Uploaded April 2019 | Updated September 2026, 1 week ago
http://www.egs.edu Avital Ronell, Professor of Philosophy at The European Graduate School / EGS. Saas-Fee, Switzerland. August 5th, 2018. Public open lecture for the students of the Division of Philosophy, Art & Critical Thought.
Avital Ronell is the Jacques Derrida Chair and professor of philosophy at The European Graduate School / EGS, as well as University Professor of the Humanities and Professor of German, Comparative Literature, and English at New York University.
Her research and theoretical contributions extend across the fields of literary studies, philosophy, feminist theory, technology and media, psychoanalysis, deconstruction, ethics, and performance art.
Born in Prague to Israeli diplomats, Ronell emigrated to New York in 1956. She completed a Bachelor of Arts at Middlebury College, and then went on to study with Jacob Taubes and Hans-Georg Gadamer at the Hermeneutics Institute at the Freie Universität Berlin. Ronell returned to the United States and continued her studies at Princeton University, where, under the supervision of Stanley Corngold and with a thesis entitled The Figure of Poetry: Self-reflection in Goethe, Hölderlin, and Kafka, she received a PhD in Germanic languages and literature, in 1979. After completing her doctorate, Avital Ronell moved to Paris in order to study directly with Jacques Derrida and Hélène Cixous. After her years of study in Paris, she assumed a number of professorships at various universities in the United States, including the University of Virginia, the University of California, Riverside, and the University of California, Berkeley. In 1995, she returned to New York to assume her post at New York University. Avital Ronell has been the recipient of a number of prestigious awards and fellowships, including: Alexander von Humboldt-Stiftung Fellowship (1981–1983), American Cultures Fellowship (1991), Research Fellow Award (1993), and the University of California’s President’s Fellowship (1995–1996). Further, she has served as chair of the Division of Philosophy and Literature and chair of the Division of Comparative Literature at the Modern Language Association, from 1993 to 1996.
In 2009, the Centre Pompidou invited her to hold a series of conference performances with artists and philosophers such as Pierre Alferi, Werner Herzog, Judith Butler, Laurence Rickels, Jean-Luc Nancy, and Suzanne Doppelt, among others. The project went under the title: Selon… Avital Ronell (According to… Avital Ronell).
In October 2015, Ronell was presented with the prestigious insignia of Chevalier of the Order of Arts and Letters by the French Minister of Culture.
As one of the first English translators of Jacques Derrida’s work, Avital Ronell is widely credited as one of the primary figures introducing his work to English speaking audiences—and American academia more specifically. While Derrida is certainly the over-whelming influence on Ronell’s work, she is in constant dialogue with a number of philosophers and theorists, including Friedrich Nietzsche, Martin Heidegger, Emmanuel Levinas, or Maurice Blanchot, to name but a few. While her work is often considered as deconstructive, Derridean, Heideggerian, post-feminist, post-structuralist, or psychoanalytic, Ronell’s thinking and writing works beyond these labels remaining utterly singular and thoroughly transgressive.
Ronell's texts are remarkable both for what they say and for the extraordinary way in which they say it. As in her most infamous book, the Telephone Book: Technology, Schizophrenia, Electric Speech (1989), Avital Ronell seeks to undermine and “address,” through direct intervention, commonly held views of the addressee and the author. Exploiting typography, Ronell’s texts seem to explode from the page. Illegible in instances, the texts mimic the dislocating and alienating nature of the fractured telephone conversation questioning the role of both author and reader.
For more continue here:
https://egs.edu/faculty/avital-ronell
http://www.egs.edu Avital Ronell, Professor of Philosophy at The European Graduate School / EGS. Saas-Fee, Switzerland. August 5th, 2018. Public open lecture for the students of the Division of Philosophy, Art & Critical Thought.
Avital Ronell is the Jacques Derrida Chair and professor of philosophy at The European Graduate School / EGS, as well as University Professor of the Humanities and Professor of German, Comparative Literature, and English at New York University.
Her research and theoretical contributions extend across the fields of literary studies, philosophy, feminist theory, technology and media, psychoanalysis, deconstruction, ethics, and performance art.
Born in Prague to Israeli diplomats, Ronell emigrated to New York in 1956. She completed a Bachelor of Arts at Middlebury College, and then went on to study with Jacob Taubes and Hans-Georg Gadamer at the Hermeneutics Institute at the Freie Universität Berlin. Ronell returned to the United States and continued her studies at Princeton University, where, under the supervision of Stanley Corngold and with a thesis entitled The Figure of Poetry: Self-reflection in Goethe, Hölderlin, and Kafka, she received a PhD in Germanic languages and literature, in 1979. After completing her doctorate, Avital Ronell moved to Paris in order to study directly with Jacques Derrida and Hélène Cixous. After her years of study in Paris, she assumed a number of professorships at various universities in the United States, including the University of Virginia, the University of California, Riverside, and the University of California, Berkeley. In 1995, she returned to New York to assume her post at New York University. Avital Ronell has been the recipient of a number of prestigious awards and fellowships, including: Alexander von Humboldt-Stiftung Fellowship (1981–1983), American Cultures Fellowship (1991), Research Fellow Award (1993), and the University of California’s President’s Fellowship (1995–1996). Further, she has served as chair of the Division of Philosophy and Literature and chair of the Division of Comparative Literature at the Modern Language Association, from 1993 to 1996.
In 2009, the Centre Pompidou invited her to hold a series of conference performances with artists and philosophers such as Pierre Alferi, Werner Herzog, Judith Butler, Laurence Rickels, Jean-Luc Nancy, and Suzanne Doppelt, among others. The project went under the title: Selon… Avital Ronell (According to… Avital Ronell).
