Uploaded May 2020 | Updated September 2026, 2 weeks ago
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Nolan Randall playing the guitar riff and solo of “Back In Time” by Huey Lewis And The News from 1985’s Back To The Future: Music From The Motion Picture Soundtrack for MCA Records.
Words and music by Huey Lewis, Chris Hayes, Johnny Colla, & Sean Hopper
Tell me doctor, where are we going this time?
Is this the '50s or 1999?
All I wanted to do was play my guitar and sing
So take me away, I don't mind
But you better promise me I'll be back in time
Gotta get back in time
Don't bet your future on one roll of the dice
Better remember lightning never strikes twice
Please don't drive at eighty eight, don't want to be late again
So take me away, I don't mind
But you better promise me I'll be back in time
Gotta get back in time
Gotta get back in time
Get me back in time
Gotta get back in time
Gotta get back in time
Get back, get back
Get back Marty
Gotta get back in time
Gotta get back in time
Get back, get back
*Song Facts*
"Back In Time" plays over the end credits of Back to the Future, the top-grossing film of 1985. Lewis wrote the song with his bandmates Johnny Colla, Chris Hayes and Sean Hopper specifically for the film, incorporating plot elements in the lyrics.
The lyrics are essentially a summary of the movie, with a fairly obvious title that scans better than "Back To The Future." The band also wrote and recorded "The Power of Love" for the film, but that one has nothing to do with the movie itself. Lewis found it much easier writing "Back In Time." "You don't have to invest yourself in it," Lewis told People about writing to the plot. "So that was a lot of fun, actually."
"The Power of Love", which stands on its own, was released ahead of the film and went to #1. "Back In Time" was issued as a single after the movie came out, but failed to chart on the Hot 100.
When director Robert Zemeckis asked Huey Lewis for a song that describes the film, Lewis suggested a tune he was working on with Ry Cooder called "In The Nick Of Time". That song ended up in the movie Brewster's Millions and sung by Patti LaBelle. Lewis came up with "Back In Time" as a replacement.
The title has a dual meaning: Marty McFly goes back in time when he visits the '50s, but he also wants to get back in time for things to return to normal. So he can reunite with his family and his hot girlfriend Jennifer.
"Back In Time" was also used in a second place in the movie - it is heard as Marty McFly (played by Michael J. Fox) wakes up to it on his alarm clock after returning from the past. He wakes up initially believing that it was all a dream.
In the movie, Marty McFly has to drive his time-travelling DeLorean at exactly 88 miles per hour when it is energized by a lightning strike. He only has one chance, because lighting doesn't strike twice. This is reflected in the 2nd verse of "Back In Time".
*Noles Thoughts*
There are few trilogies that stand the test of "time" in movies. But Back To The Future is in a class of it's own. I've been a big fan of the franchise since I was a kid. And I've also been a fan of Huey Lewis & The News for a long time. My mom had the album Sports on CD, and I listened to it a lot back in the day.
This music was made before I was born, but I have a soft spot for 1980s pop rock. Because of the superb songwriting and musicianship. And the mixing of engineer Bob Clearmountain. He mixed "Back In Time" as well as David Bowie's "Let's Dance". And countless others from that period. His mixing really shaped the pop sound at the time. And he innovated mixes in ways that had never been done before.
A fun fact about Back To The Future is that Huey Lewis made a cameo appearance in the movie. Playing one of the judges for the battle of the bands contest at Marty McFly's high school. A square guy with glasses who seems up tight. He rejects Marty's band for being too loud during their audition. The thing about the whole scenario is that Marty's band The Pinheads are playing an instrumental of "The Power Of Love" by Huey Lewis & The News. Which is the theme song of the movie. And Huey decides to reject his own tune while playing the un-hip judge at the high school.
Chris Hayes' guitar solo for "Back In Time" is very melodic. Much like a lot of his other solos with The News. He has the ability to create memorable hooks that follow melody lines. A great example of this is the lead guitar in The News' "Heart & Soul". Which is my favourite Huey Lewis song. Hayes left The News in 2001, but he was a crucial member of the band during their glory years. A very underrated guitar player.
Another great aspect to The News' sound is the use of saxophone from Johnny Colla. For "Back In Time", the saxophone hits the odd-time notes on the choruses. It really works together with the guitar riff as a motif for the song. This was part of The News' influence of 1960s soul music. Where the saxophone worked as a lead instrument.
#HueyLewisAndTheNews #BackInTime #PopRock
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Nolan Randall playing the guitar riff and solo of “Back In Time” by Huey Lewis And The News from 1985’s Back To The Future: Music From The Motion Picture Soundtrack for MCA Records.
