOxnkiZ0k8U/mqdefault.jpg "The Walkabouts – Train Leaves At Eight [To Treno Fevgui Stis Okto]
The Walkabouts – Train Leaves At Eight [To Treno Fevgui Stis Okto]
Scenes - Before Sunrise
Written-By: Mikis Theodorakis
Album: Train Leaves At Eight
Released: 19 Mar 2000
Label: Glitterhouse Records – GRCD 490
Format: CD, Album
Country: Germany
Genre: Rock, Folk, World, & Country; Style: Folk Rock, Folk
Sound recording - The Orchard Music/ Protasis
Visual content - Warner Bros. Entertainment
The Train Leaves At Eight - musicians:
Accordion – Elaine Di Falco; Pedal Steel Guitar – Dan Tyack; Vibraphone – Scott McCaughey; Violin – Anne Marie Ruljancich
Celine: “But loving someone, and being loved means so much to me.
We always make fun of it and stuff. But isnt everything we do in life a way to be loved a little more?”
This upload have the purpose of promoting a fine piece of music. Has no commercial purpose. Music and movie scenes belong to the their rightful owners. Absolutely no copyright infringement intended. If any of the copyright owners find this abusive or offensive, please contact me and I will delete it asap")
