Uploaded December 2022 | Updated September 2026, 2 weeks ago
Balcony Scene (from Romeo And Juliet) by Craig Armstrong, Marius De Vries, Paul Hooper / Arr. for Piano Solo
Balcony Scene appeared on "William Shakespeare's Romeo + Juliet: Volume 2" album released in 1997
*William Shakespeare's Romeo + Juliet: Music from the Motion Picture is the soundtrack to the 1996 film of the same name. The soundtrack contained two separate releases: the first containing popular music from the film and the second containing the score to the film composed by Nellee Hooper, Craig Armstrong and Marius de Vries.
The first soundtrack album to accompany the film was released on the Capitol Records label. It features songs by a number of artists including Garbage, Butthole Surfers and Radiohead (their song "Exit Music (For a Film)", which appears over the end credits, was not included on the soundtrack however, but appeared a year later on Radiohead's album OK Computer).
The soundtrack was a popular and solid seller, reaching No. 2 on the Billboard 200 albums chart and went triple-platinum sales in the U.S. It was especially successful in Australia, where it was the second-highest selling album in 1997, going five times Platinum in sales. A number of hit singles also resulted from the soundtrack, including "Lovefool" by The Cardigans, the love theme "Kissing You" by Des'ree, and a cover of "Young Hearts Run Free" by Kym Mazelle. Quindon Tarver's choral rendition of Rozalla's "Everybody's Free (To Feel Good)" was later used in Luhrmann's "Everybody's Free (To Wear Sunscreen)" single.
The soundtrack was later followed by a sequel, William Shakespeare's Romeo + Juliet: Music from the Motion Picture, Volume 2, which featured the film's orchestral score, dialog from the film, and songs not featured on the previous album.
The score to Romeo + Juliet was composed by British music producer Nellee Hooper, Scottish composer Craig Armstrong, and English music composer and producer Marius de Vries. It was arranged, orchestrated, and conducted by Craig Armstrong using the London Session Orchestra and The Metro Voices.
The score fuses bombastic choral sequences produced by The Metro Voices as well as flamboyant orchestral pieces by the London Session Orchestra. It also contains Hooper's favorite trip hop sequences, especially seen in the track "Introduction to Romeo". Some high-beat techno tunes were fused with the chorus and orchestra in the track "Escape from Mantua".
Dialogue from the film was also inserted into several of the tracks. Justin Warfield of One Inch Punch as well the Butthole Surfers and Mundy also contribute vocals to the score. A cover of Prince's "When Doves Cry" by Quindon Tarver features on the album; it became a hit for him in Australia in 1997.
Craig Armstrong's Film Works 1995–2005 solo disc work contained several of these tracks. The score won BAFTA Award for Best Film Music for best film score in 1997. Composer Nellee Hooper was also awarded BAFTA's Anthony Asquith Award for Music for his composition of the score in 1998.
*Craig Armstrong is a Scottish composer of modern orchestral music, electronica and film scores. He graduated from the Royal Academy of Music in 1981, and has since written music for the Royal Shakespeare Company, the Royal Scottish National Orchestra and the London Sinfonietta.
Armstrong's score for Baz Luhrmann's Romeo + Juliet earned him a BAFTA for Achievement in Film Music and an Ivor Novello. He would collaborate with Luhrmann again on his next two films, Moulin Rouge! and The Great Gatsby. His score for the former earned him the 2001 American Film Institute's composer of the Year award, a Golden Globe Award for Best Original Score and a BAFTA. Armstrong was awarded a Grammy Award for Best Original Score in 2004 for the biopic Ray. His other feature film scoring credits include Love Actually, Oliver Stone's World Trade Center, Elizabeth: The Golden Age and The Incredible Hulk.
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#coversart #piano #ambient
Balcony Scene (from Romeo And Juliet) by Craig Armstrong, Marius De Vries, Paul Hooper / Arr. for Piano Solo
Balcony Scene appeared on "William Shakespeare's Romeo + Juliet: Volume 2" album released in 1997
*William Shakespeare's Romeo + Juliet: Music from the Motion Picture is the soundtrack to the 1996 film of the same name. The soundtrack contained two separate releases: the first containing popular music from the film and the second containing the score to the film composed by Nellee Hooper, Craig Armstrong and Marius de Vries.
