Uploaded May 2019 | Updated September 2026, 1 week ago
http://www.egs.edu Robert Brewer Young, Professor at The European Graduate School / EGS. Saas-Fee, Switzerland. August 12th, 2018. Public open lecture for the students of the Division of Philosophy, Art & Critical Thought.
Robert Brewer Young is a violinmaker, photographer and lecturer in the fields of non-classical logic, geometry, philosophical practice and craft.
He completed a B.F.A in filmmaking and photography at the San Francisco Art Institute, mentored by Henry Wessel and Ansel Adam’s assistant, Pirkle Jones.
After photographing the aftermaths of the Central European revolutions in the late 1980’s and early 90’s he studied philosophy at The New School for Social Research in New York. There he completed an M.A., studying with Reiner Schürmann, Dmitri Nikulin, Agnes Heller and Jacques Derrida. He also worked briefly at the Benares Hindu University in India, investigating the Advaita roots of Schopenhauer’s philosophy.
He went on to study with Saul Kripke and Graham Priest in New York, completing an M.Phil. at CUNY where his research focused on paraconsistent logic, non-violence and Sanskrit epistemological texts from the Jain and Buddhist philosophical traditions.
In New York he also completed a five year, formal apprenticeship as a violin maker in the French tradition in the artists’ studios above Carnegie Hall. He then undertook the nine year course of study and exams required for a “Maître Luthier”. He did instrument restoration at the New York Metropolitan Museum and has made instruments for an array of contemporary soloists. His work can be heard in Yo Yo Ma’s Silk Road Project, played by Avante Cellists: Melora Craeger, Zoë Keating and Julia Kent, and in symphonies worldwide.
His current research explores modes of philosophical practice that include: non-bivalent logic as a framework for dialogue, Nietzschean perspectivism, the “spiritual exercises” that Pierre Hadot reveals in the Hellenic and Roman traditions, applied Buddhist logic, Sanskrit philology, dialetheism, and the philosophy of craft.
http://www.egs.edu Robert Brewer Young, Professor at The European Graduate School / EGS. Saas-Fee, Switzerland. August 12th, 2018. Public open lecture for the students of the Division of Philosophy, Art & Critical Thought.
Robert Brewer Young is a violinmaker, photographer and lecturer in the fields of non-classical logic, geometry, philosophical practice and craft.
He completed a B.F.A in filmmaking and photography at the San Francisco Art Institute, mentored by Henry Wessel and Ansel Adam’s assistant, Pirkle Jones.
After photographing the aftermaths of the Central European revolutions in the late 1980’s and early 90’s he studied philosophy at The New School for Social Research in New York. There he completed an M.A., studying with Reiner Schürmann, Dmitri Nikulin, Agnes Heller and Jacques Derrida. He also worked briefly at the Benares Hindu University in India, investigating the Advaita roots of Schopenhauer’s philosophy.
He went on to study with Saul Kripke and Graham Priest in New York, completing an M.Phil. at CUNY where his research focused on paraconsistent logic, non-violence and Sanskrit epistemological texts from the Jain and Buddhist philosophical traditions.
In New York he also completed a five year, formal apprenticeship as a violin maker in the French tradition in the artists’ studios above Carnegie Hall. He then undertook the nine year course of study and exams required for a “Maître Luthier”. He did instrument restoration at the New York Metropolitan Museum and has made instruments for an array of contemporary soloists. His work can be heard in Yo Yo Ma’s Silk Road Project, played by Avante Cellists: Melora Craeger, Zoë Keating and Julia Kent, and in symphonies worldwide.
His current research explores modes of philosophical practice that include: non-bivalent logic as a framework for dialogue, Nietzschean perspectivism, the “spiritual exercises” that Pierre Hadot reveals in the Hellenic and Roman traditions, applied Buddhist logic, Sanskrit philology, dialetheism, and the philosophy of craft.


![Mladen Dolar. Oedipus Revisited. 2018
http://www.egs.edu Mladen Dolar, Professor of Philosophy at The European Graduate School / EGS. Saas-Fee, Switzerland. June 20th, 2018. Public open lecture for the students of the Division of Philosophy, Art & Critical Thought.