In October 2015, Ronell was presented with the prestigious insignia of Chevalier of the Order of Arts and Letters by the French Minister of Culture.
As one of the first English translators of Jacques Derrida’s work, Avital Ronell is widely credited as one of the primary figures introducing his work to English speaking audiences—and American academia more specifically. While Derrida is certainly the over-whelming influence on Ronell’s work, she is in constant dialogue with a number of philosophers and theorists, including Friedrich Nietzsche, Martin Heidegger, Emmanuel Levinas, or Maurice Blanchot, to name but a few. While her work is often considered as deconstructive, Derridean, Heideggerian, post-feminist, post-structuralist, or psychoanalytic, Ronell’s thinking and writing works beyond these labels remaining utterly singular and thoroughly transgressive.
Ronell's texts are remarkable both for what they say and for the extraordinary way in which they say it. As in her most infamous book, the Telephone Book: Technology, Schizophrenia, Electric Speech (1989), Avital Ronell seeks to undermine and “address,” through direct intervention, commonly held views of the addressee and the author. Exploiting typography, Ronell’s texts seem to explode from the page. Illegible in instances, the texts mimic the dislocating and alienating nature of the fractured telephone conversation questioning the role of both author and reader.
For more continue here:
https://egs.edu/faculty/avital-ronell



![Mladen Dolar. Oedipus Revisited. 2018
http://www.egs.edu Mladen Dolar, Professor of Philosophy at The European Graduate School / EGS. Saas-Fee, Switzerland. June 20th, 2018. Public open lecture for the students of the Division of Philosophy, Art & Critical Thought.
Mladen Dolar, born in Maribor, Slovenia, is a senior research fellow in the Department of Philosophy at the University of Ljubljana, Slovenia, and a professor of philosophy at The European Graduate School / EGS. Dolar’s area of research is within German classical philosophy, German idealism, theoretical psychoanalysis, structuralism, and the philosophy of music and film.
After obtaining a diploma in Philosophy and French from the University of Ljubljana in 1978, Dolar continued his studies at the Université de Paris VIII-Vincennes Saint-Denis (1979–80) and at the University of Westminster, London (1989–90). In 1992, he received a PhD in Philosophy from the University of Ljubljana with a dissertation entitled Heglova Fenomenologija duha. Dialektika zavesti in samozavedanja (Hegel’s Phenomenology of Spirit. Dialectic of Consciousness and Self-consciousness). A member of the Philosophy Department since 1980, Dolar was appointed assistant professor in 1984, “docent” of German Classical Philosophy in 1992, associate professor of Philosophy and Theoretical Psychoanalysis in 1996, and, in 2002, took up his current position as Senior Research Fellow. Other academic appointments include a research stay at the Kulturwissenschaftliches Institut, Essen, Germany (2000–01), at the Jan Van Eyck Academie in Maastricht, Netherlands (2010–12), where he served as an advising researcher on the project After Hegel, and, in the fall of 2013, an appointment as Visiting Scholar in the Department of Germanic Studies at the University of Chicago.
Together with Slavoj Žižek and Rastko Močnik, Dolar founded the infamous “Ljubljana School of Psychoanalysis” in the late 1970s. Their aim was, and continues to be, to combine German Idealism (Hegel in particular), Marxism (with and through the Frankfurt School), and the psychoanalytic theories of Jacques Lacan and Structuralism as a form of analysis in addressing contemporary issues. He is also one of the founders of the Ljubljana-based, and closely affiliated, Society for Theoretical Psychoanalysis, as well as of the Society for Cultural Studies. In addition, Dolar is an editorial board member of both the bi-monthly periodical Problemi, which focuses on psychoanalytic theory, philosophy, and cultural studies, and of the Analecta book series, focusing mainly on translations of key works into Slovenian as well as on the work of Slovenian writers in the field; both are published by the Society for Theoretical Psychoanalysis.
The author of ten books in Slovenian, Mladen Dolar is perhaps best known internationally for Operas Second Death (co-authored with Slavoj Žižek, Routledge, 2001) and A Voice and Nothing More (MIT Press, 2006). In the former, “a passionate exploration of opera––the genre, its masterpieces, and the nature of death,” the two authors “explore the strange compulsions that overpower characters in Mozart and Wagner as well as our own desires to die and to go to the opera.” A Voice and Nothing More, which has been translated into six languages thus far, “goes beyond Derridas idea of ‘phonocentrism’ and revives and develops Lacans claim that the voice is one of the paramount embodiments of the psychoanalytic object (objet a). […] He investigates the object voice on a number of different levels—the linguistics of the voice, the metaphysics of the voice, the ethics of the voice (with the voice of conscience), the paradoxical relation between the voice and the body, the politics of the voice—and he scrutinizes the uses of the voice in Freud and Kafka. With this foundational work, Dolar gives us a philosophically grounded theory of the voice as a Lacanian object-cause.”
Mladen Dolar has published over one hundred papers, articles, and book chapters, many of which have been translated. Some of his most recent publications include the essay/book What’s in a Name (edited by Janez Janša, Aksioma 2014), “There Are More Important Things Than Childhood,” a text “on the glorification of childhood through Kafka and Oedipus” (in Janez Janša, Life II [in Progress], Maska 2014), and “To Be or Not to Be? No, thank you,” in Lubitsch Cant Wait: A Collection of Ten Philosophical Discussions on Ernst Lubitschs Film Comedy, which he co-edited with Ivana Novak and Jela Krecic (Slovenska kinoteka, 2014). Forthcoming by Duke University Press is Dolar’s latest book, The Riskiest Moment. Mladen Dolar. Oedipus Revisited. 2018](https://i.ytimg.com/vi/d2l8hZkskKI/mqdefault.jpg)