The first soundtrack album to accompany the film was released on the Capitol Records label. It features songs by a number of artists including Garbage, Butthole Surfers and Radiohead (their song "Exit Music (For a Film)", which appears over the end credits, was not included on the soundtrack however, but appeared a year later on Radiohead's album OK Computer).
The soundtrack was a popular and solid seller, reaching No. 2 on the Billboard 200 albums chart and went triple-platinum sales in the U.S. It was especially successful in Australia, where it was the second-highest selling album in 1997, going five times Platinum in sales. A number of hit singles also resulted from the soundtrack, including "Lovefool" by The Cardigans, the love theme "Kissing You" by Des'ree, and a cover of "Young Hearts Run Free" by Kym Mazelle. Quindon Tarver's choral rendition of Rozalla's "Everybody's Free (To Feel Good)" was later used in Luhrmann's "Everybody's Free (To Wear Sunscreen)" single.
The soundtrack was later followed by a sequel, William Shakespeare's Romeo + Juliet: Music from the Motion Picture, Volume 2, which featured the film's orchestral score, dialog from the film, and songs not featured on the previous album.
The score to Romeo + Juliet was composed by British music producer Nellee Hooper, Scottish composer Craig Armstrong, and English music composer and producer Marius de Vries. It was arranged, orchestrated, and conducted by Craig Armstrong using the London Session Orchestra and The Metro Voices.
The score fuses bombastic choral sequences produced by The Metro Voices as well as flamboyant orchestral pieces by the London Session Orchestra. It also contains Hooper's favorite trip hop sequences, especially seen in the track "Introduction to Romeo". Some high-beat techno tunes were fused with the chorus and orchestra in the track "Escape from Mantua".
Dialogue from the film was also inserted into several of the tracks. Justin Warfield of One Inch Punch as well the Butthole Surfers and Mundy also contribute vocals to the score. A cover of Prince's "When Doves Cry" by Quindon Tarver features on the album; it became a hit for him in Australia in 1997.
Craig Armstrong's Film Works 1995–2005 solo disc work contained several of these tracks. The score won BAFTA Award for Best Film Music for best film score in 1997. Composer Nellee Hooper was also awarded BAFTA's Anthony Asquith Award for Music for his composition of the score in 1998.
*Craig Armstrong is a Scottish composer of modern orchestral music, electronica and film scores. He graduated from the Royal Academy of Music in 1981, and has since written music for the Royal Shakespeare Company, the Royal Scottish National Orchestra and the London Sinfonietta.
Armstrong's score for Baz Luhrmann's Romeo + Juliet earned him a BAFTA for Achievement in Film Music and an Ivor Novello. He would collaborate with Luhrmann again on his next two films, Moulin Rouge! and The Great Gatsby. His score for the former earned him the 2001 American Film Institute's composer of the Year award, a Golden Globe Award for Best Original Score and a BAFTA. Armstrong was awarded a Grammy Award for Best Original Score in 2004 for the biopic Ray. His other feature film scoring credits include Love Actually, Oliver Stone's World Trade Center, Elizabeth: The Golden Age and The Incredible Hulk.
Coversart streamings / socials:
https://linktr.ee/Coversart
#coversart #piano #ambient






![Ryuichi Sakamoto - Merry Christmas, Mr. Lawrence / @coversart
Ryuichi Sakamoto - Merry Christmas, Mr. Lawrence [Reworked]
Merry Christmas, Mr. Lawrence is a 1983 instrumental piece by Japanese composer Ryuichi Sakamoto recorded for the film* (the first in his film scoring career) of the same name. The song has become a staple of Christmas music in the USA, Britain and Japan. A vocal version, Forbidden Colours, features former Japan frontman David Sylvian and charted in the top 20 of the UK Singles Chart and Irish Singles Chart.