Mladen Dolar, born in Maribor, Slovenia, is a senior research fellow in the Department of Philosophy at the University of Ljubljana, Slovenia, and a professor of philosophy at The European Graduate School / EGS. Dolar’s area of research is within German classical philosophy, German idealism, theoretical psychoanalysis, structuralism, and the philosophy of music and film.
After obtaining a diploma in Philosophy and French from the University of Ljubljana in 1978, Dolar continued his studies at the Université de Paris VIII-Vincennes Saint-Denis (1979–80) and at the University of Westminster, London (1989–90). In 1992, he received a PhD in Philosophy from the University of Ljubljana with a dissertation entitled Heglova Fenomenologija duha. Dialektika zavesti in samozavedanja (Hegel’s Phenomenology of Spirit. Dialectic of Consciousness and Self-consciousness). A member of the Philosophy Department since 1980, Dolar was appointed assistant professor in 1984, “docent” of German Classical Philosophy in 1992, associate professor of Philosophy and Theoretical Psychoanalysis in 1996, and, in 2002, took up his current position as Senior Research Fellow. Other academic appointments include a research stay at the Kulturwissenschaftliches Institut, Essen, Germany (2000–01), at the Jan Van Eyck Academie in Maastricht, Netherlands (2010–12), where he served as an advising researcher on the project After Hegel, and, in the fall of 2013, an appointment as Visiting Scholar in the Department of Germanic Studies at the University of Chicago.
Together with Slavoj Žižek and Rastko Močnik, Dolar founded the infamous “Ljubljana School of Psychoanalysis” in the late 1970s. Their aim was, and continues to be, to combine German Idealism (Hegel in particular), Marxism (with and through the Frankfurt School), and the psychoanalytic theories of Jacques Lacan and Structuralism as a form of analysis in addressing contemporary issues. He is also one of the founders of the Ljubljana-based, and closely affiliated, Society for Theoretical Psychoanalysis, as well as of the Society for Cultural Studies. In addition, Dolar is an editorial board member of both the bi-monthly periodical Problemi, which focuses on psychoanalytic theory, philosophy, and cultural studies, and of the Analecta book series, focusing mainly on translations of key works into Slovenian as well as on the work of Slovenian writers in the field; both are published by the Society for Theoretical Psychoanalysis.
The author of ten books in Slovenian, Mladen Dolar is perhaps best known internationally for Operas Second Death (co-authored with Slavoj Žižek, Routledge, 2001) and A Voice and Nothing More (MIT Press, 2006). In the former, “a passionate exploration of opera––the genre, its masterpieces, and the nature of death,” the two authors “explore the strange compulsions that overpower characters in Mozart and Wagner as well as our own desires to die and to go to the opera.” A Voice and Nothing More, which has been translated into six languages thus far, “goes beyond Derridas idea of ‘phonocentrism’ and revives and develops Lacans claim that the voice is one of the paramount embodiments of the psychoanalytic object (objet a). […] He investigates the object voice on a number of different levels—the linguistics of the voice, the metaphysics of the voice, the ethics of the voice (with the voice of conscience), the paradoxical relation between the voice and the body, the politics of the voice—and he scrutinizes the uses of the voice in Freud and Kafka. With this foundational work, Dolar gives us a philosophically grounded theory of the voice as a Lacanian object-cause.”
Mladen Dolar has published over one hundred papers, articles, and book chapters, many of which have been translated. Some of his most recent publications include the essay/book What’s in a Name (edited by Janez Janša, Aksioma 2014), “There Are More Important Things Than Childhood,” a text “on the glorification of childhood through Kafka and Oedipus” (in Janez Janša, Life II [in Progress], Maska 2014), and “To Be or Not to Be? No, thank you,” in Lubitsch Cant Wait: A Collection of Ten Philosophical Discussions on Ernst Lubitschs Film Comedy, which he co-edited with Ivana Novak and Jela Krecic (Slovenska kinoteka, 2014). Forthcoming by Duke University Press is Dolar’s latest book, The Riskiest Moment. Mladen Dolar. Oedipus Revisited. 2018](https://i.ytimg.com/vi/d2l8hZkskKI/mqdefault.jpg)







