Uploaded August 2026 | Updated September 2026, 2 weeks ago
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Baude Cordier (1380-1440) was a French composer in the ars subtilior style of late medieval music. Virtually nothing is known of Cordier's life, aside from an inscription on one of his works which indicates he was born in Rheims and had a Master of Arts. Some scholars identify him with Baude Fresnel, a harpist and organist in the court of Philip the Bold, though other scholars have rejected this.
He is best known for his unique and experimental notational methods, often with shapes relating to the subject matter. These include a heart-shaped staff in Belle, Bonne, Sage, a rondeau about love, and numerous circles in the Tout par compas suy composés rondeau. Such an approach is thought to have inspired later composers, ranging from Gilles Binchois to Karlheinz Stockhausen.
Performers: Blondel
New videos and pieces everyday.
Like and subscribe to our channel: youtube.com/channel/UCnecaf9_nSWT__lhfu4EYpg
Baude Cordier (1380-1440) was a French composer in the ars subtilior style of late medieval music. Virtually nothing is known of Cordier's life, aside from an inscription on one of his works which indicates he was born in Rheims and had a Master of Arts. Some scholars identify him with Baude Fresnel, a harpist and organist in the court of Philip the Bold, though other scholars have rejected this.
He is best known for his unique and experimental notational methods, often with shapes relating to the subject matter. These include a heart-shaped staff in Belle, Bonne, Sage, a rondeau about love, and numerous circles in the Tout par compas suy composés rondeau. Such an approach is thought to have inspired later composers, ranging from Gilles Binchois to Karlheinz Stockhausen.
Performers: Blondel



![Haydn - Missa in angustiis, Nelson Mass, Hob. XXII/11 (1º Mov., Kyrie)
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The Missa in angustiis (Mass for troubled times), commonly known as the Nelson Mass (Hob. XXII/11), is a mass setting by the Austrian composer Joseph Haydn. It is one of the six masses written near the end of his career that are seen as a culmination of Haydns composition of liturgical music.
The text, slightly altered, is taken from the Latin Mass of the Catholic church. It consists of the following six movements. Typical performances last around 40 minutes. The choir sings in all movements.
1. Kyrie, Allegro moderato, D minor, 3/4 (soprano solo)
2. Gloria, Allegro, D major, common time (soli soprano, alto, tenor, bass [SATB])
Qui tollis, Adagio, B-flat major, 3/4 (soli soprano, baritone)
Quoniam tu solus sanctus, Allegro, D major, common time (soli SATB)
3. Credo, Allegro con spirito, D major, alla breve
Et incarnatus est, Largo, G major, 3/4 (soli SATB)
Et resurrexit, Vivace, D major, common time (soprano solo)
4. Sanctus, Adagio, D major, common time
Pleni sunt coeli, Allegro, D major, 3/4
5. Benedictus, Allegretto, D minor, 2/4 (soli SATB)
Osanna in excelsis, Allegro, D major, 3/4
6. Agnus Dei, Adagio, G major, 3/4 (soli SATB)
Dona nobis pacem, Vivace, D major, common time (soli SATB)
The piece of this video, Missa in angustiis, Nelson Mass, Hob. XXII/11 (1º Mov., Kyrie), is the first piece of the Haydns Missa in angustiis, Nelson Mass, Hob. XXII/11.
Performers:
- Handel and Haydn Society Chorus
- Handel and Haydn Society
- Harry Christophers (Conductor) Haydn - Missa in angustiis, Nelson Mass, Hob. XXII/11 (1º Mov., Kyrie)](https://i.ytimg.com/vi/joB9BrkJ3J8/mqdefault.jpg)