*Merry Christmas, Mr. Lawrence (Japanese: 戦場のメリークリスマス, Hepburn: Senjō no Merī Kurisumasu, Merry Christmas on the Battlefield), also known in many European editions as Furyo (俘虜, Japanese for prisoner of war), is a 1983 war film co-written and directed by Nagisa Ōshima, co-written by Paul Mayersberg, and produced by Jeremy Thomas. The film is based on the experiences of Sir Laurens van der Post (portrayed by Tom Conti) as a prisoner of war in Japan during World War II, as depicted in his books The Seed and the Sower (1963) and The Night of the New Moon (1970). It stars David Bowie, Ryuichi Sakamoto, Takeshi Kitano and Jack Thompson.
The film was entered into the 1983 Cannes Film Festival in competition for the Palme dOr.
Sakamotos score won the film a BAFTA Award for Best Film Music.
Coversart streamings / socials:
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#coversart #sakamoto #nordgrand #piano #rework #furyo Ryuichi Sakamoto - Merry Christmas, Mr. Lawrence / @coversart](https://i.ytimg.com/vi/bvF-cV4_L2I/mqdefault.jpg)


![Yann Tiersen - Kerber (Piano Solo) | complete / @coversart
Yann Tiersen: Kerber (Arr. for Piano Solo) | complete
1. Kerlann 00:00
2. Ar Maner Kozh 04:15
3. Kerdrall 09:48
4. Ker Yegu 15:38
5. Ker al Loch 19:31
6. Kerber 24:28
7. Poull Bojer 32:30
A couple of years ago, I secluded myself with an old vintage C. Bechstein grand piano in a small hall, aiming to record some works by Philip Glass. After several attempts, I realized that it wasnt my day. However, with time still on my side, I decided to play and record Yann Tiersens album Kerber, for which I had just received the sheet music. To be honest, this attempt felt unsuccessful. I wasn’t satisfied with my playing, the piano, or the choice and placement of microphones. In general, nothing seemed right.
I tried editing and mixing the recording without much success, so I ultimately decided to delete the project. After deleting it, I forgot about it. Just a few days ago, while cleaning my hard drive, I stumbled upon backup video and audio files. Intrigued, I listened to the preserved recording and decided to breathe new life into this version of Tiersens Kerber.
From the press release:
Named after a chapel in a small village on the island of Ushant, Kerber marks a new chapter in Tiersen’s career. A chapter still true to Tiersen’s nuanced and subtle approach but one that sets out with his most overtly electronic material to date. Beautifully textured, highly immersive, and thoughtfully constructed, Tiersen creates an electronic world, providing an environment in which the piano source exists.
A sense of place has often been a central theme in Tiersen’s work and here that is no different. Each track is tied to a place mapping out the immediate landscape that surrounds Tiersen’s home, linking back to his thoughts on the possibilities of the infinite smallness.
“I think there is a similarity between the infinite big and the infinite smallness of everything,” says Yann Tiersen. “Its the same experiment looking through a microscope as it is a telescope.”
*Yann Tiersen (born 23 June 1970) is a French Breton musician and composer.] His musical career is split between studio recordings, music collaborations, and film soundtracks songwriting. His music incorporates a large variety of classical and contemporary instruments, primarily the electric guitar, the piano, synthesisers, and the violin, but he also includes instruments such as the melodica, xylophone, toy piano, harpsichord, piano accordion, and even a typewriter.
Tiersen is often mistaken for a soundtrack composer; as he is quoted about himself: Im not a composer and I really dont have a classical background, but his real focus is on touring and recording studio albums, which are often used for film soundtracks. Tracks taken from his first three studio albums were used for the soundtrack of the 2001 French film Amélie.
Coversart streamings / socials:
https://linktr.ee/Coversart
#yanntiersen #kerber #piano #coversart #vintagepiano Yann Tiersen - Kerber (Piano Solo) | complete / @coversart](https://i.ytimg.com/vi/cBuscbpfCiU/mqdefault.jpg)
