Uploaded July 2026 | Updated September 2026, 2 weeks ago
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Josquin Lebloitte dit des Prez was a composer of High Renaissance music, who is variously described as French or Franco-Flemish. Considered one of the greatest composers of the Renaissance, he was a central figure of the Franco-Flemish School and had a profound influence on the music of 16th-century Europe. Building on the work of his predecessors Guillaume Du Fay and Johannes Ockeghem, he developed a complex style of expressive — and often imitative — movement between independent voices (polyphony) which informs much of his work. He further emphasized the relationship between text and music, and departed from the early Renaissance tendency towards lengthy melismatic lines on a single syllable, preferring to use shorter, repeated motifs between voices. Josquin was a singer, and his compositions are mainly vocal. They include masses, motets and secular chansons.
Performers: Sex Chordæ Consort of Viols
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Josquin Lebloitte dit des Prez was a composer of High Renaissance music, who is variously described as French or Franco-Flemish. Considered one of the greatest composers of the Renaissance, he was a central figure of the Franco-Flemish School and had a profound influence on the music of 16th-century Europe. Building on the work of his predecessors Guillaume Du Fay and Johannes Ockeghem, he developed a complex style of expressive — and often imitative — movement between independent voices (polyphony) which informs much of his work. He further emphasized the relationship between text and music, and departed from the early Renaissance tendency towards lengthy melismatic lines on a single syllable, preferring to use shorter, repeated motifs between voices. Josquin was a singer, and his compositions are mainly vocal. They include masses, motets and secular chansons.
Performers: Sex Chordæ Consort of Viols
![Haydn - Missa in angustiis, Nelson Mass, Hob. XXII/11 (1º Mov., Kyrie)
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The Missa in angustiis (Mass for troubled times), commonly known as the Nelson Mass (Hob. XXII/11), is a mass setting by the Austrian composer Joseph Haydn. It is one of the six masses written near the end of his career that are seen as a culmination of Haydns composition of liturgical music.
The text, slightly altered, is taken from the Latin Mass of the Catholic church. It consists of the following six movements. Typical performances last around 40 minutes. The choir sings in all movements.
1. Kyrie, Allegro moderato, D minor, 3/4 (soprano solo)
2. Gloria, Allegro, D major, common time (soli soprano, alto, tenor, bass [SATB])
Qui tollis, Adagio, B-flat major, 3/4 (soli soprano, baritone)
Quoniam tu solus sanctus, Allegro, D major, common time (soli SATB)
3. Credo, Allegro con spirito, D major, alla breve
Et incarnatus est, Largo, G major, 3/4 (soli SATB)
Et resurrexit, Vivace, D major, common time (soprano solo)
4. Sanctus, Adagio, D major, common time
Pleni sunt coeli, Allegro, D major, 3/4
5. Benedictus, Allegretto, D minor, 2/4 (soli SATB)
Osanna in excelsis, Allegro, D major, 3/4
6. Agnus Dei, Adagio, G major, 3/4 (soli SATB)
Dona nobis pacem, Vivace, D major, common time (soli SATB)
The piece of this video, Missa in angustiis, Nelson Mass, Hob. XXII/11 (1º Mov., Kyrie), is the first piece of the Haydns Missa in angustiis, Nelson Mass, Hob. XXII/11.
Performers:
- Handel and Haydn Society Chorus
- Handel and Haydn Society
- Harry Christophers (Conductor) Haydn - Missa in angustiis, Nelson Mass, Hob. XXII/11 (1º Mov., Kyrie)](https://i.ytimg.com/vi/joB9BrkJ3J8/mqdefault.jpg)