Words and music by Huey Lewis, Chris Hayes, Johnny Colla, & Sean Hopper
Tell me doctor, where are we going this time?
Is this the '50s or 1999?
All I wanted to do was play my guitar and sing
So take me away, I don't mind
But you better promise me I'll be back in time
Gotta get back in time
Don't bet your future on one roll of the dice
Better remember lightning never strikes twice
Please don't drive at eighty eight, don't want to be late again
So take me away, I don't mind
But you better promise me I'll be back in time
Gotta get back in time
Gotta get back in time
Get me back in time
Gotta get back in time
Gotta get back in time
Get back, get back
Get back Marty
Gotta get back in time
Gotta get back in time
Get back, get back
*Song Facts*
"Back In Time" plays over the end credits of Back to the Future, the top-grossing film of 1985. Lewis wrote the song with his bandmates Johnny Colla, Chris Hayes and Sean Hopper specifically for the film, incorporating plot elements in the lyrics.
The lyrics are essentially a summary of the movie, with a fairly obvious title that scans better than "Back To The Future." The band also wrote and recorded "The Power of Love" for the film, but that one has nothing to do with the movie itself. Lewis found it much easier writing "Back In Time." "You don't have to invest yourself in it," Lewis told People about writing to the plot. "So that was a lot of fun, actually."
"The Power of Love", which stands on its own, was released ahead of the film and went to #1. "Back In Time" was issued as a single after the movie came out, but failed to chart on the Hot 100.
When director Robert Zemeckis asked Huey Lewis for a song that describes the film, Lewis suggested a tune he was working on with Ry Cooder called "In The Nick Of Time". That song ended up in the movie Brewster's Millions and sung by Patti LaBelle. Lewis came up with "Back In Time" as a replacement.
The title has a dual meaning: Marty McFly goes back in time when he visits the '50s, but he also wants to get back in time for things to return to normal. So he can reunite with his family and his hot girlfriend Jennifer.
"Back In Time" was also used in a second place in the movie - it is heard as Marty McFly (played by Michael J. Fox) wakes up to it on his alarm clock after returning from the past. He wakes up initially believing that it was all a dream.
In the movie, Marty McFly has to drive his time-travelling DeLorean at exactly 88 miles per hour when it is energized by a lightning strike. He only has one chance, because lighting doesn't strike twice. This is reflected in the 2nd verse of "Back In Time".
*Noles Thoughts*
There are few trilogies that stand the test of "time" in movies. But Back To The Future is in a class of it's own. I've been a big fan of the franchise since I was a kid. And I've also been a fan of Huey Lewis & The News for a long time. My mom had the album Sports on CD, and I listened to it a lot back in the day.
This music was made before I was born, but I have a soft spot for 1980s pop rock. Because of the superb songwriting and musicianship. And the mixing of engineer Bob Clearmountain. He mixed "Back In Time" as well as David Bowie's "Let's Dance". And countless others from that period. His mixing really shaped the pop sound at the time. And he innovated mixes in ways that had never been done before.
A fun fact about Back To The Future is that Huey Lewis made a cameo appearance in the movie. Playing one of the judges for the battle of the bands contest at Marty McFly's high school. A square guy with glasses who seems up tight. He rejects Marty's band for being too loud during their audition. The thing about the whole scenario is that Marty's band The Pinheads are playing an instrumental of "The Power Of Love" by Huey Lewis & The News. Which is the theme song of the movie. And Huey decides to reject his own tune while playing the un-hip judge at the high school.
Chris Hayes' guitar solo for "Back In Time" is very melodic. Much like a lot of his other solos with The News. He has the ability to create memorable hooks that follow melody lines. A great example of this is the lead guitar in The News' "Heart & Soul". Which is my favourite Huey Lewis song. Hayes left The News in 2001, but he was a crucial member of the band during their glory years. A very underrated guitar player.
Another great aspect to The News' sound is the use of saxophone from Johnny Colla. For "Back In Time", the saxophone hits the odd-time notes on the choruses. It really works together with the guitar riff as a motif for the song. This was part of The News' influence of 1960s soul music. Where the saxophone worked as a lead instrument.
#HueyLewisAndTheNews #BackInTime #PopRock
![Born On The Bayou (Guitar Solo) Creedence Clearwater Revival - Nolan Randall Of Plaid On Flannel
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Nolan Randall playing the guitar solo of “Born On The Bayou” by Creedence Clearwater Revival from their 1969 album Bayou Country for Fantasy Records.
Words and music by John Fogerty
When I was just a little boy
Standin to my daddys knee
My papa said Son, dont let the man get you
And do what he done to me?
Cause hell get you
Cause hell get ya now, now
And I can remember the Fourth of July
Runnin through the backwood bay
I can still hear my old hound dog barkin
Chasin down a hoodoo there
Chasin down a hoodoo there
Born on the bayou
Born on the bayou
Born on the bayou
Lord, lord
Wish I were back on the bayou
Rollin with some Cajun queen
Wishin I were a fast freight train
A-just a-choogling on down to New Orleans
Born on the bayou
Born on the bayou
Born on the bayou
Do it, do it, do it, do it
And I can remember the Fourth of July
Runnin through the backwood bay
And I can still hear my old hound dog barkin
Chasin down a hoodoo there
Chasin down a hoodoo there
Born on the bayou
Born on the bayou, Lord, Lord
Born on the bayou
Alright, do
Do it, do it, do it, do it
*Song Facts*
Born on the Bayou is the first track on Creedence Clearwater Revivals second album, Bayou Country (1969). It was released as the B-side of the single Proud Mary that reached No. 2 on the Billboard charts. The song was covered by Little Richard.
Songwriter John Fogerty set the song in the South, despite neither having lived nor widely traveled there. He commented: Born on the Bayou was vaguely like Porterville, about a mythical childhood and a heat-filled time, the Fourth of July. I put it in the swamp where, of course, I had never lived. It was late as I was writing. I was trying to be a pure writer, no guitar in hand, visualizing and looking at the bare walls of my apartment. Tiny apartments have wonderful bare walls, especially when you cant afford to put anything on them. Chasing down a hoodoo. Hoodoo is a magical, mystical, spiritual, non-defined apparition, like a ghost or a shadow, not necessarily evil, but certainly other-worldly. I was getting some of that imagery from Howlin Wolf and Muddy Waters.
Hoodoo was the name of a 1976 solo album by John Fogerty that he never released. By his own account, it was terrible. A couple of singles leaked out, though. Unfortunately for Fogerty, at least one (Youve got the Magic) can be found on YouTube.
Born on the Bayou, Proud Mary, and Choolgin were all connected in Fogertys mind. In Bad Moon Rising, he said: I was writing these at night, and I remember that Bobby Kennedy got killed during this time. I saw that late at night. They kept showing it over and over. Bayou and Proud Mary and Chooglin were all kind of cooking at that time. Id say that was when the whole swamp bayou myth was born—right there in a little apartment in El Cerrito. It was late at night and I was probably delirious from lack of sleep. I remember that I thought it would be cool if these songs cross-referenced each other. Once I was doing that, I realized that I was kind of working on a mythical place.
In Rolling Stones 100 Greatest Guitar Songs issue, John Fogerty explained that Born On The Bayou originated when Creedence Clearwater Revival were booked at San Franciscos Avalon Ballroom in 1968. Said Fogerty: We were the #7 act on the bill, bottom of the totem pole. And as the first guys to go on, we were the last to soundcheck before they opened the doors. It was like, Heres the drums, boom, boom; heres the guitar, clank, clank. I looked over at the guys and said, Hey, follow this! Basically, it was the riff and the attitude of Born on the Bayou, without the words.
Born on the Bayou was the first song Creedence played in their set at Woodstock in 1969. They were a big part of the festival, performing 11 songs on the second day. The band first hit the stage at 3:30 am when the majority of the Woodstock crowd was zonked out. Fogerty recalled: We were ready to rock out and we waited and waited and finally it was our turn ... there were a half million people asleep. These people were out. It was sort of like a painting of a Dante scene, just bodies from hell, all intertwined and asleep, covered with mud. And this is the moment I will never forget as long as I live: A quarter mile away in the darkness, on the other edge of this bowl, there was some guy flicking his Bic [lighter], and in the night I hear, Dont worry about it, John. Were with you. I played the rest of the show for that guy.
Bon on the Bayou is an example of swamp rock, a genre associated with John Fogerty, Little Feat/Lowell George, The Band, J.J. Cale and Tony Joe White. The guitar setting for the intro is over-driven with amp tremolo on a slow setting; Fogerty used a Gibson ES-175 (which was stolen from his car soon after recording this track).
#CreedenceClearwaterRevival #BornOnTheBayou #RootsRock Born On The Bayou (Guitar Solo) Creedence Clearwater Revival - Nolan Randall Of Plaid On Flannel](https://i.ytimg.com/vi/ob2U4fsI3EE/mqdefault.jpg)









